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Showing posts with label Burkina Faso. Show all posts
Showing posts with label Burkina Faso. Show all posts

01 December 2025

The African Women in Cinema Blog commemorates United Nations World AIDS Day


As highlighted in past commemoration posts, African women in cinema often use the visual media as a tool for awareness building as it relates to matters that touch their societies and burning issues that effect Africa.

In this regard the initiative Scenarios from Africa had as objective to give young people a unique occasion to learn more about HIV/AIDS. The 2011 edition demonstrated the extent that African girls and young adults seized this opportunity to tell these stories. Among the 25 frontrunners 17 were girls/young women--the youngest 12 years old. Furthermore, among the awardees of the three grand prizes two were young women.

Burkinabé Fanta Nacro has played an important role in the above initiative, as prominent African cineastes adapted films using these scenarios: A Call to Action, A Love Story, A Ring on Her Finger, The Champion, Iron Will, Peace of Mind, Never Alone, The Reasons for a Smile, Tiger Tigress. Also from the Series, Cameroonian Kidi Bebey’s Looking for a Brave Man explored relationships in the age of AIDS. A young woman seeking a serious relationship demands that her partner act responsibly which entails taking the AIDS test.

Fanta Nacro’s filmography also includes the 1998 short film, Le Truc de Konate (Konate's Thing). The comedy employed as a means of consciousness-raising proved very popular with the Burkinabé public, intermingling an established distrust of new concepts and old-fashioned masculine virility and honour with female consciousness.

With a more solemn tone, Tsitsi Dangarembga of Zimbabwe relays the tragic costs of AIDS in Everyone's Child, directed in 1995. The film focuses on the devastating consequences for the children who are left to fend for themselves after the AIDS-related death of parents. On a joyful note, in Zambian Musola Kaseketi's film Suwi, the young Bupe finds a happy home, while Tanzanian Beatrix Mugishagwe’s Tumaini tells a story of hope.

Kenyan Wajuhi Kamau, of the Film Production Department of the Educational Media Service of the Minister of Education, emphasises the effectiveness of video as a means of educating people about a range of issues, from AIDS to family planning. Using both the documentary and drama presentations, the objective of the agency is to allow people to see themselves reflected in the images. "When you see yourself, you see your situation, then it is easy to remember and change attitudes and behaviour." Zimbabwean Prudence Uriri has also focused on issues related to AIDS and health in general. The Unesco-commissioned Madizela and Samora (2003), and Life (2002) produced by Rooftop Promotions, are two AIDS-focused films directed by Uriri. She sees her role as a filmmaker to open a dialogue regarding the problems that people face, and in so doing they may be better informed.

05 December 2024

From Kaddu Beykat to Pumzi: Commemorating World Soil Day, 5 December


The Food and Agriculture Organisation of the United Nations (FAO) Commemorates World Soil Day on 5 December:

Soils have been neglected for too long. We fail to connect soil with our food, water, climate, biodiversity and life. We must invert this tendency and take up some preserving and restoring actions. The World Soil Day campaign aims to connect people with soils and raise awareness on their critical importance in our lives.

The environment has long been a theme that African women in cinema have addressed in their work, from Kaddu Beykat (1975) by Senegalese Safi Faye to Pumzi (2009) by Wanuri Kahiu of Kenya. 

In Safi Faye's Kaddu Beykat the story unfolds through the backdrop of an ongoing drought in the village, causing economic upheaval as groundnuts are its sole crop. In the film, Safi Faye depicts the hardships and problems of a Senegalese peasantry bent under the yoke of an agricultural system dominated by groundnut cultivation. A culture that is imposed on them to the detriment of the food crops that allowed them to live. She challenges the authorities, but also proposes a reflection on the future through reforestation and the protection of nature.

