The Films of Branwen Okpako
(sponsored by the DEFA Film Library and the Black
German Heritage and Research Association)
Updated to reflect the actual event
9/16/2022, 8:00 AM–10:00 AM Room 335_A
Moderator: Sara Lennox, University of Massachusetts
Commentator: Emily Frazier-Rath, Davidson College
Transcending Our Colors: “Hyper(in)visibility” in Branwen Okpako’s
Landing
Karina Griffith, University of Toronto
Not Clueless: Branwen Okpako’s Tal der Ahnungslosen
Jeffrey Wallen, Hampshire College
Race and Policing in Branwen Okpako’s Dreckfresser
Bisola Ajibade, University of Florida
Medea’s Black and White Voices: Representation in Branwen Okpako’s
Film The Curse of Medea
Mariana Ivanova, University of Massachusetts
***
Original post
The Films of Branwen Okpako
Call for papers
German Studies Association Conference
Houston TX - Sept. 15-18, 2022
Born in Lagos, Nigeria, Branwen Okpako studied directing in Berlin and has directed a number of acclaimed films. She teaches at UC Davis and is currently completing Chibok Girls, a
feature film based on the 2016 novel by Nigerian author Helon Habila
about the mass abduction in northern Nigeria. In 2021, she was a featured
guest in the virtual film festival Black Lives in Germany: Resilience –
Art – Hope, which was curated by Kevina King and organized by the DEFA
Film Library at UMass Amherst.
ANNOUNCEMENT: CALL FOR PAPERS PANEL SERIES: THE FILMS OF BRANWEN OKPAKO
We invite contributions for a series of panels on Branwen Okpako’s films, for the 2022 German Studies Association conference, Sept 15-18. Co-sponsored by the Black German Heritage & Research Association (BGHRA) and the DEFA Film Library, these panels seek to explore the range of stories and rich imagery in the films of this groundbreaking director.
Relevant topics might include:
• Afro-Germanness and Afro-German creativity and artistic production;
• Form, filmmaking, and aesthetics;
• Postcolonial and feminist consciousness at the intersections of multiple cultural and familial traditions, norms, values;
• Regimes of the body; femininity and gender;
• Engagement with disciplinary regimes, e.g. the police, political regimes, or language;
• German reunification and its repercussion on discourses of racialization, positionality and representation in Europe and Germany;
• Family his- and herstories;
• Affiliation and belonging;
• Political activism and self-empowerment; and
• The reception of Branwen Okpako’s films.
To learn more about this panel series and how you can submit your abstract, visit our website! The deadline is February 28, 2022: https://ecommerce.umass.edu/defa/projects/special-events/38410
Relevant topics might include:
• Afro-Germanness and Afro-German creativity and artistic production;
• Form, filmmaking, and aesthetics;
• Postcolonial and feminist consciousness at the intersections of multiple cultural and familial traditions, norms, values;
• Regimes of the body; femininity and gender;
• Engagement with disciplinary regimes, e.g. the police, political regimes, or language;
• German reunification and its repercussion on discourses of racialization, positionality and representation in Europe and Germany;
• Family his- and herstories;
• Affiliation and belonging;
• Political activism and self-empowerment; and
• The reception of Branwen Okpako’s films.
To learn more about this panel series and how you can submit your abstract, visit our website! The deadline is February 28, 2022: https://ecommerce.umass.edu/defa/projects/special-events/38410
No comments:
Post a Comment
Relevant comments are welcome - Les discussions constructives sont les bienvenues