The purpose of the African Women in Cinema Blog is to provide a space to discuss diverse topics relating to African women in cinema--filmmakers, actors, producers, and all film professionals. The blog is a public forum of the Centre for the Study and Research of African Women in Cinema.

Le Blog sur les femmes africaines dans le cinéma est un espace pour l'échange d'informations concernant les réalisatrices, comédiennes, productrices, critiques et toutes professionnelles dans ce domaine. Ceci sert de forum public du Centre pour l'étude et la recherche des femmes africaines dans le cinémas.

ABOUT THE BLOGGER

My photo
Director/Directrice, Centre for the Study and Research of African Women in Cinema | Centre pour l'étude et la recherche des femmes africaines dans le cinéma

Translate

Search This Blog

Showing posts with label Animation. Show all posts
Showing posts with label Animation. Show all posts

14 July 2024

“Neo in Nomansland” (Women in African Animation)

 “Neo in Nomansland”
(Women in African Animation)
 
Description (LithaFlora African Botanicals)
Neo is on a quest to reconnect with herself and the land.  Who and what she meets along the way will inform, entertain and inspire.
 
Created as an output of our second-year running, 2D professional internship at LithaFlora African Botanicals, this animated ebook has been designed and created, to deliver the confluence of indigenous #afrofuturistic storytelling, health & wellness, ecological conservation and cultural preservation.
 
"Indigeneity & Biomimicry in African Animation", is a 2.5 month highly demanding, fully remote and online programme targeting early career female animation professionals, in Africa.
 

07 March 2024

Lola Aikins : Naledi (short animation film)


Lola Aikins
Naledi

South Africa - Short animation
Description

An animated short film directed by Lola Aikins. A grief-stricken athlete injures herself and has to find a way to get her life back on track. 

Watch out for crowdfunding campaign to the launched soon.

Trailer: Naledi by Lola Aikins


08 January 2023

JoJo and Gran Gran Animated Series - BBC Channel

 





JoJo and Gran Gran Animated Series - BBC Channel

Join JoJo and Gran Gran on lots of adventures and travel through the different seasons! JoJo is almost five, and Gran Gran is her wise and loving grandmother. They live close to each other, and Gran Gran always has something fun planned to do when JoJo comes to visit.



06 June 2022

Fan Sissoko: On the Surface (World Festival of Animated Film)

Fan Sissoko: On the Surface
(World Festival of Animated Film)
6-11 June 2022

 
Source: http://www.animafest.hr/en/2022/film/read_all/on_the_surface

Animation - 2021 - Iceland/U.S./Mali - 4min
 
 
 
Synopsis
A young Black woman goes swimming in the Icelandic sea and reflects on her experience of raising a child in a country that feels nothing like home. As she enters the freezing water, she relives her traumatic pregnancy. Being in the wild and facing her fears is helping her heal.

Bio
Fan Sissoko is a French-Malian artist and filmmaker based in Reykjavik, with a background in design for social change. Her work explores themes of migration, motherhood, otherhood and neurodiversity. Her animated short film On the Surface was awarded a grant from Art With Impact, and screened at festivals around the world, including Clermont-Ferrand ISFF (France), Encounters (UK), Ottawa International Animation Festival (CA), Margate Film Festival (UK), Rex Animation Festival (SWE). It won the Heartwired Award at Our Heritage, Our Planet Film Festival (US).

Café court / Short Talk - Fan Sissoko from ClermontFd Short Film Festival on Vimeo.