In the 1990s, Burkinabé Franceline Oubda directed her camera on themes around the environment in her documentary film, Femmes de Yatanga, which explores the initiatives of the Association Six 'S' ("L'Association Six 'S'"), based in Burkina Faso. The Association Six 'S' in French illustrates the first letter of the words, all beginning with 's', which describes the objective of the group--savoir se servir de la saison seche en savane au Sahel (to know how to make use of the dry season in the savanna of the Sahel). Her film Femmes de Yatanga portrays the women's efforts to survive the desertification that is threatening the region by using alternative methods of rearing sheep.

Wanuri Kahiu was inspired by the late Nobel Prize laureate and compatriot Wangari Maathai, whose Greenbelt Movement challenged Africans to replenish the earth by planting trees, combatting deforestation and soil erosion.

Talking about what motivated her to make the film Pumzi, Wanuri Kahiu had this to say: “Wangari Maathai has been talking about this issue for years and we never heed her advice so I am not here to tell people to conserve the environment alone, I am showing them what will happen if we don’t. I show a land where people recycle their own water to survive.” (nation.co.ke)

And thus the African Women in Cinema Blog celebrates the importance of soil, as it highlights the work of African women in cinema who endeavor to raise the public's awareness of soil and its importance to humanity and the environment. 

05 August 2023

Ouaga Tout Court (OTC) 2023 - Yasmine Delia Eboubie Ido - Mallaury Kabore - Mairama Komi

Ouaga Tout Court (OTC)
2023

Yasmine Delia Eboubie Ido - Mallaury Kabore - Mairama Komi


Short film production training think tank is a strategy that aims to strengthen the capacities of young Burkinabe creators to produce their first or second short films of competitive quality.


Incubateur de formation à la réalisation de court métrage est un dispositif qui ambitionne renforcer les capacités des jeunes créateurs burkinabè à la réalisation de leur premier ou deuxième film courts métrages de qualité compétitive. 



Yasmine Delia Eboubie Ido - Project Fiction “Yeleni”


 


Mairama Komi - Project Fiction "Nabo"



Mallaury Kaboré - Project Fiction "Alter Ego"

   


31 January 2023

Floriane Zoundi: Le Botaniste -FESPACO 2023 - Selection Officielle

Floriane Zoundi: Le Botaniste -FESPACO 2023 - Selection Officielle

Floriane Zoundi
Le Botaniste
FESPACO 2023
Selection Officielle


Synopsis
Spécialiste en plantes tropicale, Rayann, 32 ans est un brillant scientifique qui a eu une carrière exemplaire. Mais il perd sa famille dans un attentat terroriste. Depuis, Rayann vit à l’écart du monde jusqu’au jour où il est pris en otage dans sa maison par des terroristes poursuivis par la gendarmerie.

Par instinct de survie, il planifie de les neutraliser grâce à sa connaissance des plantes.


***

Rayann, a brilliant 32 year-old-scientist, and specialist in tropical plants, with an exemplary career, lost his family in a terrorist attack. Since then, he has lived in isolation until the day he is taken hostage in his house by terrorists pursued by the gendarmerie.


By survival instinct, he is able to neutralize them thanks to his knowledge of plants.


Production : Films 21
Grand Prix du président du Faso du meilleur espoir.

Marie-Laurentine Bayala: Patriotes - FESPACO 2023 - Selection Officielle


Marie-Laurentine Bayala
Patriotes
FESPACO 2023
Selection Officielle



Synopsis

Yeli’s love overflows for her husband Opior, injured during an attack on the frontline. Strengthened by their past, the couple fight to find once again their promise of a happy life.

Yeli déborde d’amour pour son mari OPIOR blessé au cours d’une attaque au front. Fortifiés par leur passé, le couple se bat pour retrouver sa promesse de vie heureuse.


29 January 2023

Chloé Aïcha Boro: Al Djanat | Paradis originel - Selection officielle - FESPACO 2023

 

Chloé Aïcha Boro
Al Djanat | Paradis original

Burkina Faso - 90min - Documentary - 2022

Synopsis
A large religious family torn apart by a real estate property dispute leads to a deep questioning of transmission, identity and justice.

