The purpose of the African Women in Cinema Blog is to provide a space to discuss diverse topics relating to African women in cinema--filmmakers, actors, producers, and all film professionals. The blog is a public forum of the Centre for the Study and Research of African Women in Cinema.

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Showing posts with label LGBT. Show all posts
Showing posts with label LGBT. Show all posts

20 March 2026

Women's History Month at the African Women in Cinema Blog: African women, cinema and LGBT subectivities


Women's History Month at the African Women in Cinema Blog
African women, cinema and LGBT subectivities
 
Following is a selection of articles regarding LGBT African women or by African women filmmakers on the subject of LGBT subjectivities that have been published on the Blog.

Maryam Touzani: Le Bleu du Caftan | The Blue Caftan. 

Josza Anjembe : Baltringue | Freed - Towards a self-interrogation | Vers un auto-questionnement.

Claudine Ndimbira : Support her film project “Living like a shadow” about the LGBTQ community in Rwanda.
 https://africanwomenincinema.blogspot.com/2018/12/claudine-ndimbira-support-her-film.html

Rafiki: to our forbidden love! | à nos amours interdites ! Cannes 2018 (analysis/analyse, Falila Gbadamassi - Africiné)

Rafiki by/de Wanuri Kahiu : Cannes 2018 - Un Certain Regard

Nneka Onuorah launches a crowdsourcing campaign for "Rotten Fruit" film project
https://africanwomenincinema.blogspot.fr/2017/05/nneka-onuorah-launches-crowdsourcing.html

The African Women in Cinema Blog spotlights Nneka Onuorah and her film “The Same Difference” during Women’s History Month

FESPACO 2017: Normalium by/de Siam Marley (Cote d’Ivoire)

When Alice Diop takes us "towards masculine tenderness" | Quand Alice Diop nous entraîne "vers la tendresse" au masculin by/de Sylvie Braibant – tv5monde

Understanding lesbophobia in West Africa: sixteen women’s voices | Seize voix de femmes pour comprendre la lesbophobie en Afrique de l’Ouest

Frieda Ekotto: For an endogenous critique of representations of African lesbian identity in visual culture and literature

Frieda Ekotto : Pour une critique endogène sur les représentations visuelles et littéraires de l’identité lesbienne africaine
Zanele Muholi: Some Prefer Cake - Bologna Lesbian Film Festival - Italy

Zanele Muholi: Some Prefer Cake - Le Festival du film lesbien de Bologne - Italie 2012

Cheryl Dunye's "Black is Blue" Kickstarter campaign success

Marie Kâ : L'Autre Femme | The Other Woman (Senegal)

Naomi Beukes-Meyer (Germany-Namibia) launches crowdfunding for the 2nd Episode of THE CENTRE Web Series

Wanuri Kahiu: "Homosexuality is not unafrican; what is unafrican is homophobia"

Boukary Sawadogo discusses his research: Three marginal figures in the cinemas of Francophone West Africa - the mad person, the homosexual, the woman

Sophie Kaboré’s Quest: Exploring African homosexualities


07 September 2023

Cheryl Dunye: Watermelon Woman - Some Prefer Cake - Bologna Lesbian Film Festival 2023

Cheryl Dunye
Watermelon Woman
Some Prefer Cake - Bologna Lesbian Film Festival 
2023

https://someprefercakefestival.com/schede/watermelon-woman/


Domenica 24/09 Ore 11.00 –
Sala Scalo Del Nuovo Cinema Nosadella – In Collaborazione Con Centro Di Documentazione Flavia Madaschi

Introduce Il Film Sara De Giovanni, Responsabile Del Cdoc Flavia Madaschi

Regia Di Cheryl Dunye – Usa, 2013
Lesbian Cult – Commedia, 90′

Lingua Inglese Con Sottotitoli In Italiano
Traduzioni Di Chiara Masini

Il lungometraggio d’esordio di Cheryl Dunye vede la regista nel ruolo di se stessa, confermando lo stile confessionale che caratterizza la sua filmografia. Decisa a fare un film sulla bellissima attrice nera degli anni ‘30 nota come “The Watermelon Woman”, Cheryl si avventura alla scoperta del suo vero nome e della sua vita, che a sorpresa comprende una storia d’amore con Martha Page, una delle rare registe donne di Hollywood.

Nel film compaiono protagoniste della scena lesbica americana come Guinevere Turner, Sarah Schulman, Camille Paglia.

***


This year we present the lesbian cult in collaboration with Centro Di Documentazione Flavia Madaschi, community archive and expression of research, conservation, protection and analysis of the cultural heritage of the Italian LGBTQIA+ movement. Here is Watermelon Woman, the first film from director Cheryl Dunye!


The feature film sees the director in the role of herself, confirming the professional style that characterizes her filmography. Set on making a movie about the beautiful 1930s black actress known as "The Watermelon Woman," 


Cheryl ventures to uncover her real name and her life, which surprisingly includes a love affair with Martha Page, one of the few female directors in Hollywood.


***


Nous présentons cette année le culte lesbienne en collaboration avec Centro Di Documentazione Flavia Madaschi, archive communautaire et expression d'une recherche, conservation, protection et analyse du patrimoine culturel du mouvement italien LGBTQIA+.


