The purpose of the African Women in Cinema Blog is to provide a space to discuss diverse topics relating to African women in cinema--filmmakers, actors, producers, and all film professionals. The blog is a public forum of the Centre for the Study and Research of African Women in Cinema.

Le Blog sur les femmes africaines dans le cinéma est un espace pour l'échange d'informations concernant les réalisatrices, comédiennes, productrices, critiques et toutes professionnelles dans ce domaine. Ceci sert de forum public du Centre pour l'étude et la recherche des femmes africaines dans le cinémas.

ABOUT THE BLOGGER

My photo
Director/Directrice, Centre for the Study and Research of African Women in Cinema | Centre pour l'étude et la recherche des femmes africaines dans le cinéma

Translate

Search This Blog

Showing posts with label Francophone African Women Filmmakers: 40 Years of Cinema (1972-2012). Show all posts
Showing posts with label Francophone African Women Filmmakers: 40 Years of Cinema (1972-2012). Show all posts

29 May 2013

Journal of African Cinemas : Celebrating 40 years of films made by women directors in francophone Africa


Volume 4 Issue 2
Cover Date
October 2012

CONTENTS

Editorial

Celebrating 40 years of films made by women directors in francophone Africa
BRIGITTE ROLLET


Articles

Aesthetic and narrative strategies in the films of selected African women directors
SHEILA PETTY 

The emergence of women’s film-making in francophone sub-Saharan Africa: From pioneering figures to contemporary directors
LIZELLE BISSCHOFF

A transnational feminist rereading of post-Third Cinema theory: The case of Maghreb documentary
STEFANIE VAN DE PEER

Women in Film in Cameroon: Thérèse Sita-Bella, Florence Ayisi, Oswalde Lewat and Josephine Ndagnou
OLIVIER JEAN TCHOUAFFÉ - SEE COMMENTS BELOW

BETI ELLERSON

Book review

Screens and Veils: Maghrebi Women's Cinema, Florence Martin (2011)
STEFANIE VAN DE PEER 

Reports

Festival International de Cinéma Vues d’Afrique
SHEILA PETTY 

A gender perspective on the 23rd edition of the JCC
PATRICIA CAILLÉ



COMMENTS BY BETI ELLERSON ON
Women in Film in Cameroon: Thérèse Sita-Bella, Florence Ayisi, Oswalde Lewat and Josephine Ndagnou
by Olivier Jean Tchouaffé 

In the article “Women in Film in Cameroon” by Olivier Jean Tchouaffé, published in Journal of African Cinemas in 2012, he gives an overview of Thérèse Sita-Bella and her pioneering work as cineaste, lauding the trailblazing path that she has left for those who follow. However, in his book Passion of the Reel: Cinematic versus Modernist Political Fictions in Cameroon, (Intellect Books) published three years later in 2015, curiously, she is not cited among the pioneers of Cameroonian cinema and is basically ignored, with scant attention paid to her and her work under the title "Cameroonian Women in Film: Thérèse Sita-Bella, Florence Ayisi, Oswalde Lewat and Josephine Ndagnou. This gaping omission is puzzling, especially after the prominent place that she is accorded in “Women in Film in Cameroon”. It is as if there are two faces to Olivier Jean Tchouaffé’s approach in the discussion of women. In the issue devoted to African women filmmakers, she is given accolades for her role as pioneer, while in a broader discussion of Cameroonian cinema as a whole she is dismissed and snubbed—giving place to only the men of Cameroonian cinema history. Was this article about women filmmakers in the Journal of African Cinemas a mere stepping stone for Olivier Jean Tchouaffé to more “serious” matters about men?

21 November 2012

International Colloquium "Francophone African Women Filmmakers: 40 Years of Cinema (1972-2012)"


International Colloquium "Francophone African Women Filmmakers: 40 Years of Cinema (1972-2012)": The objective of this event, sponsored by PATRIMA, is to celebrate the forty years of African filmmaking by women. In 1972 two films were released, the feature film Sambizanga was directed by Angolan Sarah Maldoror (Guadeloupean by birth, Angolan by adoption) and the short film La Passante by Safi Faye of Senegal.