Djanat" (meaning original paradise) recounts the crisis that happened in the family courtyard of the director, Chloé Aïcha Boro, in Dédougou in Burkina Faso. The death of her uncle, the patriarch, religious authority of the region and guarantor of the transmission of dogmatic Mandinka Islam, led to a legal inheritance procedure before the Western-inspired courts, thus breaking with an age-old tradition of oral transmission. This family is not an isolated case in embroiled in a land-related conflict. If one is to believe the media which has taken on the subject, such as Radio Balafon, starting from the example of the court of Chloé Aïcha Boro's family, it is a "social bomb" in the making in West African societies. In Bobo Dioulasso, the courthouse was burnt down in an outpouring of popular opposition to modern Western-inspired justice.
The courtyard becomes the theater where the future of a family, emblematic of an entire society, is played out. Gradually, there is a war of words and points of view clash right up until the trial. In this pivotal period, where Western modernism transforms identities right down to family ties, and traditional social structures and religious codes: how does one go from being guardians of the land to owners of real estate? How is a relationship with one’s heritage maintained?


Le déchirement d’une grande famille religieuse autour d’un bien immobilier conduit à un profond questionnement sur la transmission, l’identité et la justice.

« Djanat » (qui signifie paradis originel) est le récit d’une situation de crise vécue dans la cour de la famille de la réalisatrice, Chloé Aïcha Boro, à Dédougou au Burkina Faso. Le décès de son oncle, le patriarche, autorité religieuse de la région et garant de la transmission de l’islam mandingue dogmatique, a entrainé une procédure judiciaire d'héritage devant les tribunaux d’inspiration occidentale rompant ainsi avec une tradition séculaire de transmission par voie orale. Cette famille n’est pas un cas isolé en proie avec un conflit foncier. Si l’on en croit les médias qui se sont emparés du sujet, comme Radio Balafon qui est parti de l’exemple de la cour de la famille de Chloé Aïcha Boro, il s’agit d’une « bombe sociale » en gestation dans les sociétés Ouest-africaines. A Bobo Dioulasso, le palais de justice a été brulé dans un élan de contestation populaire opposée à la justice moderne d’inspiration occidentale.

La cour devient le théâtre où se joue l’avenir d'une famille emblématique d’une société entière. Peu à peu, les langues se délient et les points de vue s’affrontent jusqu’au procès. Dans cette période charnière, où le modernisme occidental transforme les identités jusque dans les liens familiaux, les structures sociales traditionnelles et les codes religieux, comment passer de gardiens des terres à propriétaires de biens immobiliers ? Quelle relation entretenir avec son héritage ?

Bio
Chloé-Aïcha Boro is a Franco-Burkinabe writer and filmmaker. After studying modern literature, she worked as a journalist in Burkina Faso for several magazines and newspapers (La Voix du Sahel, Le Marabout) then as assistant director and program presenter at TV Koodo and Radio Gambidi. In 2017 for her feature film France-aurevoir, le nouveau commerce triangulaire (France-goodbye, the new triangular trade) she received the Best Documentary Film Award at the Vues d'Afrique Festival in Montreal. In 2019 Le loup d’or de baolé was screened at FIPADOC in Biarritz, later awarded the Etalon de Yennenga (Golden Stallion) for Documentary at FESPACO, the highest distinction for an African documentary. 

Chloé-Aïcha BORO est une écrivaine et cinéaste franco-burkinabé. Après des études en lettres modernes, elle est journaliste au Burkina Faso pour plusieurs revues et journaux (La Voix du Sahel, Le Marabout) puis assistante réalisatrice et présentatrice d’émissions à TV Koodo et Radio Gambidi. En 2017 pour son long métrage « France-aurevoir, le nouveau commerce triangulaire » elle reçoit le Prix du Meilleur film documentaire au Festival Vues d’Afrique de Montréal. En 2019 « Le loup d’or de baolé » est montré au FIPADOC à Biarritz, avant de recevoir l’Étalon d’or du documentaire au FESPACO, plus haute distinction pour un documentaire africain. 