Voici Watermelon Woman, le premier film de la réalisatrice Cheryl Dunye !

Le long-métrage voit la réalisatrice dans le rôle d'elle-même, confirmant le style professionnel qui caractérise sa filmographie.


Décidéé de faire un film sur la belle actrice noire des années 1930 connue sous le nom de « The Watermelon Woman», Cheryl s'aventure à la découverte de son vrai nom et de sa vie, qui inclut étonnamment une histoire d'amour avec Martha Page, l'une des rares réalisatrices à Hollywood.

31 January 2021

César 2021 - Josza Anjembe: Baltringue - Séléction officielle court métrage | Official Selection Short Film (France)


Baltringue
de/by Josza Anjembe
Séléction officielle court métrage
Official Selection Short Film
César 2021


Source: https://www.academie-cinema.org/films/baltringue/
Images: Facebook page

Synopsis

After two years in jail, Issa is about to be released when he meets Gaëtan, a young inmate who has several more months to serve.

Après deux années passées en détention, Issa s’apprête à recouvrer la liberté. Mais à quelques jours de sa sortie, il fait la rencontre de Gaëtan, un jeune détenu incarcéré pour plusieurs mois encore.


Bio

Josza Anjembe is a French filmmaker. In 2016 she directed the film  « Le Bleu blanc rouge de mes cheveux ». A film film that received numerous awards, notably the Bringing Borders au Palm Springs Film Festival Prize, the France Télévisions au Festival de Clermont-Ferrand award for female interpretation, the Festival Off-Courts Jury Prize. In addition, it was nominated for the César 2018 category "for Best Short Film".

Josza Anjembe est une réalisatrice française. En 2016, elle réalise « Le Bleu blanc rouge de mes cheveux ». Un film qui a reçu de nombreux prix notamment le prix Hp Bringing Borders au Palm Springs Film Festival, le prix d’interprétation féminine France Télévisions au Festival de Clermont-Ferrand, le prix du Jury au Festival Off-Courts. Il a également été nommé au César 2018 catégorie « Meilleur Court Métrage ».

Academie-cinema.org: https://www.academie-cinema.org/evenements/les-courts-metrages-2021/la-selection-officielle-court-metrage-cesar-2021/

20 July 2020

Kis Keya : Creator of Extranostro, the First Afro-Queer Francophone Web Series | Créatrice d’Extranostro, première websérie afro-queer francophone - Interview by/par Laurent Maurice Lafontant (neverapart.com)

Kis Keya : Creator of Extranostro, the First Afro-Queer Francophone Web Series | Créatrice d’Extranostro, première websérie afro-queer francophone - Interview by/par Laurent Maurice Lafontant (neverapart.com)

Source: neverapart.com. 8 July/juillet 2020

In English:
My primary motivation was to act on the homophobia that is rampant in many African and, more broadly speaking, black families. I wanted young (and not so young) people who faced rejection, who feel all alone in the world, and who wonder whether they’re “normal” or not to realize that there are other people ou there just like them. As a matter of fact, that is the reason I chose to do a web series. I wanted Extranostroto be streamed online and be accessible all over the world which is not always possible on TV networks that may have geographical restrictions. https://www.neverapart.com/features/interview-kis-keya-extranostro/

En français :
Ma toute première motivation était d’agir par rapport à l’homophobie qui sévit dans une grande partie des familles africaines et noires de façon plus générale. Je voulais que des jeunes (et moins jeunes) qui sont rejeté·es ou qui sont quelque part dans le monde, seul·es, à se demander s’ils, elles, illes sont « normaux » réalisent que d’autres personnes leur ressemblent. C’est la raison, d’ailleurs, pour laquelle j’ai opté pour une websérie. Je voulais qu’elle puisse être diffusée sur internet et accessible partout dans le monde. Ce qui n’est pas toujours possible sur les chaînes de télévision qui peuvent avoir des restrictions géographiques.

04 June 2020

Appel à projet de films : Ẅ XOOL FESTIVAL - festival de cinéma dédié à la promotion de films réalisés par des Femmes Cis et Trans Noires françaises | Film Festival dedicated to the promotion of films made by French Cis and Trans Black Women

Ẅ XOOL FESTIVAL

A l’occasion de la 1ère édition du Ẅ XOOL FESTIVAL - festival de cinéma dédié à la promotion de films réalisés par des Femmes Cis et Trans Noires françaises et/ou dont les films sont accessibles en langue ou sous-titres français- qui aura lieu (probablement) le samedi 26 septembre 2020 à Argenteuil, nous lançons un appel à projet de films (courts et moyens métrages: fictions, docus, jeunesse, animés etc…) réalisés par des femmes Noires.

Envoyez vos candidatures et projets à cette adresse mail: wxoolfestival@protonmail.com jusqu’au 1er JUILLET 2020. (See English below)

UNE PROGRAMMATION 100% Afro-féminine

Avec l’ouvrage « Noire n’est pas mon métier » paru en 2018, seize actrices françaises Noires ont mis en avant leur parcours et leur travail semé d’embûches et empreint de discrimination. Même si le résultat de leur démarche se fait encore attendre, cela a permis de les mettre en avant et de tirer - à nouveau- la sonnette d’alarme sur le cruel manque de représentations et de diversité des histoires racontées en images par le cinéma français aujourd’hui.