17 March 2022

Girlpower: African Black Girl Magic through Cinema & Animation Storytelling

Girlpower: African Black Girl Magic through Cinema & Animation Storytelling


Perhaps one of the most memorable representations in cinema of African girlpower and agency is that of twelve-year-old Sili, determined, proud and increasingly empowered by her desire for independence despite formidable obstacles. The Black Girl Magic of the young protagonist of La petite vendeuse de Soleil by Djibril Diop Mambety (1999) is all the more compelling in her drive to make a living for herself and her grandmother while obliged to navigate the mean streets of Dakar on crutches. Though she does not read or write, Sili proves that she too can sell newspapers--even more effectively than the boys. She says to her grandmother as she heads out to find employment, confident in her ability to secure a job rather than beg on the streets: Grandma I will go find work tomorrow. I am not a boy. What boys do, girls can do, too!
While securing her employment at the Senegalese daily newspaper, "Le Soleil", she signs her 'contract', by drawing an image of the sun--which means soleil in French. Her exchange with the employers reveals this decisive moment:

Sili at newspaper distribution center: 'Hello. I want to sell the Soleil.'
 
Male owner of newspaper distribution center: Y'ou want to sell the Soleil? A girl selling newspapers?'
 
Female administrator: 'Boss, what boys do, girls can do too.'
 
Male owner: 'Give her the papers in the back there.'

Female administrator gives her the papers after counting them: '13 Soleils, that’s a lucky number.'

In the ultimate Black Girl Magic moment, wearing a bright yellow dress and large yellow "sun"glasses and flashing a toothy smile, Sili dances with other physically-challenged friends.

Similarly, Supa Modo (2018) by Likarion Wainaina follows the journey of Jo who is terminally ill, from hospice to home. During her remaining time, surrounded by family, friends and neighbors, she lives out her dream of being a super hero.

'Representing and empowering girls is a big responsibility,' declares elementary teacher Bruktawit Tigabu from Ethiopia. Her animation project "Tibeb Girls" is designed to meet this objective. The Tibeb Girls exhibit their girlpower as they journey to raise consciousness and empower girls along the way:
 
'In my village whenever a girl is in trouble the Tibeb Girls come to the rescue!'

'Power Girl, with super-human strength and speed.'
 
'Whiz Kid Girl, with the super power to see the future.'
 
'Empathy Girl, with super power to feel other's feelings.'
 
'When all three girls come together, their powers multiply into an unstoppable force to make great changes.'

Embarking on a futuristic journey empowered by science and technology, Sema, along with her brother, endeavor to protect their village. The animation series Super Sema highlights the importance of STEM to the future generations of Africa.

Similarly, the teen girls of Mama K's Team 4 take on the role of heroine--even beyond their village. In a neo-futuristic African city, they vow to rescue their fellow world citizens. 
 
(Image: Artistic rendering of screen capture:  La petite vendeuse de Soleil by Djibril Diop Mambety)
 
Report by Beti Ellerson

References from the African Women in Cinema Blog:

Super Sema Afro-futuristic animation
https://africanwomenincinema.blogspot.com/2021/03/super-sema-afro-futuristic-animation.html

20 October 2021

Adja Mariam Sanogo/Soro: Les Contes de Raya - FESPACO 2021

Adja Mariam Sanogo/Soro
Les Contes de Raya
Côte d’Ivoire
16min 8 episodes - Animation - 2021


Description
Raya is a little girl who loves nothing better than reading. Her favourite book? One that's totally magical and comes to life as she turns the pages. Thanks to her amazing book, she heads off to discover Africa, its cultures and its legends.

Rejoignez les aventures de Raya, la petite fille qui adore lire. Le livre préféré de Raya prend vie alors qu'elle tourne les pages tout en découvrant l'Afrique et ses cultures.

Avec le soutien de TRECC et de l'Education Impact Fund, Adja Mariam Mahre Soro et son équipe du Studio KÄ ont donné vie à Raya dans une série animée. Les enfants de 6 ans et plus peuvent découvrir les légendes africaines et le "pourquoi des choses" de manière amusante.
(Source: TRECC - Transformer l'éducation dans les communautés du cacao)

Les contes de Raya est une série télévisée d'animation 2D/3D ivoirienne de 16 épisodes de 8 minutes réalisée par Voyelles Edition et studio KAI


Bio
Adja Mariam Sanogo/Soro is the General Director of Voyelles Editions and of Studio Ka.

