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Showing posts with label African Film Festival (New York). Show all posts
Showing posts with label African Film Festival (New York). Show all posts

20 November 2021

"La Femme Anjola" by Mildred Okwo - North American Premiere


SUN, NOV 21 AT 6:00PM

"La Femme Anjola" by Mildred Okwo
North American Premiere


Join MCC Theater and AFF for the North American premiere of Mildred Okwo's La Femme Anjola, starring Rita Dominic and Nonso Bassey! La Femme Anjola (The Woman Anjola) is a neo-noir crime thriller about a young Lagos investment banker, Dejare Johnson (Nonso Bassey), whose life is turned upside down when he falls for a beautiful singer Anjola Kalu (Rita Dominic) married to wealthy gangster Odera Kalu (Chris Iheuwa).

A virtual Q&A with the director and cast, moderated by culture journalist, Antoinette Isama, precedes the screening!

24 February 2021

New York African Film Festival 2021: Amina Weira discusses "La Colère dans le vent | Anger in the Wind"

New York African Film Festival 2021: Amina Weira discusses "La Colère dans le vent | Anger in the Wind"
 
From her studio, Amina Weira discusses her trajectory into filmmaking, her experiences with making the film Anger in the Wind (2016), about the impact on the environment and the population of Arlit confronted with the exploitation of the uranium by the mining company Areva.
 
"When I went to visit the mines with my father…what I saw disturbed me…I discovered…the dangers associated with this activity, environmental and health-wise. In particular the exposure to radioactivity...I realized that the mine emits radioactivity which is harmful to our health…"
 
"It was to express anger through the wind, the anger of the population…but it is the extent of the danger that awaits the population…and the violence of the wind is the sandstorm which comes to invade the whole city…"
 
Image: Screen capture
YouTube: https://www.youtube.com/watch?v=7Opy-g8a5kk 

09 February 2021

New York African Film Festival 2021: "Min Alesh?" by Amleset Muchie

Amleset Muchie
Min Alesh?
Ethiopia
2019 - Fiction - 84mins

Set in Merkato, a sprawling, open-air market in Addis Ababa, Ethiopia, Min Alesh? tells the inspiring story of 21-year-old Selam, whose perseverance transforms her life for the better. Having grown up amid poverty and hardships, Selam is determined to change her and her family’s circumstances through her passion for running. An international race offers her a chance to achieve her dream.

More information:
https://virtual.filmlinc.org/film/min-alesh/

Ethiopian filmmaker and actress Amleset Muchie joins film producer Selma Idris in a discussion about Amleset's film, "Min Alesh?"
https://www.youtube.com/watch?v=ZVuNmmtgwYQ
 

07 February 2021

New York African Film Festival 2021 - Visions of Africa: discussion with Gaston Kaboré, Ngozi Onwurah, Amjad Abu Alala and Hlumela Matika moderated by June Givanni

New York African Film Festival 2021 - Visions of Africa: discussion with Gaston Kaboré, Ngozi Onwurah, Amjad Abu Alala and Hlumela Matika moderated by June Givanni

WEDNESDAY, FEB 10 AT 2PM
NYAFF Free Zoom Talk: Visions of Africa


To celebrate the 28th NYAFF and Black History Month, join the special panel discussion on the past, present, and future of African cinema with the filmmakers Gaston Kaboré (Wend Kuuni; Buud Yam), Ngozi Onwurah (The Body Beautiful, Shoot the Messenger), Amjad Abu Alala (You Will Die at Twenty) and Hlumela Matika (Tab). Moderated by curator and scholar June Givanni.