Practical Information:

Date:         From Friday 23 to Saturday 24 November 2012
Location:   Musée du Quai Branly and Bibliothèque nationale de France (Paris)

Contact: brigitte.rollet@uvsq.fr


Presentation:

Programme

Friday 23 November 2012, morning - Musée du Quai Branly, cinema hall

9h15-9h30: Welcoming of participants
9h30-9h45: Introduction
9h45-10h45: Plenary : Beti Ellerson (Centre for the Study and Research of African Women in Cinema) "40 Years of Cinema by Women in Africa" (lead by Jackie Buet, FIFF)
10h45-11h15: Break
11h15-12h30: Panel 1 : Questions of Identities (lead by Brigitte Rollet, CHCSC-UVSQ)
Daniela Ricci (Université de Lyon): "Women Filming Women: Two Films of the West African Diaspora". 
Lizelle Bischoff (University of Edinburgh): "Images of Women in the Context of Globalisation: Identity and the Transcultural Experiences of African Women Filmmakers"
12h30-13h00: Audience discussion
13h00-14h30: Lunch

Friday 23 November 2012, afternoon - Musée du quai Branly, cinema hall

14h30-15h45 : Women's Fictions and Documentaires: Creations, Politics and Aesthetics (lead by Valérie Berty, NYU Paris)
Odile Cazenave (University of Boston): "Behind/In Front of the Camera: Aut(eu)rité in the Films of Khady Sylla"
Sheila Petty (University of Regina, Canada): 'Respect my Différence!':Laïcité, Inch'Allah! (Secularism, Inch'Allah!) and Nadia El Fani's Cinema of Debate
15h45-16h15 : Audience discussion
16h15-16h45 : Break
16h45-18h00:  Legacies and Ruptures of Present Independences (lead by Carrie Tarr, Kingston)
Patricia Caillé (Université de Strasbourg) "Women Filmmakers Film History: Women's Place and the Challenges in Claiming Liberties"
Stefanie van de Peer (St Andrews University, UK) : Experimental Films by Maghrebine Women Cineastes in the XXI Century"
18h-18h30 : Audience discussion
18h30-19h : Conclusions/synthesis

Saturday 24 November 2012, morning - Bibliothèque Nationale de France, site François Mitterrand, small auditorium

9h30-10h: Welcoming of participants
10h-10h15: Introduction
10h15-11h00: How to Make a Film in Africa When One is a Woman? Masterclass by Sarah Maldoror lead by Brigitte Rollet
11h00-11h15: Audience discussion
11h15-11h30: Break
11h30-12h30: Roundtable "Stories, Characters, Genres : What History?" with Fanta Regina Nacro, Isabelle Boni-Claverie and Farida Benlyazid, lead by Catherine Ruelle
12h30-13h00: Audience discussion
13h00-14h30: Lunch

Saturday 24 November 2012, afternoon - Bibliothèque Nationale de France, site François Mitterrand, small auditorium

14h30-15h30 : Roundtable "Documentaires : What Perspective on the World?" with Oswalde Lewat, Anne-Laure Folly and Nadia El Fani (pending confirmation), lead by Jean-Marie Barbe
15h30-16h00 : Audience discussion
16h00-16h15 : Break
16h15-17h15 : Roundtable "Immigrations, Exiles and African Diasporas in Europe: Plural Identities?" with Rahmatou Keïta, Fatima Sissani and Monique Mbeka Phoba, lead by Elisabeth Lequêret
17h15-17h45 : Audience discussion
17h45- 18h45 : Cocktail
18h45: Screening of Sambizanga after discussion with filmmaker

READ REPORT ON COLLOQUIUM: http://africanwomenincinema.blogspot.com/2012/12/report-on-colloquium-meeting.html

Blog Archive