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ABOUT THE BLOGGER
- Beti Ellerson
- Director/Directrice, Centre for the Study and Research of African Women in Cinema | Centre pour l'étude et la recherche des femmes africaines dans le cinéma
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04 September 2026
Non Noto, il documentario di Tezeta Abraham, che indaga la storia coloniale italiana e le sue eredità - Intervista di Fabiola Celenza
04 August 2025
Africa Reframed - Sosena Solomon journeys across Africa to capture the continent’s rich cultural heritage
In a new 12-part film series commissioned by the Metropolitan Museum of Art and the World Monuments Fund, Ethiopian-American filmmaker Sosena Solomon journeys across Africa to capture the continent’s rich cultural heritage and through the eyes of those who protect it.
Image Source: Forbes Africa : Solomon interviews a priest at Abuna Yemata Guh, an ancient monolithic church carved into the sandstone cliffs of Ethiopia’s Tigray Region (Image by Stephen Battle)
Also see: https://www.forbesafrica.com/entertainment/2025/07/31/africa-reframed-how-this-ethiopian-american-filmmaker-captured-the-continents-rich-culture/
09 June 2024
Ruth Hunduma, laureate of the Hypatia Golden Award for the documentary The Medallion at the 10th edition of the Alexandria Short Film Festival (ASFF) in Egypt
Ruth Hunduma, laureate of the Hypatia Golden Award for the documentary The Medallion at the 10th edition of the Alexandria Short Film Festival (ASFF) in Egypt
The documentary portrays the filmmaker's mother, a survivor of the Red Terror in Ethiopia which left hundreds of thousands of victims. A powerful testimony to a nightmare that remains unknown in the West.
Excerpted from an interview with Ruth Hunduma by Nicolas Bardot at lepolyester.com
The idea for the film came from a short story I wrote when I was at university called The Medallion, about the genocide of the Red Terror, from the point of view of my mother. In 2022, during the Tigray War, as I was preparing to travel to Ethiopia to spend time with my mother, my producer suggested that I re-visit the story of The Medallion. Within the context of the civil war at the time, it was the perfect context to open up a discourse not only about the war itself, but also about Western media bias during the Red Terror genocide, which unfortunately, like the Tigray war, attracted little or no attention. I started filming it myself with the cameras that I had on hand; and bit by bit, I started constructing the DNA of the film.
23 January 2023
Salem Mekuria: Awra Amba’s (E)utopia - Work in progress
I am raising money to complete a full length film documentary about the unique community of Awra Amba. The film will tell the story of how a small dusty village called Awra Amba in Northern Ethiopia gave birth to a uniquely indigenous utopian society in 1972, and is still thriving fifty years on. In the spring of 2022, Awra Ambans celebrated their 50th anniversary. I have been documenting their story since 2014. but filming was suspended because of the Covid Pandemic and the armed conflict in Tigray. Now that the conflict is on the way to resolution, I would like to complete shooting the final portion of the film in February-March 2023. Please help me complete shooting the documentary.
No donation is too small!
See Facebook Page: https://www.facebook.com/donate/573588941013900/573588947680566/
Image & Text source: salemmekuria.com
04 December 2022
JOURNEY(S): A docupoem anthology by Saaret E. Yoseph
JOURNEY(S) is a narrative trip between distant sister cities—Addis Ababa, Ethiopia & Washington, DC. The experimental docupoem anthology combines interview excerpts of oral history with original poetry to explore identity, migration, memory and the meaning of “home.”
The text below documents the Zoom event held on 22 December 2022. The actual film, streamed on kweliTV is 39 minutes.
An eclectic collage of language and movement, each episode of JOURNEY(S) will be roughly 5-8 minutes long and paired with a video portrait dedicated to the Black feminine gaze. Visual source materials will be spliced and reimagined, including advertisements, newspaper headlines and pictorials from the 60s, 70s and 80s, ripped from the pages of history and transformed for the anthology, in order to speak to the collective experiences of Black transnational women across the African diaspora.
