Mati Diop receives/reçoit le Grand Prix : ATLANTIQUE
JURYS
Jury Longs-metrages | Features
Maïmouna N’Diaye: Franco-guinéenne actrice et réalisatrice | French-Guinean actress and filmmaker
https://www.festival-cannes.com/fr/festival/artiste/maimouna-n-diaye
Jury Caméra d'Or
Alice Diop: Franco-sénégalaise réalisatrice |
Franco-Senegalese filmmaker
https://www.festival-cannes.com/fr/festival/artiste/alice-diop
Semaine de la critique
Djia Mambu: Belgo-congolaise journaliste et critic du cinéma | Belgian-Congolese journalist at film critic https://www.semainedelacritique.com/fr/jury
SELECTION OFFICIELLE | OFFICIAL SELECTION
Competition Longs-métrages | Features
Mati Diop (France|Senegal) Atlantique, 2019. 104 min.
https://www.festival-cannes.com/fr/festival/films/atlantique
Un certain regard
Mounia Meddour (Algérie|Algeria) Papicha, 2019. 106 min.
https://www.festival-cannes.com/fr/festival/films/papicha
Monia Chokri (Canada-Tunisia) La Femme de mon frère, 2019. 117 min
https://www.festival-cannes.com/fr/festival/films/la-femme-de-mon-frere
Maryam Touzani (Maroc|Morocco) Adam, 2019. 98 min.
https://www.festival-cannes.com/fr/festival/films/adam-1
SEMAINE DE LA CRITIQUE
Competition - Shorts | Courts métrages
Nada Riyadh (Egypte) Fakh, 2019. 20 min.
https://www.semainedelacritique.com/fr/edition/2019/film/fakh
Comité de séléction | Selection Committee :
Clémentine Dramani-Issifou : Franco-Beninoise chercheuse et curatrice indépendante de films | French-Beninese researcher and independent film curator ) https://www.semainedelacritique.com/fr/comite-de-selection
Séance Spéciale - Longs métrages | Features
Hafsia Herzi (Tunisia-Algeria-France) Tu mérites un amour (You Deserve a Lover), 2019. 102 min.
https://www.semainedelacritique.com/fr/edition/2019/film/tu-merites-un-amour
LES CINEMAS DU MONDE: LA FABRIQUE
Kantarama Gahigiri is a Rwandan-Swiss filmmaker. Her first feature film Tapis Rouge has received awards worldwide, including TV5Monde Best Picture, followed by a theatrical release in France in May 2017. She is now developing Tanzanite, an Afrofuturistic thriller that takes place in colorful Nairobi, and she participated in Realness, an African screenwriters’ residency, with the film.
QUINZAINE DES REALISATEURS | DIRECTOR'S FORTNIGHT
Comité de séléction | Selection Committee :
Claire Diao : Franco-Burkinabé journaliste et critic du cinéma | French-Burkinabé journalist and film critic
***
IEFTA in partnership with the Marché du Film
IEFTA en partenariat avec le Marché du film
Marwa Zein, Sudanese director-producer, is among the seven young filmmakers attending the festival | La cinéaste-productrice soudanaise fait partie des sept jeunes cinéastes assistants au festival.
IEFTA (International Emerging Film Talent Association) once again partners with the renowned Marché du Film at the 72nd Cannes Film Festival to offer seven young filmmakers the opportunity to attend the festival, participate in career-changing Industry Workshops, develop their projects, build their networks and raise their ambitions.