Qu’en est-il des Femmes – Ẅ - qui portent leur regard unique – xool - sur le monde ? Les Femmes qui sont derrière la caméra ? Absentes, tout au plus anecdotiques, dans le paysage audiovisuel et cinématographique français, ou lors des grandes cérémonies de récompenses, on pourrait croire qu’elles n’existent pas. Seules trois réalisatrices Noires ont été récompensées par un césar, Euzhan Palcy (en 1983), Alice Diop (en 2016) et Maïmouna Doucouré (en 2017).

Liées par le désir de mettre ces Femmes et leurs imaginaires en lumière, nous nous sommes regroupées pour proposer une programmation variée de courts et moyens métrages français et internationaux, documentaires, fictions, films d’animation réalisées par des personnes qui nous ressemblent.

SOURCE: Facebook Ẅ XOOL FESTIVAL

(Ẅ XOOL statement translated from French) 
On the occasion of the 1st edition of the Ẅ XOOL FESTIVAL, a film festival dedicated to the promotion of films made by French Cis and Trans Black Women and / or whose films are accessible in the French language or with French-language subtitles, will take place (probably) on Saturday, 26 September 2020 in Argenteuil. A call is launched for film projects (short and medium-length films: fictions, docus, youth, animated films, etc.) made by Black women.

Send your applications and projects to this email address: wxoolfestival@protonmail.com, open until 1 JULY 2020.

100% Afro-woman-focused programming

In "Noire n’est pas mon profession" published in 2018, sixteen black French actresses highlighted their journey and their work, and the pitfalls and discrimination that they experienced. Even if reactions to this endeavor has yet to come, it allowed their concerns to be heard and to sound - again -  the alarm over the stark lack of representation and diversity of the stories told in the images of French cinema today.

What about Women - - who have their unique perspective - xool - of the world? The women behind the camera? Absent, at most, anecdotal, in the French audiovisual and cinematic landscape. Or during major award ceremonies, one might think that they do not exist. Only three Black women directors have been awarded a César: Euzhan Palcy, in 1983; Alice Diop and Maïmouna Doucouré, in 2017.

Bound by the desire to bring these Women and their imaginary to light, we have come together to offer a diverse program of short and medium French and international, documentaries, fiction, and animated films made by people who look like us. 

05 May 2020

Josza Anjembe : Baltringue | Freed - Towards a self examination | Vers un auto-questionnement

Josza Anjembe
Baltringue | Freed (2019)
15min | Fiction

Updated to include excerpts of interviews with Josza Anjembe

Josza Anjembe: [translation from French by Beti Ellerson]
“It comes from within me, from my internalized lesbophobia, when I started falling in love with girls. It was a self-examination about the mechanisms that pushed me to enter a mental, psychic and societal confinement. I wanted to write about this. The theme of incarceration came from a purely cinematographic question: how to represent confinement? At the time, I organized visual literacy workshops in prison and it seemed logical to me to inscribe this story in a prison. To talk about men, I have researched a great deal on homosexuality in prison. It is a way of not talking only about myself, of taking a distance from my story and allow space for cinematic representations. Writing about men allowed me to enter into fiction.”*

“…Like many LGBT+ people, my greatest difficulty was admitting and saying who I had become. And paradoxically, the more I came to terms with who I was, the more I had to face the mental and social confinement that I was not able to confront. I then began a self-examination both about this confinement– it is this idea of prison in the film–and about this obstacle within myself.”**

“I really want to tell love stories between women, but when I started to write them it was too close to me. I couldn't at the same time fight my demons and write about them…”**

Josza Anjembe :
Cela vient de moi, de ma lesbophobie intériorisée au moment où je commence à tomber amoureuse de filles. Je me suis interrogée sur les mécanismes qui me poussaient à entrer dans un enfermement à la fois mental, psychique et sociétal. J’ai voulu écrire sur ça. La question carcérale est venue d’une interrogation purement cinématographique : comment représenter l’enfermement ? À ce moment-là, j’animais des ateliers d’éducation à l’image en prison et cela m’est apparu comme quelque chose de logique d’inscrire cette histoire dans une prison. Pour parler des hommes, je me suis beaucoup documenté sur l’homosexualité en prison. C’est une façon de ne pas parler que de moi, de m’éloigner de mon histoire et de laisser de la place au cinéma. Écrire sur des hommes me permettait d’entrer dans la fiction.*
L'idée du film est arrivée il y a deux ou trois ans. Comme beaucoup de personnes LGBT+, j'éprouvais les plus grandes difficultés à admettre et à dire qui j’étais devenue. Et paradoxalement, plus je m’assumais, plus je devais faire face à un enfermement mental et social que je n'arrivais plus à affronter. J’ai alors commencé à me questionner à la fois sur cet enfermement – c'est l’idée de la prison dans le film – et sur les raisons de mon propre empêchement.**

J’ai très envie de raconter des histoires d’amour entre femmes, mais au moment où je voulais les écrire c’était trop proche de moi. Je ne pouvais pas à la fois lutter contre mes démons et écrire dessus.***

*Jock.life [https://www.jock.life/2021/03/19/festival-queerscreen-josza-anjembe-dans-baltringue-je-ne-voulais-pas-rendre-romantique-le-risque-que-vit-en- jail-a-gay-guy/]
**Tetu.com [https://tetu.com/2020/06/22/baltringue-court-metrage-prison-interview-josza-anjembe/]  **Manifesto-21.com [https://manifesto-21.com/josza-anjembe-baltringue/]

Synopsis
After two years in jail, Issa is about to be released when he meets Gaëtan, a young inmate who has several more months to serve.