 UPDATED TO INCLUDE DISCUSSION

06 February 2021

New York African Film Festival 2021: Spotlight on Fanta Régina Nacro

New York African Film Festival 2021: Spotlight on Fanta Régina Nacro

A spotlight on trailblazer Fanta Régina Nacro from Burkina Faso features several of her short films:
 
A Certain Morning/Un certain matin (1991)
Bintou (2001)
Konaté's Gift (1997)
Puk Nini (1995)
 
Follow link to:
New York African Film Festival
https://africanfilmny.org/event/spotlight-on-fanta-regina-nacro/

Film at Lincoln Center's Virtual Cinema
https://virtual.filmlinc.org/tv/spotlight-on-fanta-regina-nacro/1

Fanta Régina Nacro in Conversation with Yvonne Pambo

04 February 2021

The 28th New York African Film Festival - Virtual Edition 2021 - Notes from Home: Recurring Dreams and Women's Voices

The 28th New York African Film Festival

Virtual Edition 2021
Notes from Home: Recurring Dreams and Women's Voices
February 4 to March 4

Featuring Fanta Régina Nacro Retrospective

Presented by Film at Lincoln Center (FLC), Maysles Cinema and AFF, the 28th New York African Film Festival explores the theme, Notes from Home: Recurring Dreams and Women's Voices, with a virtual program celebrating the shared aspirations that drive humanity through time and the voices of the women who push the culture forward while preserving treasured traditions.

The festival will be presented in FLC’s Virtual Cinema from February 4 to 14 and in the Maysles Virtual Cinema from February 18 to March 4.

To purchase tickets to view the films follow the link:
https://virtual.filmlinc.org/page/new-york-african-film-festival/ 

Source: Press Release
Festival Schedule: https://africanfilmny.org/festival/2021-schedule/
Image: africanfilmny.org

Watch the festival introduction by Executive Director and NYAFF Founder Mahen Bonetti
https://www.youtube.com/watch?v=piwIa1OXXuU&feature=youtu.be

 

21 November 2020

New York African Film Festival 2020 Goes Virtual with Streaming Rivers: The Past into the Present

New York African Film Festival 2020 Goes Virtual with Streaming Rivers: The Past into the Present


PRESS RELEASE
By Film at Lincoln Center on November 19, 2020
Tickets go on sale 11/23 at https://virtual.filmlinc.org/

Presented by Film at Lincoln Center and African Film Festival, Inc.[https://africanfilmny.org/
], the 27th edition of the NYAFF runs online December 2-6.

Under the banner “Streaming Rivers: The Past into the Present,” the New York African Film Festival (NYAFF) returns virtually December 2-6 with a spotlight on the cinema of two nations: Nigeria and the Sudan. Presented by Film at Lincoln Center (FLC) and African Film Festival, Inc. (AFF), this year’s regional NYAFF will screen six features and eight short films in the FLC Virtual Cinema, as AFF celebrates its 30th anniversary.

The festival will transport audiences to the Sudan and Nigeria, two nations whose film industries were disrupted in their nascency—in Nigeria by an economic decline in the late 1970s and early 1980s; in Sudan by the dictatorship of Omar al-Bashir, whose 30-year grip on the country was ended by the 2019 uprising. In recent years, Sudan’s film industry has been revived by an emerging crop of filmmakers, who are also dedicated to restoring the works of the veterans on whose shoulders they stand. Nollywood can claim the mantle of being Africa’s homegrown film industry, which has influenced filmmakers globally and provided the template for other nations to jump-start their own nascent motion picture businesses.

The event includes films from some of each nation’s trailblazing directors and latest wave of filmmakers. NYAFF will present two of esteemed Sudanese filmmaker Ibrahim Shaddad’s brilliant works: Hunting Party (1964) and Human (1994). Suhaib Gasmelbari’s acclaimed documentary Talking About Trees captures the efforts of Shaddad and fellow friends and retired Sudanese filmmakers Manar Al Hilo, Suleiman Mohamed Ibrahim, and Altayeb Mahdi—each of whom was trained abroad and whose work was suppressed for decades by Islamist censorship after the 1989 coup—to reopen an outdoor cinema. Among the film’s 12 prizes is the Panorama Audience Award at the 2019 Berlin Film Festival and the Documentary Award at the 2020 Palm Springs International Film Festival.

The Opening Night film is Amjad Abu Alala’s arresting drama You Will Die at 20, winner of the Lion of the Future “Luigi de Laurentiis” Award for a Debut Film at the 2019 Venice Film Festival and Sudan’s first-ever entry for Best International Feature Film, for the upcoming 93rd Academy Awards. In the film, a young man, who the village’s holy man has prophesied will die as he reaches his second decade, turns 19.