Updated on 4 August 2025 to include kwelTV link. Original post included Zoom link which is no longer available.
24 August 2022
Eyerusaleam Kassahun: Review of Fig Tree by Aäläm-Wärqe Davidian
Aäläm-Wärqe Davidian, director. Fig Tree. 2018. 93 minutes. Amharic. Black Sheep Film Productions
Published online by Cambridge University Press: 19 August 2022
Fig Tree explores the dilemma of Mina, a sixteen-year-old Ethiopian Jewish girl, who becomes increasingly resistant to her family’s plan to leave Ethiopia for Israel because she is determined not to leave until she has rescued her Christian boyfriend Eli from being drafted into the Derg regime’s army. Read entire review at African Studies Review
Eyerusaleam Kassahun is a lecturer in theatre arts at Addis Ababa University. She directed the romantic comedy Trafiqua (Traffic Cop) and published an essay on women in Ethiopia’s film industry.
17 October 2021
Jessica Beshir: Faya Dayi - FESPACO 2021
Synopsis
Ethiopian legend has it that khat, a stimulant leaf, was found by Sufi Imams in search of eternity. Inspired by this myth, Faya Dayi is a spiritual journey into the highlands of Harar immersed in the rituals of khat, a leaf that Sufi Muslims chewed for religious meditations – and Ethiopia’s most lucrative cash crop today. Through the prism of the khat trade, Faya Dayi weaves a tapestry of intimate stories of people caught between violent government repression, khat-induced fantasies and treacherous journeys beyond their borders, and offers a window into the dreams of the youth who long for a better life. Source: Fespaco.org
D’après la tradition soufie, si l’on mâche le khat, une feuille verte aux vertus stimulantes, on trouve le chemin vers l’éternité. Ce premier film de Jessica Beshir est un voyage dans les montagnes d’Éthiopie où le khat est devenu une culture répandue et lucrative. Entre légende et réalité, Faya Dayi raconte l’histoire d’un peuple qui vit de cette feuille minuscule mais puissante. Source: film-documentaire.fr
Bio
Jessica Beshir is a Mexican-Ethiopian director, producer and cinematographer based in Brooklyn. She made her directorial debut with her short film, HAIRAT, which premiered at Sundance 2017/ Criterion/ Topic/ The Atlantic. She is a recipient of the Sundance documentary fellowship, Jerome Foundation, Doha Film Institute and NYSCA artist fellowships. Her short films including He Who Dances on Wood/PBS and Heroin/Topic, have screened at Festivals and museums around the world including the Rotterdam Film Festival, Hot Docs, IDFA, Tribeca Film Festival, Museum of the Moving Image NY and the Eye Film Museum Amsterdam among others. Faya Dayi is her feature film debut.
Source: https://www.fayadayi.com/info
Mexicaine-Éthiopienne Jessica Beshir est une réalisatrice, productrice et directrice de la photo. Elle a obtenu sa Licence en études cinématographiques et littérature à l'Université UCLA (Californie, USA). Elle a réalisé le court métrage HAIRAT (2017) et le court métrage He Who Dances on Wood (2017). Elle est en train de produire son premier long métrage dont l'action de passe à Harar, en Ethiopie. Jessica vit à Brooklyn, New-York (Etats-Unis).
Source: africine.org/index.php/personne/jessica-beshir/52418
06 March 2021
Cascade Festival Of African Films (2021): After film discussion for "Finding Sally" with Tamara Mariam Dawit
Tamara Mariam Dawit
This film is a personal investigation into the mysterious life of the director’s Aunt Selamawit, also known as Sally, who joined the Ethiopian People’s Revolutionary Party and then disappears. In the process the film covers the history of Ethiopia from the downfall of Emperor Haile Selassie through two decades of Communist military dictatorship under Haile Mengistu, the Derg and the reign of Red Terror, to the present time. What makes this documentary especially moving is that the director tells this history through the lives of three generations of the Dawit family who lived and suffered through it. (Source: africanfilmfestival.org)
09 February 2021
New York African Film Festival 2021: "Min Alesh?" by Amleset Muchie
Min Alesh?