Adja Mariam Sanogo/Soro. Directrice Générale de Voyelles Editions et de Studio KÄ

27 May 2021

Women in Animation World Summit 2021 with keynote speaker Amma Y. Ghartey-Tagoe Kootin


Women in Animation World Summit 2021
with keynote speaker
Amma Y. Ghartey-Tagoe Kootin
 
https://womeninanimation.org/

The summit will be held June 14-19 2021 under the theme: “The Business Case for Diversity.” Keynote speaker Amma Y. Ghartey-Tagoe Kootin, Ph.D. is Lead Artist of AT BUFFALO: A New Musical and Vice President of Creative Affairs, JusticeRx

Women in Animation (WIA) envisions a world in which women share fully in the creation, production and rewards of animation, resulting in richer and more diverse entertainment and media that move our culture forward. The mission of WIA is to bring together a global community of animation professionals to empower and support women in the art, science and business of animation by increasing access to resources, creating opportunities for education, encouraging strong connections between individuals, and inspiring excellence.


13 March 2021

Super Sema. An Afro-futuristic animation series: Time to Change the World

Super Sema. An Afro-futuristic animation series: Time to Change the World

Source: Super Sema: https://www.supersema.com/

Super Sema follows the world-changing adventures of an extraordinary young girl Sema and her twin brother MB on their mission to protect their African town of Dunia from the villainous Tobor. Sema knows that with determination, creativity, and a helping hand from the amazing world of science and technology, anything is possible!

Set in an Afro-futuristic world, Super Sema is an exciting roller coaster of daring adventures, STEM inventions and kid-power to save the village from a heartless AI Robot.

25 June 2020

An animation story of Ugandan scholar Sr. Dr. Dominica Dipio's work in orality, literature and film

An animation story of Ugandan scholar
Sr. Dr. Dominica Dipio's work
in orality, literature and film

“For us, Africans who are predominantly described as very oral people, the film medium is a very powerful continuation, in a way, of our orality. I am no longer that scholar who writes a fine paper and has it published in a journal.” (Video by Osmosis Films)

Source: https://www.carnegie.org/topics/topic-articles/african-academics/infusing-stem-humanities-values-and-ethics-africa/

Moreover, Sr. Dipio, who completed her doctoral studies at the Pontifical Gregorian University in Rome, was appointed as one of four consultors of the Vatican-based Pontifical Council for Culture in 2019.



Also see on the African Women in Cinema Blog: 
Gender Terrains in African Cinema (2014) by Ugandan scholar Dominica Dipio

03 May 2020

Reconnaissance de la maison des cinéastes du Mali à Kadiatou Konaté réalisatrice

Reconnaissance de la maison des cinéastes du Mali à Kadiatou Konaté réalisatrice

Source: Facebook 01 mai 2020


Kadiatou Konaté from Mali came to cinema by chance, rather than studying filmmaking. After viewing the film Amok by Ben Barka she fell in love with cinema. He suggested that she work with her compatriot Souleymane Cissé who brought her into his crew as a production assistant; it was in 1985. After the completion of Cissé's Yeleen, she received a grant to work at the film production organization Atria in Paris, continuing at Atria, she learned editing, participating in the film editing of Gaston Kaboré's Zan Boko. With these two experiences she worked at assistant director for Mambaye Coulibay's La geste de Ségou. It was from there that she developed the interest in animation--animated folk tales specifically. Her 5-episode animated film L'enfant terrible was inspired by the legends recounted by her grandmother when she was a child, which for her is way of continuing tradition. (Adapted from the text by Jadot Sezirahiga. Ecrans d'Afrique, no. 8 1994).


Image: Screen capture

Watch Kadiatou Konaté réalisatrice parle de son parcours dans parole de cinéma





Watch L'enfant terrible on Youtube


25 April 2019

NETFLIX: Mama K’s Team 4, animated series/série animée by/de Malenga Mulendema (Zambia)

NETFLIX: Mama K’s Team 4, animated series/série animée by/de Malenga Mulendema 

Netflix to release its first African animated series. Mama K’s Team 4, produced by Cape Town-based Triggerfish Animation Studios and leading London-based kids’ entertainment specialist CAKE.