Nollywood, the world’s most prolific film industry after Bollywood, was born out of the resourcefulness of creatives working despite economic challenges. NYAFF’s Centerpiece film is the 40th anniversary screening of Kadara (“Destiny”), the debut work of one such filmmaker, the late Adeyemi Afolayan (known as Ade Love), considered one of the fathers of Nollywood. Afolayan wrote and stars in the humorous film, which captures the rivalry between a handsome, charming farmer and a rich brute as they compete in a wrestling contest to prove their worthiness for the hand of the kingdom’s beautiful princess.

In Three Thieves, Udoka Oyeka’s Nigerian comedy, three friends hired to commit a simple theft end up as accidental kidnappers—all while being pursued by the police and the robber whose job they took.

Filmed over four years, Marwa Zein’s documentary Khartoum Offside follows the Sudanese Women’s Football Team as they defy a ban imposed by Sudan’s Islamist military government against women playing soccer—while Zein herself defies the ban against women making movies. The film won Best Documentary at the 2019 Africa Movie Academy Awards, as well as Best Documentary at the Carthage Film Festival (JCC).

Set in South London, Ngozi Onwurah’s Shoot the Messenger (2006)—winner of the Dennis Potter Screenwriting Award and two BAFTA TV Awards—stars David Oyelowo as Joe, a teacher whose life spirals out of control after he is falsely accused of hitting a student and branded a racist by the local Black community. The film features Daniel Kaluuya in one of his breakout roles.

“Art generally reflects our reality and the evolution of our world,” said AFF Executive Director and NYAFF Founder Mahen Bonetti. “While our programs might highlight the challenges Africa faces, they also illuminate her greatness and her vast contribution to our global cultures!”

The festival also includes a shorts program featuring Zein’s A Game, an adaptation of the Italian short story “Let’s Play a Game,” depicting a confrontation between a divorced woman and her young daughter; Onwurah’s Coffee Colored Children, which speaks to the current moment with its story of two siblings of mixed heritage who, faced with racist taunts, try to scrub their blackness away; and Lande Yoosuf’s Love in Submission, in which a meeting between two Black Muslim women brings a big revelation. Sarra Idris’s My Sister Sara captures Sudanese activist and writer Sara Elhassan in conversation with her brother, ESPN NBA Analyst and TV personality Amin Elhassan, about the 2019 Sudanese revolution and her ongoing activism through social media. Troublemaker, by Olive Nwosu, tells the story of a 10-year-old’s loss of innocence as he hurts his grandfather, reanimating the latter’s traumatic memories of the Biafra War. The program is rounded out by Adé Sultan Sangodoyin’s A Cemetery of Doves, a film about a teenager coming to terms with his sexuality.

This special edition of NYAFF will also showcase a fantastic digital dance piece titled Forever (Brother’s Keeper), choreographed and performed by self-taught Nigerian twins, the Ebinum brothers, in addition to a jam session of catchy Afrobeat tunes spun by the popular DJ mOma at a gorgeous spot in Zanzibar.

This year, AFF is celebrating three decades of promoting African culture through the moving image. Through its signature film festival, traveling series, community engagement programs, outdoor screenings, and new streaming service, the 501(c)(3) brings audiences around the world authentic African cinema from today’s leading and emerging directors, as well as the works of the continent and diaspora’s most esteemed auteurs.

Virtual tickets are $12, and go on sale on Monday, November 23 at noon. See more and save with the NYAFF All-Access Pass for just $60 (a $96 value). Film at Lincoln Center members save an additional 20% on individual rentals and the all-access pass. Learn more at filmlinc.org/AFF2020.

