In order to better deconstruct the stereotypes associated with the image of the black woman, filmmaker Ayana O'Shun interviewed many women thus tracing the evolution of these stereotypes. They share the frustrating and painful experiences that they have endured as a result. The imagery that has contributed to the damaging effects resulting from the ubiquity of these stereotypes dates back to the period of slavery continuing to the present day media representation of black women, thus contributing to the reprehensible trivialization of racist and sexist behavior. Drawing from multiple testimonies and diverse archival images, the exploration into the myth of the black woman takes the form of an investigation, while offering a portrait of engaging, passionate and rebellious women. — Editorial team (Translation from French)
Le Blog sur les femmes africaines dans le cinéma est un espace pour l'échange d'informations concernant les réalisatrices, comédiennes, productrices, critiques et toutes professionnelles dans ce domaine. Ceci sert de forum public du Centre pour l'étude et la recherche des femmes africaines dans le cinémas.
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- Beti Ellerson
- Director/Directrice, Centre for the Study and Research of African Women in Cinema | Centre pour l'étude et la recherche des femmes africaines dans le cinéma
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Showing posts with label Canada. Show all posts
Showing posts with label Canada. Show all posts
22 November 2022
Ayana O'Shun: Le mythe de la femme noire | The Myth of the Black Woman - Rencontres internationales du documentaire de Montreal
Le mythe de la femme noire
The Myth of the Black Woman
Rencontres internationales du documentaire de Montreal
22 et 25 novembre, 2022
Afin de mieux déconstruire les stéréotypes associés à l’image de la femme noire, la cinéaste Ayana O’Shun a passé en entrevue de nombreuses femmes afin qu’elles racontent l’historique de ces stéréotypes et partagent les incidences frustrantes et souffrantes qu’ils ont occasionné dans leur vie. L’imagerie ayant contribué à l’omniprésence nuisible de ces stéréotypes proviendrait de l’époque de l’esclavage et s’immiscerait encore dans la représentation médiatique actuelle de la femme noire contribuant ainsi à la banalisation révoltante de comportements racistes et sexistes. Le mythe de la femme noire prend la forme d’une enquête grâce à ces multiples témoignages et diverses images d’archives, tout en offrant un portrait de femmes attachantes, passionnées et révoltées.
***
31 May 2022
Women of the Screen from the African Diaspora of Canada
Cilia Sawadogo, Najwa Tlili and Nadia Zouaoui are among the early African women filmmakers to make Canada their home to work and live. As a young university student Cilia, of German-Burkina heritage, came to Quebec to study, now decades later she is a professor at Concordia University where she teaches animation cinema. Najwa has made an important contribution to Quebecois screen culture, bringing a perspective that highlights the evolving diversity of Canadian society. She was especially active at the Vues d'Afrique International Festival, an institution that has been at the forefront in promoting the African and Creole cultures of Canada. Nadia Zouaoui, who has lived in Quebec since the late 1980s, studied at universities there and has made documentaries for the NFB, radio Canada and Aljazeera. In her co-directed film, Nadia’s Journey (2006), she returns to Kabylie, the region of Algeria where she grew up. The Islam of my Childhood (2019) is a road-movie of sorts, relates the devastating impact of political Islam on the traditional cultures and religions of Algeria.
Other women have followed their footsteps, migrating from diverse African and Caribbean countries, as well as navigating between European African diasporas or connecting within the global francophonie. For instance, Dorothy A. Atabong from Cameroon studied in the U.S. and Canada and navigates between the two locations. Also Djiboutian, Lula Ali Ismaïl, based in Canada, has a foot in three continents, in Paris, Montreal and on diverse locations in Africa. Malagasy cultural producer Tiana Rafidy followed a similar transnational trajectory. Djia Mambu, who has since returned to Belgium, spent ten years in Canada during which time she initiated the Ottawa-based VisuElles Film Festival in 2017. Sierra-Leonean-Canadian Ngardy Conteh George uses her camera to tell stories of the Africa and the Diaspora. The co-directed film The Flying Stars, focuses on amputee soccer in post-war Sierra Leone.