Mama K’s Team 4 tells the story of four teen girls living in the neo-futuristic African city of Lusaka, Zambia who are recruited by a retired secret agent still committed to saving the world. 

Mama K’s Team 4 is created by Zambian writer Malenga Mulendema and designed by Cameroonian artist Malcolm Wope. It draws visual inspiration from retro-’90s R&B and hip hop girl groups.

***

Netflix a annoncé la sortie de Mama K’s Team 4, sa première série animée africaine, produit par les studios d’animation Triggerfish d’animation du Cap et le spécialiste américain du divertissement pour enfants basé à Londres, CAKE.

Mama K’s Team 4 raconte l’histoire de quatre adolescentes vivant dans la ville néo-futuriste africaine de Lusaka, en Zambie, qui sont recrutées par un agent secret à la retraite toujours déterminé à sauver le monde. 

La série a été créée par l’écrivaine zambienne Malenga Mulendema et conçue par l'artiste camerounais Malcolm Wope, s'inspire visuellement des groupes de R & B et de hip-hop rétro-années 90.

18 February 2019

FESPACO 2019: Briska by/de Nadia Rais (Tunisia | Tunisie)

FESPACO 2019
Briska (2018) 12 min
by/de Nadia Rais (Tunisia | Tunisie)
First Prize | Premier prix 

Official Selection | Sélection officielle
Animation


Synopsis

"Briska" is an adaptation of "Ahl al kahf" by Tawfiq al-Hakim (Egypt 1933). After sinking into a deep sleep for three hundred years, Marnouche, Mechlineya and Yamlikha wake up in a new world. A story that speaks of the rebirth of civilizations and forgiveness. A story with which many people can identify today.

"Briska" est une adaptation de "Ahl al kahf" de Tawfiq al-Hakim (Egypt 1933). Après avoir sombrés dans un profond sommeil de trois cents ans, Marnouche, Mechlineya et Yamlikha se réveillent dans un nouveau monde. Une histoire qui parle de la renaissance des civilisations et du pardon. Une histoire dans laquelle plusieurs peuples peuvent s’y identifier aujourd’hui.

Biography | Biographie

Nadia Raïs, born in Tunis, completed her studies at the Technological Institute of Art, Architecture and Urbanism. She has expertise in graphic design, 2D animation and storyboarding. Her short animation films include, "L'Ambouba" (2010) and "L'Mrayet" (2011).

Nadia Raïs est née à Tunis. Diplômée de l'Institut technologique d'Art, d'Architecture et d'Urbanisme. Graphiste, story-boardeuse, animatrice 2D, elle est l'auteure de courts-métrages d'animation, "L'Ambouba" (2010) et "L'Mrayet (2011)."

Source: jccarthage.com

Image: artistestunisiens.com

24 January 2019

Kitwana’s Journey, an animation film by Ng'endo Mukii commissioned by Awareness Against Human Trafficking Kenya

Competition Animation
 
Kitwana’s Journey, an animation film by Ng'endo Mukii commissioned by Awareness Against Human Trafficking Kenya

Synopsis

Kitwana’s Journey (2019)

This is the story of a boy named Kitwana. A boy who laughed and played, and went to school, and did all the things that children do.

One day Kitwana’s life would change and not for the better. This however, nobody knew.

This short film is based on a true story, and commissioned by HAART (Awareness Against Human Trafficking) Kenya.

Awareness Against Human Trafficking (HAART) is a non-governmental organization based in Nairobi, Kenya. HAART is an organization dedicated towards ending modern slavery in Kenya and east Africa.