The Programs of AFF are made possible by the generous support of the National Endowment for the Arts, New York State Council on the Arts, NYC Department of Cultural Affairs, Mayor’s Office of Media and Entertainment, Bradley Family Foundation, The Andy Warhol Foundation for the Visual Arts, New York Community Trust, The Academy of Motion Picture Arts and Sciences, Communities of Color Nonprofit Stabilization Fund, Domenico Paulon Foundation, Motion Picture Enterprises, Manhattan Portage, Black Hawk Imports and Royal Air Maroc.

22 May 2018

Women at the 25th African Film Festival New York 2018

Women at the 25th
African Film Festival
New York
2018

Women’s presence at the African Film Festival New York is visible in all categories with many of the film practitioners in attendance for discussion at the screenings. At the helm of the Festival is Sierra Leonean Mahen Bonetti, founder and director. Some of the highlights at the 2018 edition are Apolline Traoré's opening film Borders; the 2017 version of Selbe: One Among Many, by Safi Faye, reissued in Wolof, originally released in 1983; French-Burkinabé curator Claire Diao’s traveling series “Quartiers Lointains”; Ekwa Msangi’s Master Class, during which she explores building a sustainable career as a filmmaker. This year’s festival, which celebrates its 25th year, runs from 16-22 May to 10 June with screenings and other relevant cultural events in various venues.

Abbesi Akhamie.  Still Water Runs Deep. (Nigeria/USA), 2017, 15 min

Nicole Amarteifio. Before the Vows (Ghana) 2017, 88 min

Josza Anjembe. Le Bleu blanc rouge de mes cheveux (France) 2016, 21 min

Machérie Ekwa Bahango. Maki’la (Democratic Republic of the Congo/France) 2018, 78 min

Jenna Bass. High Fantasy (South Africa) 2017, 96 min

Samantha Biffot. The African Who Wanted to Fly (Belgium/France/Gabon/China) 2016, 70 min

Djali Brown-Cepeda. A Pesar de su Ausencia. (U.S.) 2017, 8 min

Theresa Traore Dahlberg. Ouaga Girls (Sweden/Burkina Faso/France/Qatar) 2017, 83 min

Iman Djionne. Boxing Girl (Senegal) 2016, 26 min

Safi Faye. Selbe: One Among Many - 2017 Version (Senegal) 1983/2017, 30 min

Idil Ibrahim (Somali/USA) Sega - 2018, 25 min.

Marthe Djilo Kamga. Vibrancy of Silence: A Discussion with My Sisters (Belgium/U.S.) 2017, 90 min

Tapiwa Kapuya, Tawanda Gunda. In My Father’s Village (Zimbabwe) 2016, 22 min

*Rahmatou Keïta. The Wedding Ring (Niger) 2016, 96 min

Sewra Kidane Proclamation Punctuation (U.S.) 2016/2017, 5 min

Aïcha Elhadj Macky. The Fruitless Tree (Niger/France) 2016, 52 min

Rosine Mbakam. The Two Faces of a Bamiléké Woman (Belgium/Cameroon) 2016, 76 min

Akosua Adoma Owusu. On Monday of Last Week (U.S.) 2018, 14 min

Magaajyia Silberfeld. Vagabonds (U.S./France/Niger) 2017, 16 min 

Apolline Traoré. Borders (Burkina Faso) 2017, 90 min

Sheila S. Walker. Familiar Faces/Unexpected Places: A Global African Diaspora (U.S./Various Countries) 2018, 31 min

Stephina Zwane. Baby Mamas (South Africa) 2018, 93 min



21 May 2018

Safi Faye : Selbe, one among many | Selbe et tant d'autres – restored/restauré en/in Wolof – African Film Festival New York 2018

Safi Faye : Selbe, one among many | et tant d'autres (1982)

At the beginning of the film, the eponymous Selbé tells us that her mother made a song for her: "the song I sing is like our life, there is no rest for the poor." The song is repeated in the same way as the repetition of the cycle of daily activities: breastfeeding the child, grinding millet, fetching wood, preparing food. Similarly, there is the recurring discussion about the men who leave the village in search of work in Dakar but return with nothing. The song ends the film with a hopeful wish for the future: "Mother, mother of us all, do not give up, do not give up. Work in the fields until you drop. God why is this our fate? God find a better future for our children."