Après deux années passées en détention, Issa s'apprête à recouvrer la liberté. Mais à quelques jours de sa sortie, il rencontre Gaëtan, un jeune détenu incarcéré pour plusieurs mois encore...

Bio
Josza Anjembe is a french filmmaker, in 2016 she directed her first short film, Le bleu blanc rouge de mes cheveux (English title: French). She has received many awards such as Hp Bringing Borders at Palm Springs Film Festival, Clermont-Ferrand Film Festival Award for Female Interpretation, Jury’s Award at the Off-Courts Film Festival. Her previous short was also nominated at the César 2018 in the Best Short Film’s category.

Josza Anjembe est une réalisatrice française. En 2016, elle réalise Le bleu blanc rouge de mes cheveux. Un film qui a reçu de nombreux prix notamment le prix Hp Bringing Borders au Palm Springs Film Festival, le prix d’interprétation féminine au Festival de Clermont-Ferrand, le prix du Jury au Festival Off-Courts. Il a également été nominé au César 2018 catégorie « Meilleur Court-Métrage ».

BALTRINGUE - Bande-Annonce from Yukunkun Productions on Vimeo.

16 May 2018

Rafiki: to our forbidden love! | à nos amours interdites ! Cannes 2018 (analysis/analyse, Falila Gbadamassi - Africiné)

Rafiki: to our forbidden love! Cannes Film Festival (8-19 May 2018). Falila Gbadamassi (Africiné Magazine: analysis of the film by Wanuri Kahiu)

Translated from French by Beti Ellerson and published on the African Women in Cinema Blog in collaboration with Africine.org.

En français : http://www.africine.org/?menu=art&no=14442

A film about love, between two high school girls, which caused its director [Wanuri Kahiu] to be threatened with imprisonment in Kenya. Rafiki, a remarkable drama, is one of three African films in competition at the Un Certain Regard.

“We are here to celebrate love because we have come a long way to tell this story, it cannot be shown in Kenya (it has been banned since 27 April 2018, because the film is accused of ‘promoting’ lesbianism) but we can show it to you,” Kenyan filmmaker Wanuri Kahiu said during the screening of her film on 9 May 2018 on the Croisette. Rafiki ("Friend" in Swahili), an adaptation from the book by Ugandan Monica Arac de Nyeko, opened the competition at Un Certain Regard.

In Nairobi, the Kenyan capital, Kena (Samantha Mugatsia) and Ziki (Sheila Munyiva) are neighbours from the same area, though they belong to a different social background. But more importantly, their fathers are political rivals involved in an election campaign where the slightest blunder could be disastrous. With her girlfriends and her kitsch look, Ziki only thinks about having fun. Kena is more serious and wants to become a nurse. A tomboy, she often hangs with her friend Blacksta (Neville Misati) who plans to make her a respectable woman in the near future.

Meanwhile, Kena and Ziki "imagine themselves", one would say to paraphrase Vanessa Paradis (singer and actress, on the poster of Un Couteau dans le cœur, the film by Yann Gonzalez in the running for the 2018 Palme d'Or) when she interprets the song Tandem. The two high school girls come closer together and finally declare their burning desire for each other, in this Kenyan society where homosexuality is the latest crime in fashion.

The pragmatic Kena, while taking many risks to make the relationship happen, is careful not to reveal it. The frivolous Ziki, who does not want to be an ordinary Kenyan, chooses rebellion. Can one or the other of these strategies allow them to live their love openly when the pastor of their community emphasises, when he can, the abomination of a homosexual relationship?

The Kenyan state shares his view: homosexuality is illegal and is punishable by 14 years in prison. Reality has caught up with fiction. The shame is now cast on Wanuri Kahiu, who, congratulated a few hours after the announcement of her selection at Cannes, is now under threat of imprisonment because her film portrays homosexual love. At the moment, Kenyans are a long way from seeing the first Kenyan film selected at Cannes. Yet, they can be proud of this lively and colourful work, like the credits of the film. It echoes a Kenyan youth who enjoys its right to insouciance even in the most dramatic situations. Supported by two performers who convey their characters valiantly and with great sincerity, Rafiki is a beautifully made film. Wanuri Kahiu's sensitive and skilful storytelling takes the viewer by the hand, to see the blossoming of a love born in the expressions and smiles filmed with close-up shots. Through the lens of the filmmaker, the detail of the faces of the lovers becomes a true reflection of their soul.