28 January 2023

Eléonore Yaméogo: Le Galop - Sélection officielle - Films Burkina - FESPACO 2023

Eléonore Yaméogo

Le Galop

FESPACO 2023

Sélection officielle - Official Selection

Films Burkina



Burkina Faso - 80 min - Documentary 


Synopsis

A young woman, armed with a quiver, is mounted on a horse galloping briskly. At each command of its mistress, the horse accelerates it pace. With the sound of hooves, a distant voice is heard calling for someone: Yennenga. Disregarding the call, the cavalier continues her ride, disappearing in the distance. Ignoring the concerns of the rider, Yennenga, the city of Ouagadougou is dressed in its finest adornments to receive its guests, including directors who have their film in competition at the 27th edition of Fespaco. Like a horse race, four filmmakers, Moumouni from Burkina Faso, Fama from Senegal, Aicha from Niger and Mutiganda from Rwanda, set out for a long ride.


Une jeune femme, montée sur un cheval et armée d’un carquois, galope à vive allure. Le cheval accélère la cadence à chaque injunction de son maître. Se mêlant au bruit des sabots, une voix lointaine appelant une personne se fait entendre, Yennenga…. Sans prêter attention à cet appel, la cavalière poursuit sa chevauchée et disparaît au loin. Ignorant les préoccupations de la cavalière Yennenga, la ville de Ouagadougou s’est revêtue de ses plus belles parures pour recevoir ses invités parmi lesquels des réalisateurs qui ont leur film en compétition à la 27ème édition du Fespaco. Comme une course hippique, quatre (4) réalisateurs, Moumouni du Burkina Faso, Fama du Sénégal, Aicha du Niger et Mutiganda du Rwanda, s’attèlent pour une longue chevauchée.



25 January 2023

Theresa Traore Dahlberg: The Life of an Ambassador’s Wife - New York Times - OPDocs -

Theresa Traore Dahlberg
The Life of an Ambassador’s Wife


Theresa Traore Dahlberg is a visual artist and filmmaker


Theresa Traore Dahlberg

The Life of an Ambassador’s Wife

Documentary - 2018 - 16'20min


New York Times - OPDocs

24 January 2023



Follow the link to view the film: https://www.nytimes.com/2023/01/24/opinion/burkina-faso-the-ambassadors-wife.html

Description
The wife of the French ambassador in Ouagadougou, Burkina Faso is bored. Once in a while she’ll play a game of tennis, or maybe swim a few lengths in her private pool. She used to dream of being a famous opera singer, but now she practices her repertoire knowing she’ll never perform for a large audience. A career isn't even an option, because the wives of ambassadors aren’t allowed to work.
In powerful, measured and beautifully styled scenes, director Theresa Traore Dahlberg—who spent part of her childhood in Burkina Faso—exposes the pitfalls of a privileged life. This discreet, short portrait of an ambassador’s wife also offers a witty and critical perspective on neocolonial relations, power structures, class differences and gender disparities. While the ambassador’s wife tries to relax in her luxurious surroundings, she’s surrounded by staff and servants who are busy working and making noise.

Text Source: https://www.idfa.nl/en/film/2b0f5599-fea8-4d09-9660-0619fbf1330a/the-ambassadors-wife

Also see:

01 December 2022

Irène Tassembédo: La Traversée (The Crossing) Prix Clément Tapsoba 2022 (Burkina Faso)

Irène Tassembédo
La Traversée (The Crossing)
Prix Clément Tapsoba 2022 (Burkina Faso)

Irène Tassembédo is the laureate of the Prix Clément Tapsoba 2022, presented on 23 November in Burkina Faso, for her film La Traversée (The Crossing).  It received the Special Jury Mention, in the Perspectives Selection at the 27th edition of FESPACO in 2021.