Safi Faye : Selbe, one among many | et tant d'autres – restored/restauré en/in Wolof – African Film Festival New York 2018

http://www.africanfilmny.org/aff2018/tag/safi-faye/ NO LONGER AVAILABLE

[English]
In focusing on the daily life of a Senegalese village woman, Selbe: One Among Many examines the economic and social roles rural African women are expected to play. Selbe has the heavy responsibility of providing for a large family as her husband searches unsuccessfully for work in a neighboring town. On his return, he joins the other unemployed men of the village, who will not help the women, but are as dependent on them as the children for food and shelter.

This reissue marks the first time the film has been issued in its original Wolof language. U.S. Premiere of reissue in Wolof. In the presence of Safi Faye.

Français]
Le mari de Selbé est parti en ville gagner sa vie. C'est donc à elle d'assumer une grande famille, le travail aux champs, en pleine saison sèche. Ses consœurs n'ont rien à lui envier, leurs charges sont aussi écrasantes: elles doivent subvenir aux besoins de tous les membres de la famille, assurer les corvées domestiques et le travail agricole. Elles parlent de leurs droits, leurs devoirs, leurs rapports avec l'homme qu'elles aiment ou critiquent. Un film rude, à l'image de la vie de ces femmes.

En enchaînant sans répit des plans rapprochés sur les bras, les épaules, les corps musclés en mouvement de ces femmes solides, en activité permanente, environnées d'enfants, Safi Faye a réussi à évoquer formellement dans ce bref documentaire, la dureté de ces destinées sans cesse confrontées aux exigences de la survie.

Ce documentaire offre un regard unique sur la vie quotidienne en Afrique de l'Ouest. Tourné au Sénégal, Selbe met l'accent sur la responsabilité économique et le rôle social des femmes dans la société africaine.

Sorti en 1982, Selbe et tant d'autres a été restauré dans sa version d’origine en wolof en 2017. Presenter en première aux Etats-Unis en sa version restaurée, en presence de Safi Faye.

LINK | LIEN

Safi Faye : “Fad,jal” (Cannes Classics 2018)

13 April 2017

24th New York African Film Festival 3-9 May 2017



FEATURE FILMS (FICTION | DOCUMENTARY)

Vaya (2016) Akin Omotoso, South Africa

Ewir Amora Kelabi (2016) Sewmehon Yismaw, Ethiopia



Jojolo (1966) Lebert Bethune, Jamaica/USA



Green White Green (2016) Abba Makama, Nigeria 

Kalushi (2016) Mandla Dube, South Africa

Kemtiyu, Cheikh Anta (2016) Ousmane William Mbaye, Senegal

Mapantsula (1988) Oliver Schmitz, South Africa, 

Noem My Skollie | Call Me Thief (2016) Daryne Joshua, South Africa


Uprize! (2016) Sifiso Khanyile, South Africa

Malcolm X: Struggle for Freedom (1967) Lebert Bethune, Jamaica/USA

Zizou (2016) Férid Boughedir, Tunisia/ France


SHORTS PROGRAMS

Shorts Program 1: Quartier Lointains: Justice

80 (2012) Muhannad Lamin, Libya

The Aftermath of the Inauguration of the Public Toilet at Kilometer 375 (2014) Omar El Zohairy, Egypt

Kanye Kanye (2013) Miklas Manneke, South Africa

Madama Esther (2013) Luck Razanajaona, Madagascar



Shorts Program 2: Shorts from Senegal

Marabout (2016) Alassane Sy, Senegal 


Dem! Dem! (2016) Pape Bouname Lopy, Marc Recchia, Christophe Rolin, Senegal, 


Samedi Cinema (2017) Mamadou Dia, USA


Shorts Program 3: New York Shorts




Rest in Power (2014) Malik Carmichael, S. Ajay Ram, USA




12 May 2015

The 2015 New York African Film Festival Honors Women!


The 2015
New York African Film Festival Honors Women!


Screenings for Tuesday, May 12th, 2015

4:00    100% DAKAR Sandra Krampelhuber, Austria/Senegal, 2014, 62min and THE PROPHECY Marcia Juzga, Senegal, 2015, 20min.