L’IEFTA (International Emerging Film Talent Association) s'associe à nouveau au célèbre Marché du Film lors du 72ème Festival de Cannes pour offrir à sept jeunes réalisateurs la possibilité de assister au festival, de participer à des ateliers de réorientation professionnel, de développer leurs projets, de
construire leurs réseaux et réaliser leurs ambitions.
https://www.iefta.org/seven-filmmakers-to-attend-cannes-2019/
LINKS FROM THE AFRICAN WOMEN IN CINEMA BLOG:
Cannes 2019: Maïmouna N'Diaye, member of the jury | membre du jury: interview/entretien by/par Falila Gbadamassi (AfriqueFrance Télévisions)
https://africanwomenincinema.blogspot.com/2019/05/cannes-2019-maimouna-ndiaye-member-of.html
Mati Diop: "It was very important for me to dedicate a film to this ghost generation" | "C'était très important pour moi de dédier un film à cette génération fantôme". Interview/Entretien by/par Falila Gbadamassi (Africine, Cannes 2019)
https://africanwomenincinema.blogspot.com/2019/05/mati-diop-it-was-very-important-for-me.html
"Papicha: Mounia Meddour in resistance mode" | "Papicha : Mounia Meddour en mode résistance" analysis/analyse by/par Falila Gbadamassi (Africine)
https://africanwomenincinema.blogspot.com/2019/05/papicha-mounia-meddour-in-resistance.html
Djia Mambu, journalist and film critic | journaliste et critique de cinéma (Cannes 2019)
https://africanwomenincinema.blogspot.com/2019/05/djia-mambu-journalist-and-film-critic.html
Cannes 2019: Maryam Touzani's "Adam" (Morocco)
https://africanwomenincinema.blogspot.com/2019/05/cannes-2019-maryam-touzanis-adam-morocco.html
Mati Diop’s "Atlantique" – In the foam of the "Atlantic” | Dans l'écume de l' "Atlantique" analysis/analyse by/par Falila Gbadamassi (Africine)
https://africanwomenincinema.blogspot.com/2019/05/mati-diops-atlantique-in-foam-of.html
LINKS FROM THE AFRICAN WOMEN IN CINEMA BLOG:
Cannes 2019: Mati Diop receives/reçoit le Grand Prix
https://africanwomenincinema.blogspot.com/2019/05/cannes-2019-mati-diop-receivesrecoit-le.htmlCannes 2019: Maïmouna N'Diaye, member of the jury | membre du jury: interview/entretien by/par Falila Gbadamassi (AfriqueFrance Télévisions)
https://africanwomenincinema.blogspot.com/2019/05/cannes-2019-maimouna-ndiaye-member-of.html
Mati Diop: "It was very important for me to dedicate a film to this ghost generation" | "C'était très important pour moi de dédier un film à cette génération fantôme". Interview/Entretien by/par Falila Gbadamassi (Africine, Cannes 2019)
https://africanwomenincinema.blogspot.com/2019/05/mati-diop-it-was-very-important-for-me.html
"Papicha: Mounia Meddour in resistance mode" | "Papicha : Mounia Meddour en mode résistance" analysis/analyse by/par Falila Gbadamassi (Africine)
https://africanwomenincinema.blogspot.com/2019/05/papicha-mounia-meddour-in-resistance.html
Djia Mambu, journalist and film critic | journaliste et critique de cinéma (Cannes 2019)
https://africanwomenincinema.blogspot.com/2019/05/djia-mambu-journalist-and-film-critic.html
Cannes 2019: Maryam Touzani's "Adam" (Morocco)
https://africanwomenincinema.blogspot.com/2019/05/cannes-2019-maryam-touzanis-adam-morocco.html
Mati Diop’s "Atlantique" – In the foam of the "Atlantic” | Dans l'écume de l' "Atlantique" analysis/analyse by/par Falila Gbadamassi (Africine)
https://africanwomenincinema.blogspot.com/2019/05/mati-diops-atlantique-in-foam-of.html
Mati Diop : Atlantique (Cannes 2019)
https://africanwomenincinema.blogspot.com/2019/05/mati-diop-atlantique.html
Cannes 2019 : African Women at Cannes | La présence africaine au féminin
http://africanwomenincinema.blogspot.com/2019/05/cannes-2019-african-women-at-cannes-la.html
Cannes 2019 : African Women at Cannes | La présence africaine au féminin
http://africanwomenincinema.blogspot.com/2019/05/cannes-2019-african-women-at-cannes-la.html
No comments:
Post a Comment
Relevant comments are welcome - Les discussions constructives sont les bienvenues