Festival de Cine Africano-FCAT
Le cinéma réalisé par des femmes et les afroféminismes sont au coeur de la 21ème édition du Festival de Cine Africano Tarifa - Tanger (FCAT)
Cinema by women and afrofeminisms are at the heart of the 21st edition of the African film festival Tarifa - Tanger.
Farida Benlyazid, pionnière du cinéma marocain : « Le cinéma des femmes explore en profondeur, elles s’intéressent davantage à parler de l’âme »
Farida Benlyazid, pioneer of Moroccan cinema: “Women’s cinema goes deep, they are more interested in talking about the soul”
Aperitivos de Cine · Mesa redonda: Posibilidades afrofeministas: Mujeres en las Cinematografías Africanas
Modera: Alejandra Val Cubero (Profesora en el Departamento de
Periodismo y Comunicación Audiovisual en la Universidad Carlos III,
España) Ponentes: Myriam Birara (director de The Bride, Ruanda) y
Cyrielle Raingou (directora de Le Spectre de Boko Haram, Camerún)
Aperitivos de Cine · Mesa redonda: Diálogos con enfoque de mujer: narrativas para la diversidad
Modera: Mercedes Jabardo (Académica Universidad Miguel Hernández de
Elche) Ponentes: Chaimaa Boukharsa (co-fundadora de la revista
Afrocolectiva, Marruecos) y Melaza (Artista multidisciplinar y
Especialista en derechos humanos e interculturalidad afrocaribeña,
Puerto Rico)
Aperitivos
de Cine · Mesa redonda: (En) Versión Femenina: conversaciones sobre la
representación femenina en el Cine del Norte de África
Modera: Alejandra Val Cubero (Profesora en el Departamento de
Periodismo y Comunicación Audiovisual en la Universidad Carlos III,
España) Ponentes: Azza Chabouni (investigadora, programadora; DOC House,
Túnez), Lina Soualem (directora de "Bye Bye Tibériade",
Francia-Palestina-Argelia), Leïla Kilani (directora de "Indivision",
Marruecos) y Farida Benlyazid (directora de "Une porte sur le ciel",
Marruecos)
Farida Benlyazid and Moroccan Cinema by Florence Martin presented at the Festival de Cine Africano-FCATDescription
This
book project unfolds and analyzes the work of Moroccan director,
producer, and scriptwriter Farida Benlyazid, whose career extends from
the beginning of cinema in independent Morocco to the present. This
study of her work and career provides a unique perspective on an
under-represented cinema, the gender politics of cinema in Morocco, and
the contribution of Arab women directors to global cinema and to a
gendered understanding of Muslim ethics and aesthetics in film.
A
pioneer in Moroccan cinema, Farida Benlyazid has been successful at
negotiating the sometimes abrupt turns of Morocco's rocky 20th century
history: from Morocco under French occupation to the advent of Moroccan
independence in 1956; the end of the international status of Tangier,
her native city, in 1959; the "years of lead" under the reign of Hassan
II; and finally Mohamed VI's current reign since 1999. As a result, she
has a long view of Morocco's politics of self-representation as well as
of the representation of Moroccan women on screen
Lina Soualem gana el Premio a Mejor Largometraje de la 21 edición del FCAT por Bye Bye Tibériade
Lina Soualem wins the Best Feature Film Award at the 21st FCAT for Bye Bye Tiberias
Image: Director Farida Benlyazid presents the Best Feature Film Award to Lina Soualem
The Casa África Award for Best Direction goes to Leïla Kilani for her film Indivision
El Premio Casa África a Mejor dirección es para Leïla Kilani por su película Indivision
Girley Jazama
wins the Best Actress Award for her performance in Under the Hanging
Tree; Parista Sambo is the winner of the Best Actor Award for Disco
Afrika
Girley Jazama gana el Premio a Mejor Actriz por su interpretación en Under the Hanging Tree; Parista Sambo es el galardonado a Mejor Actor por Disco Afrika
The Audience Award goes to Le spectre de Boko Haram, by Cameroonian filmmaker Cyrielle Raingou
El Premio del Público es para Le spectre de Boko Haram, de la cineasta camerunesa Cyrielle Raingou
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