6:00   Women in the Media - Shorts Program #2

Introduction by MaameYaa Boafo and Nova Scott-James

THE SUMMER OF GODS
Eliciana Nascimento, Brazil, 2014, 20min; co-presented by Cinema Tropical

A young girl named Lili connects with her Afro-Brazilian religious heritage on a summer visit with family to their ancestral village in rural Brazil. During her stay, she encounters orishas (African gods) who help her find peace with a gift that had previously vexed her.

BURKINA, ALL ABOUT WOMEN 
Nicole Mackinlay Hahn, USA/Burkina Faso, 2015, 11min.
 
Seeking to undo stereotypes about African women by looking at the professional lives of women in Burkina Faso, the film talks to a firefighter, a swimmer, a mushroom biologist, a mechanic, an astrophysicist, a rapper, and more—allowing women (all inspired by the legendary Princess Yennenga) to give voice to their own unique experience.

HANDMADE IN THAMAGA 
Nova Scott-James, USA/Botswana, 2014, 5min.
 
Handmade in Thamaga chronicles the founding and work of Bothlalo Centre, a women’s pottery collective and business in the small rural village of Thamaga, Botswana.

BUS NUT
Akosua Adoma Owusu, Ghana/USA, 2014, 7min.
 
Bus Nut rearticulates the 1955 Montgomery Bus Boycott, a political and social protest against U.S. racial segregation on the public transit system of Montgomery, Alabama, and its relationship to an educational video on school-bus safety. Actress MaameYaa Boafo restages a vintage video while reciting press-conference audio of Rosa Parks on a re-created set in New York City.

SISTER OYO (SOEUR OYO)
Monique Mbeka Phoba, Belgium/Democratic Republic of the Congo, 2014, 24min.
 
Set in the Belgian Congo in the 1950s, Sister Oyo tells the story of Godelive, a schoolgirl at the Catholic boarding school Mbanza-Mboma, the premier French-language school for Congolese girls. She is to be westernized, following the will of her parents, but the memory of her grandmother intervenes…

CHOLO
Muzna Almusafer, United Arab Emirates/France, 2014, 21min.
 
The dark-skinned 11-year-old Cholo meets his fair-skinned younger stepbrother Abdullah for the first time. Although strikingly different, the two boys enjoy a crackling chemistry.

PANIC BUTTON
Libby Dougherty, South Africa, 2014, 25min.
 
From the moment that Tshepo, a security guard, breaks through Jenny’s multi-locked door to save her, she feels as if she’s been swept off her feet. But as Jenny imagines herself falling in love with him, an unhealthy, delusional obsession begins to take shape.

9:00   MOSSANE Safi Faye, Senegal, 1996, 105min

19 April 2015

African/African Diaspora Women's Stories at the New York African Film Festival 2015 (1-25 May)

African/African Diaspora Women's Stories
at the New York African Film Festival  2015
(1-25 May)





Yaba Badoe, Ghana
The Art of Ama Ata Aidoo, 2014, 78min.
The Art of Ama Ata Aidoo explores the artistic contribution of one of Africa’s foremost women writers. Director Badoe charts Aidoo’s creative journey over seven decades, from colonial Ghana, through the tumultuous era of independence, to a more sober present day Africa.

Carey McKenzie, South Africa
Cold Harbour, 2014, 73min.
While investigating a smugglers’ turf war in Cape Town, township cop Sizwe stumbles upon police corruption. His boss and mentor, Venske, gives Sizwe the case but assigns a rookie, Legama, to keep an eye on him. After Sizwe discovers that a homicide is linked to Triad (Chinese mafia) through abalone smuggling, a tip from a former comrade leads to a major bust. Despite the seized contraband being stolen within hours, Sizwe is still promoted to detective. It’s a bitter triumph though—he’s being played, and he knows it. In a world where self-interest and corruption have overtaken loyalty and honor, Sizwe is left with no one to trust and integrity demands that he take the law into his own hands.