Irène Tassembédo
La Traversée (The Crossing)
Burkina Faso
Feature - 111min - 2021

Synopsis
Djibi returns to Burkina Faso after working for ten years in Italy—with pockets full and a heavy secret. Having contacted a group of young people from his neighborhood in Ouaga, whose only intention is to emigrate to Europe, he designs a secret project to prepare them for the voyage, which he himself has undertaken. A physically and mentally intensive preparation, quasi-military. Those who enroll in the program, whose profiles and backgrounds portray the social and cultural realities of the current generation of African youth, will see their lives take a new turn as a result of this very unique coaching. Djibi's objective is, in fact, to take each of them on an initiatory journey leading to personal fulfillment, and ultimately reversing the emigration project.

Irène Tassembédo is a choreographer and filmmaker.

07 September 2022

Alimata Ouedraogo: Graine - Festival Du Cinéma au Féminin - CINEF 2022

Festival Du Cinéma au Féminin - CINEF

Alimata Ouedraogo

Burkina Faso

Graine

 

Synopsis

Sybia struggles to bring her pregnancies to term, impossible to find the real reason for this handicap. Therefore, she and her husband decide to adopt a child. Her mother-in-law later kidnaps Sybia's daughter to have her excised. Regrettably, the girl dies during the process. As a result of this tragedy, there is an escalation of anger, hatred and in-fighting between the two families.


La dame Sybia, est une femme éprouvée par la difficulté de mener à terme ses grossesses. Impossible de trouver la vraie raison de ce handicap. Elle décide donc d’adopter un enfant avec le consentement de son époux. Sa belle-mère plus tard, kidnappe la fille de Sybia pour la faire exciser. Malheureusement, pendant l’acte, la fille décède. S’en suivent alors escalade de colère, haine et échauffourées entre les deux familles.


Bio

After a degree in marketing communication and public relations, Alimata Ouedraogo began an acting career in 2003 and played in several films. In 2009, she created Star Events, her communication company, followed by several other activities, she undertook filmmaking and audiovisual production, during which she directed her first feature film entitled Graine.


Après une licence en communication marketing et relations publiques, Alimata Ouedraogo commence dès 2003 une carrière d’actrice et joue dans plusieurs films dont Ouaga Zoodo, Un fantôme dans la ville, Wibdo ou le sacrilège de Zida Boubakar Sidnaba, Sofia, L’or des Younga, Code Phoenix de Boubakar Diallo… En 2009, elle crée sa structure de communication Star Events. Après plusieurs activités, elle se lance dans la production cinématographie et audiovisuelle d’où elle produit et réalise son premier long métrage intitulé Graine.

20 August 2022

Delphine Yerbanga: Les traces d’un migrant (Traces of a migrant) - Festival cinéma d’Afrique Lausanne 2022

Delphine Yerbanga: Les traces d’un migrant (Traces of a migrant)
Festival cinéma d’Afrique Lausanne 2022

Delphine Yerbanga
Trace d’un migrant
Burkina Faso
2021 - documentaire - 69min

Synopsis
This film recounts the story of Abdoulaye Ouédraogo, a Burkinabé migrant who has been missing for years. Idrissa Ouédraogo, his brother, and his children Adama and Awa, set out to find him, traveling through Burkina Faso, Senegal and Guinea-Bissau. Through their odyssey, a journey of initiation and discovery, we are plunged into the heart of a family story, a quest for identity and origins.

Ce film raconte l’histoire d’un migrant burkinabé, Abdoulaye Ouédraogo, porté disparu pendant des années. Idrissa Ouédraogo, son frère, et ses enfants Adama et Awa, partent à sa recherche en parcourant le Burkina Faso, le Sénégal et la Guinée-Bissau. Leur périple, tel un voyage initiatique et de découvertes, nous plonge au cœur d’une histoire de famille, d’une quête d’identité et d’origines.