Wanuri Kahiu produced a real gem that was born, in part, on the Croisette. Her selection is akin to a homecoming. Thanks to la Fabrique Cinéma of the French Institute, a program that supports young talents of the world, she completed the scriptwriting for Rafiki. "It's an honour and a privilege to be here (in Cannes)," said the Kenyan filmmaker at the presentation of her film. Proud to be at the Cannes Film Festival but also proud of her native Kenya. "Even if we are heartbroken by what is happening in our country," said Wanuri Kahiu, "we are proud to be Kenyans." And the future audience of Rafiki will be able to boast of having chosen a good film.

[Français]
Falila Gbadamassi est rédactrice à Africiné Magazine
Rafiki: à nos amours interdites !  Festival de Cannes (8-19 mai 2018)

Un film d'amour… entre deux lycéennes qui vaut à sa réalisatrice d'être menacée d'emprisonnement au Kenya. Rafiki, drame solaire, est l'un des trois films africains en compétition à Un Certain Regard.

"Nous sommes ici pour célébrer l'amour parce que nous sommes venues de loin pour raconter cette histoire. Il ne peut pas être projeté au Kenya (il est interdit depuis le 27 avril 2018, parce que le film est accusé de "promouvoir" le lesbianisme) mais nous pouvons vous le montrer", a déclaré la cinéaste kényane Wanuri Kahiu lors de la projection de son film le 9 mai 2018 sur la Croisette. Rafiki ("Ami" en swahili), adaptation du livre de l'Ougandaise Monica Arac de Nyeko, a lancé la compétition à Un Certain Regard. Lire l'intégralité de l'article @ http://www.africine.org/?menu=art&no=14442

12 April 2018

Rafiki by/de Wanuri Kahiu : Cannes 2018 - Un Certain Regard (Kenya)

Rafiki by/de Wanuri Kahiu :
Cannes 2018 - Un Certain Regard (Kenya)

http://www.festival-cannes.com/fr/infos-communiques/communique/articles/la-selection-officielle-2018

Rafiki by/de Wanuri Kahiu
Selection officielle | Official selection
Un certain regard

Source: Rafiki Press Kit: 
www.wanurikahiu.com/s/Rafiki-Press-Kit-2017.pdf

Lire aussi en Français dans Le Monde :

" Le premier film kényan jamais sélectionné à Cannes est une histoire d'amour lesbien " http://www.lemonde.fr/big-browser/article/2018/04/17/le-premier-film-kenyan-jamais-selectionne-a-cannes-est-une-histoire-d-amour-lesbien_5286659_4832693.html

Wanuri Kahiu : « Avec “Rafiki”, j’ai voulu raconter une belle histoire d’amour africaine »
http://www.lemonde.fr/afrique/article/2018/05/08/wanuri-kahiu-avec-rafiki-j-ai-voulu-raconter-une-belle-histoire-d-amour-africaine_5296145_3212.html

Pour la réalisatrice du premier long-métrage kényan présenté à Cannes, l’interdiction du film au Kenya assombrit ce grand moment.

Director: Wanuri Kahiu
Producer: Steven Markovitz, Big World Cinema
A Big World Cinema Production in co-production with Awali Entertainment (Kenya), MPM Film (France), Shortcut Films (Lebanon), Ape & Bjorn (Norway), Rinkel Film (Netherlands), Razor Film (Germany)

Rafiki is a love story about Kena and Ziki who live in a housing estate in Nairobi. The girls are unlikely friends and their fathers are rivaling politicians. When they fall in love and the community find out, the girls are forced to choose between love and safety.

Synopsis

Kena and Ziki live very different lives in the Highrise Estate in Nairobi. Kena works in her father’s shop and awaits the start of nursing school, while Ziki passes the days hanging out with her friends and making up dance routines. Their paths cross when their fathers run against each other for seats in the County Assembly, and they find themselves drawn to each other.

Soon their interest grows to affection and the girls find ways to love each other despite the ever-watching gaze of the neighborhood gossip and the homophobic sentiments of their community. However, once discovered by their family and attacked by the community, Kena and Ziki must choose between what they feel and what others want them to do.



02 January 2018

African women, cinema and LGBT subectivities | Les femmes africaines, le cinéma et des subjectivités LGBT

African women, cinema and LGBT subectivities | Les femmes africaines, le cinéma et des subjectivités LGBT

A key goal of the African Women in Cinema Blog is to feature current research and critical discourse, through interviews, conference proceedings and analyses on relevant topics. Following is a selection of articles regarding LGBT African women or by African women filmmakers on the subject of LGBT subjectivities that have been published on the Blog.

L'un des principaux objectifs du blog des femmes africaines dans le cinéma (African Women in Cinema Blog) est de présenter les informations courantes à travers des interviews, des actes de conférences et des analyses sur des sujets pertinents. Vous trouverez ci-dessous une sélection d'articles sur les femmes africaines LGBT ou des oeuvres faites par des réalisatrices africaines sur le sujet des subjectivités LGBT qui ont été publiées sur le Blog.


Maryam Touzani: Le Bleu du Caftan | The Blue Caftan. https://africanwomenincinema.blogspot.com/2023/01/maryam-touzani-le-bleu-du-caftan-blue.html Halim and Mina, who have been married for a long time, run a traditional caftan shop in the medina of Salé, Morocco. The couple has always lived with Halim's secret, his homosexuality. However, Mina's illness and the arrival of a young apprentice will upset this balance. United in their love, each will help the other to face their fears.