Ngardy Conteh George & Allan Tong
Flying Stars, Canada, 2014, 50min.
During Sierra Leone’s civil war, rebels amputated countless limbs. Most of the victims are orphans and outcasts in a society that has yet to face its past. For some of them, only the amputee soccer league offers a chance at a better life.

Jenna Bass, South Africa
Love The One You Love, 2014, 105min.
Across the city of Cape Town, a sex-line operator, a dog handler, and an IT technician begin to suspect that their romantic relationships are the subject of a bizarre conspiracy, involving their friends, family, and possibly even greater forces. Love the One You Love’s parallel stories question the ideals we hold too sacred: love, happiness, and the New South Africa.

Safi Faye, Senegal
Mossane, 1996, 105min.
Mossane (Magou Seck), a beautiful 14-year-old girl from a rural Senegalese village, is the object of affection to many, including Fara, a poor university student—and even her own brother, Ngor. Although she has long been promised as a bride to the wealthy Diogaye, Mossane falls in love with Fara and on her wedding day, she defies her parents’ wishes and refuses to go through with it.

Tala Hadid, Morocco/France/UK
The Narrow Frame of Midnight, 2014, 93min.
Aïcha, a young orphan, is found alone in the forests of central Morocco, after being taken from her home and sold to a petty criminal. Soon after escaping, she crosses paths with Zacaria, a Moroccan/Iraqi writer, who has left everything behind—including a passionate relationship with a teacher, Judith—to search for his missing brother. The trio’s intersecting journeys lead audiences across Morocco, to Istanbul, the plains of Kurdistan, and beyond.

Networks of Hate, 2014, 52min.
Key areas of expression, today’s social and internet networks have become an outlet through which the most racist, homophobic, and sexist ideas are expressed.

Celine Gilbert, Tanzania
Surrender, 2000, 30min.
In the tranquil setting of a small fishing community in the East Coast of Zanzibar, a fire is raging in the hearts of three young individuals and the entire community feels the heat. Surrender is a story about Amri, a man trapped between the traditional role of the family man his father expects him to fulfill, and his personal desire for Mashua, a local fisherman. 

Eliciana Nascimento, Brazil
The Summer of Gods, 2014, 20min.
A young girl named Lili connects with her Afro-Brazilian religious heritage on a summer visit with family to their ancestral village in rural Brazil. During her stay, she encounters orishas (African gods) who help her find peace with a gift that had previously vexed her.

Akosua Adoma Owusu, Ghana/USA,
Bus Nut, 2014, 7min.
Bus Nut rearticulates the 1955 Montgomery Bus Boycott, a political and social protest against U.S. racial segregation on the public transit system of Montgomery, Alabama, and its relationship to an educational video on school-bus safety. Actress MaameYaa Boafo restages a vintage video while reciting press-conference audio of Rosa Parks on a re-created set in New York City.

Monique Mbeka Phoba, Belgium/Democratic Republic of the Congo,
Sister Oyo (Soeur Oyo), 2014, 24min.
Set in the Belgian Congo in the 1950s, Sister Oyo tells the story of Godelive, a schoolgirl at the Catholic boarding school Mbanza-Mboma, the premier French-language school for Congolese girls. She is to be westernized, following the will of her parents, but the memory of her grandmother intervenes…

Muzna Almusafer, United Arab Emirates/France
Cholo, 2014, 21min.
The dark-skinned 11-year-old Cholo meets his fair-skinned younger stepbrother Abdullah for the first time. Although strikingly different, the two boys enjoy a crackling chemistry.

Libby Dougherty, South Africa
Panic Button, 2014, 25min.
From the moment that Tshepo, a security guard, breaks through Jenny’s multi-locked door to save her, she feels as if she’s been swept off her feet. But as Jenny imagines herself falling in love with him, an unhealthy, delusional obsession begins to take shape.