With the documentary Into the Light, Togolese filmmaker Gentille M Assih focuses her camera on the empowering life stories of Quebecois women of West African origin, as they attempt to break out of the cycle of domestic violence. Tunisian-born Najwa Tlili brought this phenomenon to light decades before with her film Rupture. She had this to say in to me in an interview in 1997: "Rupture is a film that addresses the problem of conjugal violence lived by Arab women in Canada. While doing this film about conjugal violence, I discovered that the complexities of this inquiry are tied to the circumstances of immigration, and the host country and its culture..."
Notes continuing…by Beti Ellerson
Following is a selection of articles focusing on women of the African Diaspora of Canada published on the African Women in Cinema Blog:
Gentille M Assih - Sortir de l’ombre | Into the Light
https://africanwomenincinema.blogspot.com/2021/04/vues-dafrique-2021-gentille-m-assih.html
Cilia Sawadogo - Presidentes des jurys FESPACO 2019 : Séries télévisuelles et de cinéma d’animation | TV serials and animation
https://africanwomenincinema.blogspot.com/2019/02/cilia-sawadogo-presidentes-des-jurys-fespaco-2019.html
Fespaco 2019 @CNA : Dhalinyaro by/de Lula Ali Ismail (Djibouti) – Village Cinéma Numérique Ambulant | “Digital Mobile Cinema”
https://africanwomenincinema.blogspot.com/2019/02/fespaco-2019-cna-dhalinyaro-byde-lula.html
IIFF 2018 - International Images Film Festival for Women : Sound of Tears, Dorothy A. Atabong, Cameroon/Canada
https://africanwomenincinema.blogspot.com/2018/08/iiff-2018-international-images-film_22.html
LAFF 2015 - Nadia Zouaoui : Post-9/11: Fear, Anger and Politics | Peur, Colère et Politique
https://africanwomenincinema.blogspot.com/2015/03/laff-2015-nadia-zouaoui-post-911-fear.html
FESPACO 2015 - Rachèle Magloire and/et Chantal Regnault : Deported | Expulsés
https://africanwomenincinema.blogspot.com/2015/02/fespaco-2015-rachele-magloire-andet.html
World Premiere: “The Flying Stars” by Ngardy Conteh George (Sierra Leone-Canada) and Allan Tong – 14 November 2014
https://africanwomenincinema.blogspot.com/2014/11/world-premiere-flying-stars-by-ngardy.html
Femmes de cinéma, cinéma de femmes | Women of cinema, cinemas of women de/by Djia Mambu, Africiné, Montréal
https://africanwomenincinema.blogspot.com/2014/04/femmes-de-cinema-cinema-de-femmes-women.html
FESPACO 2013 - Lula Ali Ismaïl : Laan | Les Copines | Girlfriends
https://africanwomenincinema.blogspot.com/2013/02/fespaco-2013-lula-ali-ismail-laan-les.html
Tiana Rafidy: Lorety sy Mardy
https://africanwomenincinema.blogspot.com/2011/03/tiana-rafidy-lorety-sy-mardy.html
Najwa Tlili: Reflections on her film "Rupture"
https://africanwomenincinema.blogspot.com/2010/06/najwa-tlili-reflections-on-her-film.html
25 October 2021
WomEx Tv Production: Francine Kemegni, producer/productrice
WomEx Tv Production
Francine Kemegni, producer/productrice
WomEx Tv Production, is a audiovisual production company incorporated in Montreal in Canada. The producer, Francine Kemegni of Cameroonian origin, through this new concept, wanted to give voice to women in particular.
Women Expression Tv Production est une maison de production audiovisuelle, incorporée à Montreal au Canada. La productrice Francine Kemegni d'origin camerounaise a voulu à travers ce nouveau concept, donner la parole aux femmes en particulier.
Introduction: WomEX (in French)
https://www.youtube.com/watch?v=QX83H5Eew2E
https://www.youtube.com/watch?v=QX83H5Eew2E
19 May 2021
The African Diaspora International Film Festival celebrates Africa Month 2021: 2 Weeks in Lagos by Kathryn Fasegha (Nigeria/Canada)
The African Diaspora International Film Festival (NYADIFF) celebrates Africa Month 2021 with 2 Weeks in Lagos by Kathryn Fasegha (Nigeria/Canada) among the selection of films. Screenings and Zoom Q&As, from May 28 to May 31.