Josza Anjembe : Baltringue | Freed - Towards a self-interrogation | Vers un auto-questionnement. https://africanwomenincinema.blogspot.com/2020/05/recent-films-josza-anjembe-baltringue.html.Through this film about homosexual men in prison, Josza Anjembe was able to confront her interiorized lesbophobia and her own homosexuality.

Claudine Ndimbira : Support her film project “Living like a shadow” about the LGBTQ community in Rwanda. https://africanwomenincinema.blogspot.com/2018/12/claudine-ndimbira-support-her-film.html
Claudine Ndimbira had this to say about the film project: With this project “Living like a shadow” I want to give the voice to LGBTQ community members in Rwanda to tell their stories, what they have been through, what they wish their lives could be but also to the society so that they say what is the reason why they think being gay is a problem to them.

Rafiki: to our forbidden love! | à nos amours interdites ! Cannes 2018 (analysis/analyse, Falila Gbadamassi - Africiné)
A film about love, between two high school girls, which caused its director [Wanuri Kahiu] to be threatened with imprisonment in Kenya. Rafiki, a remarkable drama, is one of three African films in competition at the Un Certain Regard.

Rafiki by/de Wanuri Kahiu : Cannes 2018 - Un Certain Regard https://africanwomenincinema.blogspot.fr/2018/04/rafiki-byde-wanuri-kahiu-cannes-2018-un.html
Rafiki is a love story about Kena and Ziki who live in a housing estate in Nairobi. The girls are unlikely friends and their fathers are rivaling politicians. When they fall in love and the community find out, the girls are forced to choose between love and safety.

Nneka Onuorah launches a crowdsourcing campaign for "Rotten Fruit" film project
https://africanwomenincinema.blogspot.fr/2017/05/nneka-onuorah-launches-crowdsourcing.html
Rotten Fruit centers on the relationship between the LBGTQI community and the attitudes of the Black Church in the United States.

The African Women in Cinema Blog spotlights Nneka Onuorah and her film “The Same Difference” during Women’s History Month
The documentary explores lesbians who discriminate against other lesbians based on gender roles and heteronormative notions of femininity and masculinity.

FESPACO 2017: Normalium by/de Siam Marley (Cote d’Ivoire)
In love with a man in a world where the norm is homosexuality, sixteen-year-old Charlotte will have to be exorcised for her "deviant" behavior. An exorcism authorised by her two mothers.

Amoureuse d’un homme dans un monde où la norme est l’homosexualité, Charlotte, 16 ans, va se faire exorciser pour son comportement "déviant". Un exorcisme approuvé par ses deux mères.

When Alice Diop takes us "towards masculine tenderness" | Quand Alice Diop nous entraîne "vers la tendresse" au masculin by/de Sylvie Braibant – tv5monde

Understanding lesbophobia in West Africa: sixteen women’s voices | Seize voix de femmes pour comprendre la lesbophobie en Afrique de l’Ouest

Frieda Ekotto: For an endogenous critique of representations of African lesbian identity in visual culture and literature

Frieda Ekotto : Pour une critique endogène sur les représentations visuelles et littéraires de l’identité lesbienne africaine

"Difficult Love" by Zanele Muholi
Visual activist Zanele Muholi of South Africa, repositions the African subject that is often represented by others, reclaiming her own space and that of other black lesbians and black South Africans as a whole. Telling her own story and taking ownership of her subject-position, she returns the gaze, re-writes the script that has often left black lesbians and Africans in general without a voice.

Zanele Muholi: Some Prefer Cake - Bologna Lesbian Film Festival - Italy

Zanele Muholi: Some Prefer Cake - Le Festival du film lesbien de Bologne - Italie 2012

Cheryl Dunye's "Black is Blue" Kickstarter campaign success

Marie Kâ : L'Autre Femme | The Other Woman (Senegal)

Naomi Beukes-Meyer (Germany-Namibia) launches crowdfunding for the 2nd Episode of THE CENTRE Web Series
Naomi has always felt that there is a distinct lack of film and television dramas highlighting first and second generation African female and, in particular, lesbian experience.

Wanuri Kahiu: "Homosexuality is not unafrican; what is unafrican is homophobia"

Boukary Sawadogo discusses his research: Three marginal figures in the cinemas of Francophone West Africa - the mad person, the homosexual, the woman

Sophie Kaboré’s Quest: Exploring African homosexualities
The film is about Abdou, the oldest son of a well-respected businessman, who, after a long stay abroad returns home. He has lived other experiences that brought about a psychological and sexual transformation. It is about a transvestite who returns to his social and cultural milieu, a milieu that is horrified by this practice.

OTHER LINKS | AUTRES LIENS

Kis Keya, creator of "Extranostro", a 5-episode new-media series about the gay black community: https://www.youtube.com/channel/UCE4GYm5GxQD1yzpPpbBav8Q

Black Gay Male Spectatorship in the United States: The Reception of the Films Dakan and Woubi Cheri: https://africanwomenincinema.blogspot.com/2009/06/black-gay-male-spectatorship-dakan-woubi-cheri.html

21 May 2017

Nneka Onuorah launches a crowdsourcing campaign for “Rotten Fruit” film project

Image: Rotten Fruit Indiegogo Page
Nneka Onuorah launches a crowdsourcing campaign for “Rotten Fruit” film project

Visit the Rotten Fruit Indiegogo Page for details about the crowdsourcing efforts and to make a contribution.


