The purpose of the African Women in Cinema Blog is to provide a space to discuss diverse topics relating to African women in cinema--filmmakers, actors, producers, and all film professionals. The blog is a public forum of the Centre for the Study and Research of African Women in Cinema.

Le Blog sur les femmes africaines dans le cinéma est un espace pour l'échange d'informations concernant les réalisatrices, comédiennes, productrices, critiques et toutes professionnelles dans ce domaine. Ceci sert de forum public du Centre pour l'étude et la recherche des femmes africaines dans le cinémas.

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Showing posts with label Wajuhi Kamau. Show all posts
Showing posts with label Wajuhi Kamau. Show all posts

01 December 2025

The African Women in Cinema Blog commemorates United Nations World AIDS Day


As highlighted in past commemoration posts, African women in cinema often use the visual media as a tool for awareness building as it relates to matters that touch their societies and burning issues that effect Africa.

In this regard the initiative Scenarios from Africa had as objective to give young people a unique occasion to learn more about HIV/AIDS. The 2011 edition demonstrated the extent that African girls and young adults seized this opportunity to tell these stories. Among the 25 frontrunners 17 were girls/young women--the youngest 12 years old. Furthermore, among the awardees of the three grand prizes two were young women.

Burkinabé Fanta Nacro has played an important role in the above initiative, as prominent African cineastes adapted films using these scenarios: A Call to Action, A Love Story, A Ring on Her Finger, The Champion, Iron Will, Peace of Mind, Never Alone, The Reasons for a Smile, Tiger Tigress. Also from the Series, Cameroonian Kidi Bebey’s Looking for a Brave Man explored relationships in the age of AIDS. A young woman seeking a serious relationship demands that her partner act responsibly which entails taking the AIDS test.

Fanta Nacro’s filmography also includes the 1998 short film, Le Truc de Konate (Konate's Thing). The comedy employed as a means of consciousness-raising proved very popular with the Burkinabé public, intermingling an established distrust of new concepts and old-fashioned masculine virility and honour with female consciousness.

With a more solemn tone, Tsitsi Dangarembga of Zimbabwe relays the tragic costs of AIDS in Everyone's Child, directed in 1995. The film focuses on the devastating consequences for the children who are left to fend for themselves after the AIDS-related death of parents. On a joyful note, in Zambian Musola Kaseketi's film Suwi, the young Bupe finds a happy home, while Tanzanian Beatrix Mugishagwe’s Tumaini tells a story of hope.

Kenyan Wajuhi Kamau, of the Film Production Department of the Educational Media Service of the Minister of Education, emphasises the effectiveness of video as a means of educating people about a range of issues, from AIDS to family planning. Using both the documentary and drama presentations, the objective of the agency is to allow people to see themselves reflected in the images. "When you see yourself, you see your situation, then it is easy to remember and change attitudes and behaviour." Zimbabwean Prudence Uriri has also focused on issues related to AIDS and health in general. The Unesco-commissioned Madizela and Samora (2003), and Life (2002) produced by Rooftop Promotions, are two AIDS-focused films directed by Uriri. She sees her role as a filmmaker to open a dialogue regarding the problems that people face, and in so doing they may be better informed.

06 May 2020

African Women, Cinema and Development: Gendered strategies of empowerment

African Women, Cinema and Development: Gendered strategies of empowerment

"How can we use the media to transmit information and to communicate so that people can acquire knowledge in all spheres of development?" Burkinabé Valerie Kaboré asked this question during our 1997 interview*. Her multiple duties as filmmaker, researcher in media and development and general director of the production company, Media 2000 highlights the enduring relevance of this inquiry.

Critical perspectives consider how African women's contributions in cinema, visual media and screen culture through pedagogy for mass communication and consciousness-raising are directly related to African development. 

In Valerie Kaboré's view, women as filmmakers may play a direct role towards this objective as each woman aims her camera towards the area of awareness-building contributing in her own way to the development of the continent.

Similarly, Chadian Zara Mahamat Yacoub* notes that promoting women's participation in the audiovisual sector, and communications in general, is critical to their ability to fully participate in the development process and in so doing, it offers an efficient means to facilitate women's development in society.

Also, the Africa Women Filmmakers Trust, created in 1992 by founding members Tendai Munawa, Rebecca Kapenzi and Chido Matewa, works to advance gender equality and justice through the use of information and communication technologies by facilitating content production and dissemination that supports girls, women and disadvantaged communities to take informed choices.

Kenyan Wajuhi Kamau* who produced video educational materials at the Film Production Department of the Educational Media Service of the Minister of Education, emphasised the effectiveness of the visual media as a means of educating people about a range of issues, from AIDS to family planning. Using both the documentary and drama presentations, the objective of the agency is to allow people to see themselves reflected in the images. Seeing a reflection of oneself, ones own situation, easily resonates, facilitating changes in attitude and behavior.

Hence, positive images of women in the media and equality in representation of women in policy-making positions in the African media have a direct impact on the overall empowerment of women.

Following is a selection of articles from the African Women in Cinema Blog highlighting gender, visual media and development initiatives, many of which focus on the topics of women and empowerment, calling attention to economic, social and cultural development from the perspective of women.

The Africa Women Filmmakers Trust (AWFT): Using participatory media in development communication

Lucy Gebre-Egziabher: A Woman on a Mission

Report on the Launch of African Women Filmmakers Hub (Harare, Zimbabwe) 2016

“Women and Youth: Vectors of peace, agents of development” | Femmes et jeunes en Francophonie: vecteurs de paix, acteurs de développement" - DAKAR 2014

Call for Proposals | Appel à propositions - African Women's Development Fund (AWDF) | Fonds de développement pour la femme africaine

Media, Film and Gender Advocacy Workshop 24th February to 5 March 2014 (South Africa)

Report on the 2nd African Women in Film Forum (AWIFF) - Accra, 23-25 September 2013

Interview with Rosalie Ndah, president of CNA Afrique-Cinéma Numérique Ambulant (Mobile Travelling Cinema) and president of CNA Benin

"Gender and Media in Africa" Africa Media Review: Call for papers for a Special Issue

Women Filmmakers of Zimbabwe Community Outreach

Scenarios from Africa 2011: A strong female presence

Gender and the Media in Africa (1-3 Nov 2011) - CODESRIA

International Images Film Festival for Women 2010 presented by Women Filmmakers of Zimbabwe

African Girls Make Movies Too

A Call to Action: UN Themes and African Women in Cinema


*Interviews from Sisters of the Screen: Women of Africa on Film, Video and Television. Africa World Press, 2000.

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