Eka Christa Assam, Cameroon
Beleh, 2013, 26min.
Set in a small village at the foot of Mount Fako in Cameroon, Beleh examines the relationship between Ekema and his heavily pregnant wife, Joffi. The difficulty she faces in her first pregnancy is made worse by the petulant and selfish demands of her irate and uncompromising husband. Things come to a head when one morning, the situation mysteriously changes in the village and there’s a total role reversal between the sexes. Ekema (who’s the only one who seems to be aware of the change) gets to experience a day as a pregnant man and his experiences throw a whole new light on his view of Joffi’s feelings.

Lovinsa Kavuma, Zanzibar / Tanzania
Curse of an Addict, 2013, 25min.
In Zanzibar, Seif, a 28-year-old heroin addict believes he is cursed. In a battle to be free from a life where he contracted HIV, Seif seeks help from a Shiek. In a spiritual exorcism, the curse from his past is conjured up. Having confronted his demons, only time will tell whether Seif can lead a clean life as a true Muslim.

Ekwa Msangi, Kenya/USA
Soko Sonko, 2014, 22min.
When her mom gets sick, Kibibi’s dad must take her to the market to get her hair braided before school begins. Soko Sonko is a hilarious, fish-out-of-water roller-coaster of a journey, about a well-intended dad who goes where no man has gone before… because only women have been there.

Kaouther Ben Hania, Tunisia/France
Wooden Hands, 2013, 23min.
Five-year-old Amira lives with her mother in a small apartment in Tunis. On the day that she’s supposed to return to the Koranic school, Amira was dearly wishing to enjoy the few remaining hours of her holiday. She managed to find nothing better to do than to attach her hand to the chair with super glue…


29 December 2010

Through African Eyes: Conversations with the Directors Volume 2

Announcing the African Film Festival (New York) release of Through African Eyes: Conversations with the Directors, Volume 2. The African Film Festival (New York) was founded by Mahen Bonetti of Sierra Leone, who is the Executive Director.

From back cover:

Survey African cinema through candid, revealing conversations with thirty of its most vibrant and innovative voices!

Volume 2 of African Film Festival, Inc.'s series, Through African Eyes, continues the conversation begun in 2003's Dialogues with the Directors. In Volume 2: Conversations with the Directors, thirty new voices join this dynamic discussion through one-on-one interviews and group conversations, exploring their own personal experiences and examining the landscape of African cinema fifty year after its inception. Together, they illuminate trends in African filmmaking, ranging from emerging regional film industries and evolving gender dynamics to the redefinition of the very term "African filmmaker."

Featured Interviews

Mahen Bonetti with Françoise Bouffault
Moustapha Alassane with Gaston Kaboré; Haile Gerima with Mbye Cham; Ngozi Onwurah with Simon Onwurah; Fanta Régina Nacro with Guetty Felin; Zézé Gamboa with Yara Costa Pereira; Cheick Fantamady Camara with Françoise Bouffault;  Mama Keïta and Zeka Laplaine with Caroline Pochon;  Jean-Michel Kibushi Ndjata Wooto with Paula Callus; Lancelot Oduwa Imasuen, Omelihu Nwanguma, and Seke Somolu with Kaine Agary; Khalo Matabane and Xoliswa Sithole with Nomsa Mwamuka; Khaled Benaissa Brahim Fritah, and Kamal El Mahouti with Rasha Salti; George Amponsah and Zina Saro-Wiwa with Oladipo Agboluaje; Rehad Desai and François Verster with Kristin Pichaske; Jihan El-Tahri with Alonzo Rico Speight; Osvalde Lewat and Katy Lena Ndiaye with Aurélien Bodinaux; Tsitsi Dangarembga with June Givanni; Dyana Gaye with James Schamus; Wanuri Kahiu, Judy Kibinge, and Lupita Nyong'o with Ekwa Masangi-Omari; and Ousmane Sembene with Mamadou Niang and Samba Gadjigo.

Critical Essays
Reading the Trajectory of Postcolonial African Cinema by Mamadou Diouf; Regional Developments by Sean Jacobs and Adam Esrig; Writing on Walls: The Documentary Tradition by Jean-Marie Teno; The Evolution of Women in Cinema by Beti Ellerson; and A Lesson in Cinema by Mamadou Niang.

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