Kathryn Fasegha
2 Weeks in Lagos
Nigeria/Canada
Comedy Drama - 115min - 2019
https://nyadiff.org/
Synopsis
2 Weeks in Lagos is a turbulent and thrilling journey into the lives of Ejikeme and Lola. Their lives collide when investment banker Ejikeme comes home from the United States with Lola’s brother Charlie to invest in Nigerian businesses. Upon meeting Lola, Ejikeme falls in love with her and must defy his parents’ plan to marry him to the daughter of a wealthy politician. 2 Weeks in Lagos captures the excitement, vibrancy, and complexity of everyday life in Lagos, a dynamic city where anything is possible in 2 Weeks.
For information on virtual event
https://watch.eventive.org/africancinema/play/609957193b03050069a44d80
08 April 2021
Vues d'Afrique 2021. Gentille M Assih : Sortir de l’ombre | Into the Light (Togo)
vuesdafrique.org/
Gentille M Assih
Sortir de l’ombre | Into the Light
Gentille M Assih
Sortir de l’ombre | Into the Light
Togo/ Canada
2020 - Documentary - 79min
Image: ONF/NFB
Synopsis
Through the strength of women's voices taking power over their lives after suffering from domestic violence, Into the Light highlights the liberating life stories of Quebecois women of West African origin. Beyond prejudices, the film breaks taboos by giving access to a private universe that is little understood, and testifies to the tremendous empowerment that comes with the end of isolation and the beginning of self acceptance. A luminous dive into the heart of a quest towards personal healing, of a universal humanity. This is the third documentary by the Togolese filmmaker. [https://www.onf.ca/cineastes/gentille-m-assih/]
Par la force de la parole de femmes reprenant le pouvoir sur leur vie
après avoir subi de la violence conjugale, « Sortir de l’ombre » braque
la lumière sur les récits de vie émancipateurs de Québécoises
inspirantes originaires d’Afrique de l’Ouest. Loin des préjugés, le film
brise les tabous en donnant accès à un univers intime méconnu, et
témoigne du formidable sentiment de puissance que provoquent la fin de
l’isolement et l’acceptation de soi. Une plongée lumineuse au cœur d’une
quête de guérison personnelle, d’une humanité universelle. Il s’agit du
troisième documentaire de la réalisatrice d’origine togolaise.
[https://www.onf.ca/cineastes/gentille-m-assih/]
Bio
Author-filmmaker Gentille M. Assih pursued a university education in communication, followed by human resources management, before studying writing and directing creative documentaries. She obtained a master's degree in cinema from UQAM in 2013. In 2009, she directed her first documentary film, Itchombi, produced by Ardèche Images Production. The same year, she produced and directed the short fiction film Bidenam, l’espoir d’un village, with the support of the Goethe-Institut in Johannesburg (Jury Prize at the Vues d'Afrique International Film Festival, Montreal) . In 2010, she completed the documentary Akpéma, which lays the groundwork for the film Le rite, la folle et moi, a story of transmission of a family secret, in which she reveals the weight of traditions and the complexity of African cultures. Released in 2012, Le rite, la folle et moi, among other honors, won the Audience Award for best documentary film at the Cinémas d'Afrique festival in Angers (France). Privileging the personal, her work boldly tackles taboo issues that she does not hesitate to name and tell. While her camera focuses its lens unflinchingly on social issues and ills her writing conveys her resolutely positive vision of the human being. [Vues d'Afrique. Translation from French]
Autrice-réalisatrice, Gentille M. Assih suit une formation universitaire en communication, puis en gestion des ressources humaines, avant d’étudier en écriture et en réalisation de documentaires de création. Elle obtient une maîtrise en cinéma à l’UQAM en 2013. Elle réalise en 2009 son premier film documentaire, « Itchombi », produit par Ardèche Images Production. La même année, elle produit et réalise le court métrage de fiction « Bidenam », l’espoir d’un village, avec le soutien du Goethe-Institut de Johannesburg (Prix du jury du Festival international de cinéma Vues d’Afrique, Montréal). En 2010, elle signe le documentaire « Akpéma », qui jette les bases du film « Le rite, la folle et moi », une histoire de transmission d’un secret de famille, où elle révèle le poids des traditions et la complexité des cultures africaines. Sorti en 2012, « Le rite, la folle et moi » remporte, en plus de plusieurs honneurs, le Prix du public du meilleur film documentaire au festival Cinémas d’Afrique d’Angers (France). Privilégiant le registre de l’intime, son œuvre aborde avec audace des enjeux tabous qu’elle n’hésite pas à nommer et à raconter. Si sa caméra braque sans concession son objectif sur les problématiques et les maux sociaux, sa plume tout en sensibilité traduit sa vision résolument positive de l’humain. [Vues d'Afrique]
https://vimeo.com/477681073
Sortir de l’ombre - (Bande-annonce 01m30s) from NFB/marketing on Vimeo.