Source: https://www.cine-afrique.ch/les-traces-d-un-migrant-fr25830.html 

18 August 2022

African Diasporas. Eleonore Yameogo: De l'autre côté des rives ("On the other side of the shores”). Radiodiffusion Télévision Burkinabé (RTB) documentary series on the Burkinabe diaspora


African Diasporas. Eleonore Yameogo: De l'autre côté des rives (
"On the other side of the shores”). Radiodiffusion Télévision Burkinabé (RTB) documentary series on the Burkinabe diaspora


Burkinabe filmmaker Eléonore Yameogo and Radiodiffusion Télévision Burkinabé (RTB), launched the director's documentary series on the Burkinabe diaspora in the West entitled "On the other side of the shores".


La réalisatrice Burkinabè Eléonore Yameogo et la Radiodiffusion Télévision Burkinabé (RTB), ont procédé au lancement de la série documentaire de la réalisatrice sur la diaspora Burkinabè en occident intitulé « De l’autre côté des rives ».


05 May 2022

Mamounata Nikiéma : élue présidente de la Fédération nationale du Cinéma et de l'Audiovisuel du Burkina Faso | elected president of the National Federation of Cinema and the audiovisual of Burkina Faso

Mamounata Nikiéma :
élue présidente de la Fédération nationale du Cinéma et de l'Audiovisuel du Burkina Faso |
elected president of the National Federation of Cinema and the audiovisual of Burkina Faso

Translation from French. See original French text published 04 Mai 2022 : Africine.org

Mamounata Nikiema, filmmaker and producer from Burkina Faso, was elected president of la Fédération nationale du Cinéma et de l'Audiovisuel du Burkina Faso (the National federation of cinema and the audiovisual of Burkina Faso) at the extraordinary assembly on Saturday April 23, 2022 in Ouagadougou for a four-year term.
 
She is very involved in the filmmaker networks in Burkina Faso (Africadoc Burkina, Guilde des scénaristes, Association des producteurs du Burkina Faso, Fédération Nationale du Cinéma et de l'Audiovisuel...). Moreover, for the past several editions, Mamounata has been actively involved at FESPACO as president committee or member during the past several editions.
 
In 2018, she launched the event, Cine‐équipement  and the digital cinema platform Sulunsuku (www.sulunsuku.com). With this illustrious background, Mamounata Nikiema received the title of Knight of the Order of Merit, Arts, Letters and Communication with Agrafe ''Cinematographie'', during the 27th edition of FESPACO.

26 March 2022

Kady Traoré: La Soeur de quelqu'un (Someone's sister) - Vues d'Afrique 2022


Vues d'Afrique
Kady Traoré
La Soeur de quelqu'un (Someone's sister)
Burkina Faso
2021 - 9 min - Fiction


 
 
Synopsis
Setou arrives from the village at the home of her brother Souley and his wife Maria who give her a warm welcome. But they are puzzled to see her at this hour so late at night. Setou and her big brother Souley are extremely close. In the early morning, the household is tormented by a dreadful scene.

Setou venant du village arrive chez son frère Souley et sa femme Maria, qui l’accueillent chaleureusement, mais sont intrigués de la voir à cette heure tardive de la nuit. Setou et son grand frère Souley sont très proches et fusionnels. Au petit matin, la maisonnette est tourmentée par une scène effroyable.

Bio
Kady Traoré, filmmaker/producer from Burkina Faso, completed her studies l’Institut Supérieur de l’image et du son, specializing in the Visual.

Kady Traoré, réalisatrice/productrice du Burkina Faso,  diplômée de l’Institut Supérieur de l’image et du son avec une licence en image.
 
Image and French text: Vues d'Afrqiue

30 October 2021

Recent Films. Aïssata Ouarma: Stay up | Reste debout

Aïssata Ouarma
Stay up | Reste debout
Documentary
Burkina Faso
2021
38min

 
Mariam was raped at the age of five, thirteen and sixteen by men she knew well, two of them relatives. The crimes were committed in her home country of Mali. Within an inspirational dance troupe which places as much emphasis on verbal expression as on bodily movement, the gentle but tough, and pregnant, Mariam is able to deal with her inner trauma. “With dance and movement everything is open...”
(Source: Interview with Nick Cunningham - https://businessdoceurope.com/doclisboa-dok-leipzig-interview)
 
 
 
