The purpose of the African Women in Cinema Blog is to provide a space to discuss diverse topics relating to African women in cinema--filmmakers, actors, producers, and all film professionals. The blog is a public forum of the Centre for the Study and Research of African Women in Cinema.

Le Blog sur les femmes africaines dans le cinéma est un espace pour l'échange d'informations concernant les réalisatrices, comédiennes, productrices, critiques et toutes professionnelles dans ce domaine. Ceci sert de forum public du Centre pour l'étude et la recherche des femmes africaines dans le cinémas.

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04 June 2024

Mujeres por África : ELLAS SON CINE 12 - 2024 Madrid (They [women] are cinema) Ramata-Toulaye Sy, Myriam Uwiragiye Birara, Sofia Alaoui, Rosine Mbakam, Kaouther Ben Hania

Mujeres por África
ELLAS SON CINE 12 - 2024 Madrid
(They [women] are cinema)
Ramata-Toulaye Sy, Myriam Uwiragiye Birara, Sofia Alaoui, Rosine Mbakam, Kaouther Ben Hania

Mujeres por África organiza esta muestra de cine para dar visibilidad al audiovisual femenino del continente

Ellas son Cine, la muestra de películas dirigidas por mujeres africanas, regresa un año más a la Sala Berlanga de la Fundación SGAE en Madrid (c/Andrés Mellado 53) en su decimosegunda edición, del 4 al 8 de junio con proyecciones a las 19.30 horas. Y lo hace con cinco películas de directoras que recorren el continente africano de este a oeste, de norte a sur: Banel et Adama, de la senegalesa Ramata-Toulaye Sy; The Bride, de la ruandesa Myriam Uwiragiye Birara; Animalia, de Sofia Alaoui, originaria de Marruecos; Mambar Pierrette, de la camerunense Rosine Mbakam, y, desde Túnez y en cooperación con Arabia Saudí, Les filles d’Olfa, de Kaouther Ben Hania.

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Mujeres por África [Women for Africa] organizes this film exhibition to give visibility to women audiovisuals on the continent

Ellas son cine (They [women] are cinema) of the Fundación Mujeres por África returns to the Sala Berlanga of the SGAE Foundation in Madrid for its 12th edition from 4-8 June with five films that reflect the social condition of women throughout the continent from east to west, from north to south. Films by women from Senegal, Rwanda, Morocco, Cameroon and Tunisia: Banel et Adama by Senegalese Ramata-Toulaye Sy; The Bride by Rwandan Myriam Uwiragiye Birara; Animalia by Sofia Alaoui from Morocco; Mambar Pierrette by Cameroonian Rosine Mbakam, and from Tunisia in cooperation with Saudia Arabia, Les filles d’Olfa by Kaouther Ben Hania.
 

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