06 March 2021
Cascade Festival Of African Films (2021): After film discussion for "Finding Sally" with Tamara Mariam Dawit
After film discussion for Finding Sally with Tamara Mariam Dawit
Tamara Mariam Dawit
Ethiopia/Canada
Finding Sally
Documentary - 2020 - 78min
This film is a personal investigation into the mysterious life of the director’s Aunt Selamawit, also known as Sally, who joined the Ethiopian People’s Revolutionary Party and then disappears. In the process the film covers the history of Ethiopia from the downfall of Emperor Haile Selassie through two decades of Communist military dictatorship under Haile Mengistu, the Derg and the reign of Red Terror, to the present time. What makes this documentary especially moving is that the director tells this history through the lives of three generations of the Dawit family who lived and suffered through it. (Source: africanfilmfestival.org)
After film discussion for Finding Sally with Tamara Mariam Dawit
18 September 2019
Lula Ali Ismaïl: Dhalinyaro (Afrika Film Festival Köln 2019)
Lula Ali Ismaïl
Dhalinyaro
Lula Ali Ismaïl (Djibouti-Canada)
Dhalinyaro, 2018, 85 min.
http://afrikafilmfestivalkoeln.de/programm-2019/dhalinyaro-jeunesse/
DESCRIPTION
English
Deka, Asma and Hibo, 3 young women (from different socio-economic backgrounds) who take their secondary school graduation exam. And that blazing sun and dust that masks the differences.
Français
Deka, Asma et Hibo, 3 jeunes femmes (issues de milieux socio-économiques différents) qui vont passer le BAC. Et ce soleil de plomb et cette poussière qui masque les différences.
BIO: LULA ALI ISMAIL
English

Français
Lula Ali Ismail est une actrice, scénariste et réalisatrice djiboutienne qui vit et travaille au Canada. Sa famille émigre au début des années 1990 à Montréal. Elle s’intéresse au monde du théâtre, et suit un cours d’art théâtral pendant deux ans. Mais, désirant poursuivre comme comédienne, elle ne se voit proposer ensuite que des rôles mineurs dans plusieurs séries televises. En 2012, elle se lance de l’autre coté de la caméra, comme réalisatrice et scénariste, et crée un court métrage de 27 minutes, intitulé Laan.
(Image: jccarthage.com)
(Source: Wikipedia)
22 August 2018
IIFF 2018 - International Images Film Festival for Women : Sound of Tears, Dorothy A. Atabong, Cameroon/Canada
International Images Film Festival
for Women
(Harare)
Sound of Tears, 2014 (Outreach Film)
Dorothy A. Atabong
Cameroon/Canada
SYNOPSIS
Amina and her family have fled the city to escape her estranged lover Josh, and the stamp of shame from their patriarchal community; but Josh tracks them down.
BIOGRAPHY
Cameroon-born Dorothy A. Atabong based in Canada, is an award-winning actress, writer and producer best known for Sound of Tears for which she won various awards including an Africa Movie Academy Award in 2015. Source Wikipedia.