Links on Blog
 
Aissata Ouarma: Stay up | Reste debout 

17 October 2021

Carine Bado: Zalissa - FESPACO 2021


le Poulain de bronze
Carine Bado
Zalissa
Burkina Faso
35min - Fiction - 2019

 
In an interview with lefaso.net, Carine Bado has this to say about the film Zalissa | Dans un entretien avec lefaso.net, Carine Bado parle de son film « Zalissa »:

"Zalissa" is the story about a girl in middle school…She wants to be stylish like all young girls. One of her friends tells her about a bracelet that she has seen that she can buy for herself. She has such a strong desire for the bracelet that she begins to steal. We know that her friend Alice also finds ways to get more money, to buy pretty clothes. Then, one begins to wonder if she will go as far as prostitution.

« Zalissa », c’est l’histoire d’une fille qui est en classe de cours moyen…Elle a envie d’être coquette comme toutes les petites filles. Il y a une de ses amis qui lui dit qu’elle peut s’acheter un bracelet qu’elle a vu. Le désir de ce bracelet est si fort qu’elle se met à voler. Nous savons que son amie qui s’appelle Alice passe également par d’autres méthodes pour avoir plus d’argent, de quoi mieux s’habiller pour être plus coquette. Du coup, on ne sait pas si elle tombera dans la prostitution ou pas.

Source: https://lefaso.net/spip.php?article108232

Delphine Kaboré: Nos voisins (Our Neighbors) - FESPACO 2021

 FESPACO 2021
Short fiction in competition
Nos voisins
(Our Neighbors)
Delphine Kaboré
Burkina Faso
6min - Fiction - 2019
 
Image: Screen capture

 
Synopsis
René et Moussa, two young men very involved in the activities of their neighborhood in Ougadougou, are fun-loving, respectful, and sociable, and well appreciated by all of their neighbors. But who are they really? 

René et Moussa sont deux jeunes hommes très impliqués dans les activités de leur quartier à Ouagadougou. Bons vivants, respectueux et sociables, ils sont appréciés de tout leur voisinage. Mais qui sont-ils vraiment ?

Bio
Delphine Kaboré is the "7 jours pour 1 film" laureate for her script, Nos Voisins
 
Delphine KABORE est lauréate du 7 jours pour 1 film pour son scénario Nos Voisins
 

10 April 2021

Vues d'Afrique 2021. Mamounata Nikièma : L’Odyssée d’Omar (Burkina Faso)

Vues d'Afrique 2021
vuesdafrique.org/

Mamounata Nikièma
L’Odyssée d’Omar


Mamounata Nikièma
L’Odyssée d’Omar
Burkina Faso | France
2020 - Documentary - 77min

Synopsis
 
In Ouagadougou, Yves-Omar, a former schoolteacher is now an accomplished entrepreneur. Although he enjoys living with his family, his business pushes him to travel more and more to develop his company and create new partnerships in Paris, Munich, Brussels, Lomé. Drawing from her own experience, through Omar's Odyssey the director offers us another way of understanding the links between Europe and Africa. The experience of a man who--like Ulysses--returns home after long voyages. Each time experiencing the pleasure of returning to his country, Burkina Faso.

À Ouagadougou, Yves-Omar est un ancien instituteur reconverti en entrepreneur accompli. Même s’il apprécie de vivre auprès des siens, ses affaires le poussent à voyager toujours plus pour développer son entreprise et créer de nouveaux partenariats, à Paris, Munich, Bruxelles ou Lomé. Au regard de son propre vécu, la réalisatrice nous propose avec « L’Odyssée d’Omar » une autre façon d’appréhender les liens entre l’Europe et l’Afrique. L’expérience d’un homme qui – tel Ulysse – rentre chez lui après de longs voyages. Avec, à chaque fois, le plaisir de retrouver son pays, le Burkina Faso.