(Source: Vimeo)
Image from screen capture

Biography

Ng'endo Mukii holds a Master of Arts from the Royal College of Art (2012) in London, and a Bachelor of Arts from the Rhode Island School of Design (2006), USA.
She is based in Nairobi as an independent filmmaker, participating in artist residencies and holding workshops at various institutions internationally.

Her films have won multiple international awards, including Silver Hugo for The Best Animated Short at the Chicago International Film Festival 2013 for Yellow Fever, Best Animation Production at the 2015 Kalasha Awards for This Migrant Business, and the 2017 Immersive Encounters Grand Prix for her 360 virtual reality film, Nairobi Berries.

She is a Design Indaba 2015 Speaker and a Berlinale Talents 2014/15 Alum.

For more information about film see https://www.ngendo.com/


Kitwana's Journey Trailer from Ng'endo Mukii on Vimeo.

26 April 2017

Tibeb Girls, an animation project by Bruktawit Tigabu (Ethiopia)

Tibeb Girls, an animation project
by Bruktawit Tigabu
Ethiopia

Bruktawit Tigabu, an elementary teacher in Ethiopia who wants to improve literacy, especially for young girls, is founder and director of Whiz Kids. She is developing the “Tibeb Girls Series”, an animation project about three young super heroines.

Source:

The Tibeb program will help provide a social behavioral change communication package & health care services for adolescents, helping them to learn about the changes that happen at their age and to explore their world in a healthy way.

The program is comprised of the Tibeb Girls series, the Tibeb school clubs and making health services available for adolescents and women.

Tibeb Girls’ series will be a 2d Animation Series about three African adolescent super heroines taking the audience on a fun, imaginative and educational journey as they thrive to understand the changes that are happening to them and the struggles girls face everyday. To enhance the reach of this program to the most remote and rural areas it will be adapted to radio and comic books.

Tibeb school clubs will have engaging and interactive guides to provide information about the different reproductive health issues adolescents face.

24 March 2015

Afrogames : Diane Sanou spearheads the crowdfunding campaign | Diane Sanou pilote la campagne de financement participatif

Afrogames : a crowdfunding campaign |  une campagne de financement participatif

[English]
Afrogames is an animated series made in Burkina Faso that recounts tales of African society through the eyes of five children and their passion for the games and amusements of Africa.

For more information on the Indiegogo campaign and to make a contribution, which will lay a solid foundation for animation in Burkina Faso and Africa: https://www.indiegogo.com/projects/afrogames-burkina-animated 

[Français]
Afrogames est une série de dessin animé originale faite au Burkina Faso, qui raconte des histoires sur la société africaine à travers les yeux de cinq enfants et leur passion pour les jeux du terroir africain.

Pour rejoindre la compagne Indiegogo et la soutenir, qui permettra de jeter des bases solides pour le cinéma d’animation au Burkina Faso et en Afrique : https://www.indiegogo.com/projects/afrogames-burkina-animated#francais


About Diane Sanou | À propos : Diane Sanou

[English]
Diane Sanou, co-writer and editor of the first episode of Afrogames leads the crowdfunding campaign to raise the requisite budget for the implementation of the second episode of the series.

Moreover, Diane Sanou is in charge of communication and operations for ABCA (the Burkinabe Association of Animation). She is also a filmmaker (commercial, design of TV mix, corporate videos, documentaries, videos...) and specialises in documentary production.

[Français]
Diane Sanou, coscénariste et monteuse du premier épisode d’Afrogames est celle qui pilote la campagne de financement participatif visant à réunir le budget nécessaire pour la réalisation du deuxième épisode de la série.

Egalement chargée de communication et de campagne de l’ABCA (association burkinabè du cinéma d’animation), elle est aussi réalisatrice (spot publicitaire, conception de générique télé, films institutionnels, documentaires, vidéos …) et se spécialise en production documentaire.



08 December 2014

The Legacy of Rubies, an animation film by Ebele Okoye


Ebele Okoye announces the completion of her 23-minute animation film, The Legacy of Rubies, the first of Shrinkfish’s scheduled productions based on African legends or set in African environments.