Ethiopia
2019 - Fiction - 84mins
Set in Merkato, a sprawling, open-air market in Addis Ababa, Ethiopia, Min Alesh? tells the inspiring story of 21-year-old Selam, whose perseverance transforms her life for the better. Having grown up amid poverty and hardships, Selam is determined to change her and her family’s circumstances through her passion for running. An international race offers her a chance to achieve her dream.
More information:
https://virtual.filmlinc.org/film/min-alesh/
14 December 2020
"The Women Blowing up Ethiopia's Film Industry". An essay by film scholar Steven W. Thomas
"The Women Blowing up Ethiopia's Film Industry". An essay by film scholar Steven W. Thomas
The Women Blowing up Ethiopia's Film Industry. Successful Female Writers, Directors, and Producers Set the Nation Apart From Hollywood, Bollywood, and the Rest of World Cinema. Published September 11, 2020 on Zocalopublicquare.org
Scholar Steven W. Thomas traces the contributions of Ethiopian women in cinema, adding an important discourse to African Women in Cinema studies on the works of Ethiopian women in the country as well as the Ethiopian diaspora.
Read article at the following link: https://www.zocalopublicsquare.org/2020/09/11/women-ethiopian-film-industry-rukiya-ahmed-helen-tadesse-arsema-workukidist-yilma/ideas/essay/
Image: Steven W. Thomas
17 August 2020
RECENT FILMS. Tamara Mariam Dawit: "Finding Sally" (Ethiopia/Canada)
Finding Sally
(2020)
07 November 2019
A Fool God, un/a film de/by Hiwot Getaneh - Analyse/Analysis par/by Djia Mambu (Africine.org)
Toronto, Septembre 2019
29 October 2019
Ndiva Women’s Film Festival 2019: Many Love by Rediat Abayneh (Ethiopia)
19 September 2019
Aäläm-Wärqe Davidian: Fig Tree (Afrika Film Festival Köln 2019)
22 September 2018
Toronto International Film Festival 2018 Laureates: Aäläm-Wärqe Davidian (Fig Tree), Meryam Joobeur (Brotherhood)
13 February 2018
Lucy Gebre-Egziabher: A Woman on a Mission
U.S.-based Ethiopian filmmaker-professor Lucy Gebre-Egziabher is a woman on a mission to empower as many women as possible to take leadership roles in cinema. While planning for the curriculum for her seminar, “From Script to Screen” as a Fulbright Scholar in Addis Ababa in the fall of 2016, she put into practice what she already understood about the importance of having gender parity in her classroom. She asked the admissions representative to actively encourage women to enroll. Women answered the call. Her empowerment strategy had proven successful: the U.S. Embassy in Addis Ababa invited her to lead a screenwriting workshop for Ethiopian women journalists and filmmakers in conjunction with its consciousness raising campaign on gender-based violence (GBV). The women responded again energetically: these women were on a mission! She developed the screenwriting workshop, entitled “Telling Herstory”, around the theme of gender-based violence. Each of the three scriptwriting finalists produced a five-minute film, funded by the U.S. Embassy, which was screened at the launching of its GBV campaign.
26 April 2017
Tibeb Girls, an animation project by Bruktawit Tigabu (Ethiopia)
The Tibeb program will help provide a social behavioral change communication package & health care services for adolescents, helping them to learn about the changes that happen at their age and to explore their world in a healthy way.
02 February 2017
Focus on sexual abuse of girls: Fre by/de Kinfe Banbu
17 March 2016
"Labyrinth of Belonging" the story of the enigmatic Ethiopian Nun Composer Emahoy Tsege Mariam Gebru
18 September 2015
Hiwot Admasu Getaneh: “New Eyes” (Ethiopia | Ethiopie)
Source: http://www.films-am.com/new-eyes.html
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