Bio

After completing two writing residencies and a Masters in creative documentary filmmaking, Mamounata Nikièma pursues her career as both director and a producer. She is very involved in the networks of Burkinabè filmmakers (Africadoc Burkina, Scriptwriters Guild, Producers Coordination), and for several years, has actively participated at Fespaco, in particular, the Espace Junior program. Since 2014, she has also been an assistant trainer during the Bobo-Dioulasso documentary writing residencies.

Après deux résidences d’écriture et un Master en réalisation documentaire de création, Mamounata Nikièma mène de front sa carrière de réalisatrice et celle de productrice. Elle est très impliquée dans les réseaux de cinéastes burkinabè (Africadoc Burkina, Guilde des scénaristes, Coordination des producteurs), et participe activement depuis plusieurs années au Fespaco, au sein de l’Espace Junior. Depuis 2014, elle est également assistante formatrice lors des résidences d’écriture documentaire de Bobo-Dioulasso.

Vues d'Afrique 2021. Chloé Aïcha Boro Leterrier : Alors, je vous sers? (Burkina Faso)

Vues d'Afrique 2021
vuesdafrique.org/

Chloé Aïcha Boro Leterrier
Alors, je vous sers?


Chloé Aïcha Boro Leterrier
Alors, je vous sers?
Burkina Faso
2020 - Fiction - 7 min

Synopsis

A Christmas evening in a Franco-African household. The atmosphere is festive. Everyone attempts to show their tolerance. However, over the course of the evening, the missteps, the gaffes resulting from the lack of awareness of the other's culture, gradually builds into gripping tension, until the final act.

Un soir de Noël dans une maison franco-africaine. L’ambiance est festive. Tous s’attellent à afficher leur tolérance. Sauf qu’au fil de la soirée, les maladresses, les impairs dus à la méconnaissance de la culture de l’autre, font progressivement monter une tension sourde, jusqu’à l’acte final.

Bio

Writer and filmmaker, Franco-Burkinabé Chloé Aïcha Boro began as a journalist in print media after her university studies in modern literatures. She pursued documentary filmmaking with her first feature Farafin ko, which has received several awards.

Écrivaine et cinéaste franco-burkinabé, Chloé Aïcha Boro, après des études universitaires de lettres modernes, commence comme journaliste dans la presse écrite. Elle se met au documentaire avec un premier long métrage remarqué : « Farafin ko », maintes fois primé.

08 April 2021

Vues d'Afrique 2021. Irène Tassembedo : Un jeudi au quartier (one Thursday in the neighborhood) Burkina Faso

 Vues d'Afrique 2021
vuesdafrique.org/
 
Irène Tassembedo
Un jeudi au quartier


Irène Tassembedo
Un jeudi au quartier (one Thursday in the neighborhood)
Burkina Faso
2020 - Fiction - 21 min

Synopsis
Thirteen-year-old Liwane participates in the preparations of the festivities that will take place in the neighborhood during the upcoming Thursday. She unexpectedly comes across her cousin Nafissatou, who is the same age, and learns that the preparations are for her: a forced marriage. Very aware of the importance of education of girls her age, powerless and outraged, Liwane witnesses her cousin's plight. (Text Vues d'Afrique. Translation from French)

Agée de 13 ans, Liwane participe ce jeudi-là aux préparatifs d’une fête qui a lieu au quartier. Brusquement, on s’empare de sa cousine du même âge et elle comprend que c’est le mariage forcé de Nafissatou qu’on préparait. Soucieuse de l’éducation des filles de son âge, impuissante et révoltée, Liwane assiste au drame de sa cousine…(Texte: Vues d'Afrique)

Bio
Internationally-known choreographer, Irène Tassembedo, is an important figure of contemporary African dance. She has progressively widened her activities to include musical comedies and the theater, and more recently film directing. (Text Vues d'Afrique. Translation from French).

Chorégraphe de renommée internationale, Irène Tassembedo est l’une des figures majeures de la danse africaine contemporaine. Elle a progressivement élargi son activité à la mise en scène de comédies musicales et de théâtre, puis à la réalisation cinématographique. (Texte: Vues d'Afrique)
 

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