About The Project

Rotten Fruit centers on the relationship between the LBGTQI community and the attitudes of the Black Church in the United States.

According the crowdsourcing page, Nneka Onuorah plans to explore the following topics:


- History of Church Institution and Slavery
- Gay Civil Rights VS Black Civil Rights
- Projected patriarchy onto LGBT
- Elitism
- Ironic sexism in the black church
- Cognitive Dissonance
- Emotional Repression
- Molestation
- Measurement of sins
- Similarities between the ideology of the black church and White Supremacy
- Contract between church and U.S Politics 

12 February 2017

FESPACO 2017: Normalium by/de Siam Marley (Cote d’Ivoire)

FESPACO 2017: Normalium by/de Siam Marley (Cote d’Ivoire)


OFFICIAL COMPETITION |
COMPETITION OFFICIELLE
FICTION: SHORT FILM | COURT MÉTRAGE

PITCH:
[English]
In love with a man in a world where the norm is homosexuality, sixteen-year-old Charlotte will have to be exorcised for her "deviant" behavior.
An exorcism authorised by her two mothers.

[Français]
Amoureuse d’un homme dans un monde où la norme est l’homosexualité, Charlotte, 16 ans, va se faire exorciser pour son comportement "déviant".

Un exorcisme approuvé par ses deux mères.

SYNOPSIS

[English]
In the middle of the night, sixteen-year-old Charlotte is chased in the heart of the forest by aggressive men. Once caught, she is tied on an Altar where she undergoes an exorcism.

Charlotte is heterosexual and she loves a man, which is deviant behavior in the society in which she lives. She must become Normal again.

[Français]
Charlotte, 16 ans, est poursuivie en pleine forêt, au milieu de la nuit. Rattrapée par des hommes déterminés, Charlotte est attachée sur un Autel pour subir un exorcisme.

Charlotte est hétérosexuelle, elle aime un homme. Et çà, c’est un comportement déviant dans la société dans laquelle elle vit. Elle doit redevenir Normale.

Master NORMALIUM from Siam Marley on Vimeo.

09 March 2016

The African Women in Cinema Blog spotlights Nneka Onuorah and her film “The Same Difference” during Women’s History Month

The African Women in Cinema Blog spotlights Nneka Onuorah and her film “The Same Difference” during Women’s History Month

Nneka Onuorah Website: http://www.nnekaonuorah.com/   
Image: Twitter @NiKEs_Nae

Nneka Onuorah of Nigerian and American parentage (her father is from Nigeria and her mother from Harlem, New York) is director of the documentary The Same Difference, recently acquired by Women Make Movies. The documentary explores lesbians who discriminate against other lesbians based on gender roles and heteronormative notions of femininity and masculinity. In an interview with Lisa Rose of the Mardi Gras Film Festival presented by Queer Screen from 18 February-3 March 2016 in Sydney, Australia where she presented her film, Nneka Onuorah stated that her objective for making the film “is to break down the policing of stereotypes and gender roles in the community… to uplift my sisters, to encourage them to be who they are and less of what others want them to be.” She further noted that social media was instrumental in her being able to enter more deeply into the conversation among black lesbians and to see who were the influencers in this dialogue and seek them out to tell their stories in the documentary. (Interview with Nneka Onuorah https://www.youtube.com/watch?v=CpZMbYqRePo) 

The Same Difference Official Trailer

05 September 2015

"Difficult Love" by Zanele Muholi and Peter Goldsmid. Highlighting African women during the Directed by Women worldwide film viewing party - 1-15 September 2015

Photography by Zanele Muholi
Difficult Love by Zanele Muholi and Peter Goldsmid. African Women in Cinema Blog highlights African women via films online during the Directed by Women worldwide film viewing party - 1-15 September 2015.

Visual activist Zanele Muholi of South Africa, repositions the African subject that is often represented by others, reclaiming her own space and that of other black lesbians and black South Africans as a whole. Telling her own story and taking ownership of her subject-position, she returns the gaze, re-writes the script that has often left black lesbians and Africans in general without a voice.

Difficult Love

A highly personal take on the challenges facing Black lesbians in South Africa today emerges through the life, work, friends and associates of 'visual activist' and internationally celebrated photographer, Zanele Muholi (who also presents). (From imdb.com website)

14 December 2014

Understanding lesbophobia in West Africa: sixteen women’s voices | Seize voix de femmes pour comprendre la lesbophobie en Afrique de l’Ouest


Understanding lesbophobia in West Africa: Sixteen women's voices | Seize voix de femmes pour comprendre la lesbophobie en Afrique de l'Ouest


Source: Yagg.com - Publié par | published by Maëlle Le Corre


[English] 

The 16 Days of Activism against Gender-Based Violence Campaign of QAYN 2014 (Queer African Youth Network) had as objective to provide visibility on the forms of gender violence against lesbians, bisexuals, queer women, and women who have sex with women (LBQFSF) in order to promote awareness of these types of violence as an integral part of violence against all women. Under the theme, 16 Voices, 16 Experiences, the queer women of West Africa and Cameroon talked about this violence; this campaign endeavoured to share personal experiences of women who have been victims of violence because of their sexual orientation and gender identity.

