The purpose of the African Women in Cinema Blog is to provide a space to discuss diverse topics relating to African women in cinema--filmmakers, actors, producers, and all film professionals. The blog is a public forum of the Centre for the Study and Research of African Women in Cinema.

Le Blog sur les femmes africaines dans le cinéma est un espace pour l'échange d'informations concernant les réalisatrices, comédiennes, productrices, critiques et toutes professionnelles dans ce domaine. Ceci sert de forum public du Centre pour l'étude et la recherche des femmes africaines dans le cinémas.

27 September 2014

International Images International Film Festival for Women (IIFF) 2014 report by Oshosheni Hiveluah


International Images International Film Festival for Women (IIFF) 2014 report by Oshosheni Hiveluah. Photos : O.H.

This year’s International Images International Film Festival (IIFF) took place from the 15th until the 23rd August 2014 in Harare, Zimbabwe. Flagged under the theme “Women Alive, Women of Heart” the festival had a delightful array of films from all around the world, portraying women in front of the camera and also behind.

The festival officially kicked off with a screening at the Eastgate Mall in downtown Harare. We all anticipated the scheduled opening film Half of a Yellow Sun, which due to technical difficulties could not screen. However, the audience enjoyed Joel Karakazi’s Imbabazi (The Pardon) instead.

I got the chance to talk to filmmaker Veronique Doumbe about the importance of being able to tell our stories, the way we want to and from our perspective. “Films such as Imbabazi make you relive the pain, so we don’t have to go through the same thing”, says Veronique who is producer of the film.
Veronique Doumbe

This rings particularly true for Joel Karakazi, genocide survivor and director of the film, who was brave enough to tackle a very painful part of his life and put it onscreen: “We need to help so that it will not happen again, it’s important to respect each other; there is the enrichment you get from doing something different. I want it to be different so I can learn something and stand for something else. It’s important we don’t force, but accept our differences as that is a matter of respect.”

The festival films were screened at three different venues around the city namely Ster Kinekor at Eastgate Mall, Alliance Française and the Book Café.

In attendance were several filmmakers from across the globe such as Andrew Dosunmu, director of Mother of George. Veronique Doumbe, who produced and edited Imbabazi, was amongst the invited guests. Also present were founder and first festival director Tsitsi Dangarembga and several local filmmakers, fans of films, and government officials, all of whom came to show their support for the filmmaking industry.

Talent Fadzai Jakado
This year’s theme “Women with Heart”, for me was meant to be a reflection of the power and strength of women, no matter how subtle. I ventured to find stories of courageous women, women unafraid to tell their stories. One such story was the 23-minute documentary, A Story of Hope; A Stitch in Time (Collen Mogoboya, 2014) about a local cervical cancer survivor Talent Fadzai Jakado, which screened at the Book Café. Touching, heartfelt and personal, it is a story of hope that assures that we can rise above anything.

Camera Woman (2014) by Khadija Harrad was also a film that stood out for me. It tackled the issue of divorced women in Moroccan society, women being stereotyped because of the type of work they do. A film about women comradeship and the importance for women to support and encourage one another especially when one is down and under.

The festival also hosted a script adaptation workshop lead by British-Nigerian writer Ade Solanke. The feedback from participants was inspiring, some of which highlighted how it empowered Zimbabwean writers with new writing skills.

Images International Film Festival is growing and expanding. This year they are extending the festival to Kenya and Somalia. The festival will also screen and host workshops in November in Zimbabwe town/cities of Bulawayo, Gwanda and Binga.

The 2014 edition of the festival was entertaining and interesting and as other festival goers commented it would help the festival with a big surge of more support so more people can attend the festival and be part of this discussion. IIFF celebrates women who despite daily challenges emerge stronger.

IIFF 2014 PRIZE AWARDS

All winning films received trophies and certificates, and some categories were awarded prize money

Walter Muparutsa Prize for The Best Film in the New Man Category
Winner: Under The Same Sun (2013) by Sameh Zoabi

A well made film that portrays men in a very positive light.  In the Israeli-Palestine conflict men have been fighting at the expense of women and children and it was good to see two men advocating for peace and working to create a safe world for their families.

Best Short Film
Winner: Strength in Fear (2012) by Ella Mutuyimana, Rwanda 

Best Documentary
Winner: Little Heaven (2011) by Lieven Corthouts, Ethiopia/ Belgium 

A humane story about children in a situation that is not of their own making. It is a story about hope and resilience that inspires empathy. It captures the festival theme “Women Alive, Women Of Heart”

Best Script
Winner: Biyi Bandele for the film Half of A Yellow Sun (2013)

Best Cinematography
Winner: Bradford Young for Mother of George (2013) by Andrew Dosunmu, USA/Nigeria

Best Actress
Winner: Sumeia Maculuva in Virgin Margarida (2012) by Licínio Azevedo, Mozambique/Portugal

Best Director
Winner: Joel Karekezi, for Imbabazi |The Pardon (2013), Rwanda

Best Depiction of a Woman Alive, Woman Of Heart
Winner: Virgin Margarida

Best Film
Winner: Virgin Margarida

Audience Prize
Winner: Half of A Yellow Sun 

Best African Film
Winner: Half of a Yellow Sun 

Best SADC
Winner: Virgin Margarida

Best Zimbabwean Film
Winner: Two Villages Apart (2013) by Donald Mabido

Service Award For Outstanding WFOZ Member 
Winner: Stella January

Distinguished Woman of African Cinema
Winner: Lupita Nyong’o, Kenya/USA

*The jury did not award the Best Zimbabwean Documentary and Zimbabwean Film with Best sound.

Report by Oshosheni Hiveluah, September 2014

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2 comments:

Anonymous said...

Great story. Thank you Beti and Oshosheni.

Meh Hikwa said...

Imbabazi was a great film. I enjoyed the fact that the story of genocide was not focused on the political perspective rather the personal relationships of the people affected + violators.

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