21 March 2015
LAFF 2015 - Nadia Zouaoui : Post-9/11: Fear, Anger and Politics | Peur, Colère et Politique
![]() |
©Nadia Zouaoui |
Luxor African Film Festival | Le festival du film africain de Louxor 2015 : Freedom Films | Films de liberations
Post-9/11: Fear, Anger and Politics | Peur, Colère and Politique (2012)
Nadia Zouaoui (Algeria-Canada)
The filmmaker | La réalisatrice
[English]
Journalist and filmmaker, Nadia Zouaoui was born in Algeria and has lived in Quebec, Canada since 1988. She studied literature and journalism at the University of Montreal and McGill University.
Nadia works for the French and the English CBC (Canadian Broadcasting Corporation ), for the NFB (National Film Board of Canada) and for the Aljazeera Documentary Film Channel.
Nadia’s Journey, a film about the condition of women in Algeria, received the Gemini Award from the Academy of Canadian Television & Cinema, an award at the RIDM (Montreal International Documentary Festival) and the Grand award at FIGRA (Festival International du Grand reportage d’Actualité et du Documentaire de Société) in France.
[Français]
Née en Algérie, Nadia Zouaoui vit au Québec depuis 1988 où elle a fait des études en littérature et en communication à l’Université de Montréal et de McGill. Elle a travaillé pour Radio Canada français et anglais ainsi que pour l’ONF (l’Office National du Film du Canada) et pour la Chaine Documentaire d’Aljazeera.
Elle a gagné plusieurs prix notamment pour son film d’auteur, Le Voyage de Nadia, qui lui a valu le Gémeau de la meilleure écriture documentaire au Québec. Un prix aux RIDM (Rencontres Internationales du Documentaire de Montréal) et le grand prix du FIGRA en France (Festival International du Grand reportage d’Actualité et du Documentaire de Société.)
Synopsis
[English]
Source: NadiaZouaoui.com
Ten years after the terrorist attacks of 9/11, the war on terror has created a lot of injustices within the Muslim Communities in the United States.
While putting human faces on Islamophobia in America, this film also tries to draw a bigger political picture of a fringe group of Islamophobes who manufacture the fear of Islam to feed their own political agenda!
[Français]
Source: Vues d'Afrique
Le documentaire controversé de Nadia Zouaoui revient sur les répercussions des attentats du 11 septembre 2001 sur la communauté musulmane aux Etats-Unis.
Tout en mettant des visages sur l’islamophobie, ce film essaye d’expliquer le travail de sape des islamophobes qui cultivent cette peur de l’islam pour faire avancer leur propre agenda politique. On fait notamment la connaissance d’Adama, une collégienne d’origine africaine qui a séjourné en prison après un interrogatoire musclé, ainsi que de deux autres jeunes musulmans et de leurs familles.
Source: http://nadiazouaoui.com
Image : http://nadiazouaoui.com
Link | Lien
Luxor African Film Festival | Le festival du film africain de Louxor 2015 : Official Selection | Sélection officielle
30 June 2010
Najwa Tlili: Reflections on her film: Rupture
From a conversation with Najwa Tlili (Tunisia) in 1997 at Vues d'Afrique, Montreal, Canada, while still in production of the film Rupture.
Rupture is a film that addresses the problem of conjugal violence lived by Arab women in Canada. While doing this film about conjugal violence, I discovered that the complexities of this inquiry are tied to the circumstances of immigration, and the host country and its culture...
I focus on women living in Montreal, and who at the same time are connected to Canadian culture. And yet, there is a fundamental element that I want to touch. Beyond this complexity of violence, I find myself making a film about the Arab woman, her condition, which is not different from that of the Arab woman living in Tunisia or any other Arab country...
It is very difficult to situate myself in relation to this film, to say what identity I should give it. I would say that it is the identity of the moment. I find myself invested in this film, inhabited by it, and finally it is allowing me to have a certain reconciliation with myself...
When I talk about the condition of the Arab woman in my film, I realize that there is a reality that surfaces in which the Arab women who live here are trying to overcome their situations individually. They do not do so within a community. There is no movement to propel this process; there is no revolution. In the Arab world, it is the same thing; women cope with their problems alone, it is the same case in Africa...
From Sisters of the Screen: Women of African on Film, Video and Television. Beti Ellerson. (Africa World Press, 2000).
Rupture (1998) by Najwa Tlili
from the Office National du Film Du Canada/National Film Board of Canada
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