From 24 November to 10 December 2014, QAYN published an audio testimony each day of the campaign, from a lesbian, bisexual, queer or woman who has sex with women—from Benin, Burkina Faso, Cameroon, Senegal and Togo. The women shared their experience with violence based on sexual orientation and/or gender identity.

Through this first campaign, QAYN’s objective was to make visible the violence against women LBQFSF in order to generate a collective commitment to protecting the rights of all women, regardless of their sexual orientation and gender identity.

The Campaign Team 

The Interviewers

• Addis- Credo Ahodi is a young activist Benin and a graduate in Communication from the National University of Benin. Benin-based researcher of the 16 Days Campaign and Secretary General of the Association of Women Sapphists (AFRO-BENIN), she is engaged in the fight against STDs, HIV/AIDS and for the promotion of women's rights in general and sapphists in particular.

• Anne Marie Manga is a Cameroonian activist living in Yaoundé, where she coordinates the Gender Unit of Humanity First Cameroon, an association for the prevention of STDs/AIDS and for the defense of LGBT rights. A trained psychologist and researcher on the subject of gender-related identity, she headed a community-level research project entitled: Social Pressures and Identity construction, a case study of women who have sex with women (FSF) of Yaounde.

• Nataka, LBQFSF Programs Coordinator of QAYN.

• Pegguy is a young 23 year-old Cameroonian student of Bioinformatics Biostatistics Level III. “Co-founder of the Lesbians of Cameroon, today ELLES and working daily with MSM, I began to feel the need to give particular attention to the LBT cause in order to bring together and unify this community that is not very visible, in the existing community associations. I decided to incorporate these communication strategies to defend this common cause. We did no wrong by having a different sexual orientation than other people who think they are legitimate. I decided to commit myself because nobody else would come to defend our rights and allow us to live without prejudice in our various societies.

The illustrators

• Xonanji, Franco-Cameroonian, has a passion for the image. She is both an illustrator and designer-architect and her skills extend to web design. Activist, she is involved in daily political and community life.

• CHOUF is a Tunisian LBT organisation consisting of people who are experts in the audio-visual, print, media, as well as legal fields. CHOUF aims to promote the rights of FSF persons in Tunisia, a country where homosexuality is still considered a crime penalised by imprisonment of up to 3 years.

Sound Engineers

• Kalfou Danje, of Guadeloupe, lives in France. He is a filmmaker and audio and video editor. He regularly participates in activist radio programs as well as mixing for musical projects. In addition, he is an activist and artist in several areas: music, literature and photography.

Transcript and Publishing

• Nataka, LBQFSF Programs Coordinator of QAYN
• Felix, Assistant Coordinator
• Stéphane, Program Coordinator GBT

Campaign Design and Management 

Mariam, Founder and Coordinator of the Network


Source: Yagg.com - Publié par | published by Maëlle Le Corre


[English] 3 excerpts:

Since November 24, the QAYN association has published daily testimonies of lesbian, bi and queer women, or those who have sex with women living in Benin, Burkina Faso, Cameroon, Senegal and Togo. Confronted with violence because of their sexual orientation, each recounts the rejection of their family, or the harassment that they face in the street or at school. The association publishes these 16 stories, illustrated by Xonanji, and transcribed by the Tunisian Association CHOUF. In addition, an audio version to available to listen to their testimonies.

"I had my first experience within the family unit with my dad, my mom, when the gossip began, when the stories started coming, people began to talk, people told them that their daughter was a lesbian, that their daughter spent her time with lesbians", says Renee, a 24-year-old Cameroonian. "There were girls in the city who were recognized as such and as soon as I was seen with them, I was labelled a lesbian. My dad scolded me, he abused me verbally and physically and told me he did not want to see me with these kinds of girls, he did not want me to spend time with them and that he wanted this gossip to stop, otherwise he would make it happen."

16 VOICES 16 EXPERIENCES: In Togo by Qayn on Mixcloud
Renee (Cameroon) says that it is difficult to find support because homophobic remarks often come from within ones entourage. "The ones who are the closest label us because they know us, they notice what we wear, our clothes. And sometimes it also comes from a stranger in a group when they see the way we are dressed, how we walk or when in front of a group we are said to be this or that, they impose certain labels on us. Even saying things aloud knowing that you cannot defend yourself."

16 VOICES 16 EXPERIENCES: In (Togo) by Qayn on Mixcloud
Domi, a 33 year-old Burkinabé who defines herself as lesbian, says that in her experience the failure to meet a certain physical type exposes one to the risk of being stigmatised, "For me there is a gendered violence which is based on the idea that a person with a certain personality type does not meet the expectations of her or his society or community. It can be a man who does not act in a manner that is expected of him and is thus branded, frowned upon, automatically categorised. The same with a woman who does not fit within the norm, who does not meet certain standards, she is immediately stigmatised.

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