Ebele Okoye grew up in southeastern Nigeria where, like many African filmmakers, oral storytelling was the collective experience of the society. She yearned to share these stories, recounted around the fire, under the moonlight, and it was through the medium of animation filmmaking that she fulfilled that dream.

Because of the dearth of film schools in Nigeria at that time, she went to Germany to study 2D Cartoon Animation at the International Film School Cologne. After graduation, she worked as studio animator and director/producer of her own short films. For The Legacy of Rubies project she partnered with the Nigerian animation production studio Shrinkfish Ltd, the producers of the film.

Summary of film

Mfalme is a young forest boy whose life suddenly turns upside down as he is kidnapped and brought to a strange kingdom with the claim that he is the blood son of the dying king Obankosi.

Film Info

2D Animation | 23 Minutes | Director/Co producer / Writer: Ebele Okoye | Producer: Shrinkfish Ltd.  | Script Advisor Moritz Mayerhofer

1st Broadcast Rights (Germany & France) ARTE / ZDF | Distribution(North America): Focus Features LLC  | Formats: 35mm, DCP (jpeg 2000), Blue Ray, DVD

Source: Shrinkfish.eu
Photo: Facebook

Links to more information

Unofficial trailer: http://vimeo.com/113756842

09 September 2013

Ng'endo Mukii’s animation/mixed-media film: Yellow Fever, about African women and skin bleaching

Ng'endo Mukii's animation/mixed-media film: Yellow Fever, about African women and skin bleaching.

In my film, I focus on African women’s self-image, through memories and interviews; using mixed media to describe this almost schizophrenic self-visualization that I and many others have grown up with.

The clip opens with an excerpt from the trailer of Yellow Fever, a film by Kenyan film-maker Ng'endo Mukii. She then talks about: what she has been doing as an animator; how the Eurocentric idea of beauty has led to skin bleaches and hair straighteners; the Colour Advantage of those with paler skin; her own childhood experiences as someone with paler skin; and the harmful nature of the chemicals used.

Text sources: thenge.com and YouTube

Image source: nmukii.wix.com

Link: Ng’endo Mukii (Director/Animator/Editor) http://nmukii.wix.com/art02 






18 June 2013

Aya de Yopougon, an animation film by Marguerite Abouet


Aya de Yopougon, an animation film by Marguerite Abouet

Source: AFP 12 June 2013

In the animation film, Aya de Yopougon, unveiled at the Annecy Film Festival, filmmaker Marguerite Abouet, author of the popular graphic novel of the same name, describes with tongue-in-cheek humour--avoiding all miserablism--a cheerful and modern Africa in a working-class neighbourhood of Abidjan.

At the preview screening of the film during the Annecy Film Festival, Marguerite Abouet, who lived in Côte d’Ivoire until the age of 12 years old, had this to say:  "When listening to the media, I do not recognise the Africa of my childhood, so I decided to show a version that is closer to the daily lives of Africans, which though indeed it does exist, does not focus on war or famine."

The animation film draws from the first two volumes of the graphic novel made in 2005 with graphic artist Clément Oubrerie, who is also the co-director of the film, to be released on 17 July. It recounts the life of Aya, a beautiful 19-year-old Ivorian who lives in Yopougon, a working-class neighbourhood of Abidjan in the 1970s.

A serious young woman who has ambitions to become a doctor, she is in total contrast to her two friends, Adjoua and Bintou who to her dismay, do extremely well in the categories : Hairstyles, Fashion and Husband hunting. The two girls, go dancing in the "bush", venture out to the dance halls, taking life easily, until the day that Adjoua, who is not married, finds out that she is pregnant.

In a serene atmosphere with warm colours seasoned with popular songs, the film attempts to describe the lives of an urban and modern neighbourhood where no matter the circumstances, everyone stays optimistic by relying on the solidarity among neighbours.




"Dresses from Paris"

"While in the West the subject of paternity suits would be welcomed by psychiatrists, in Africa the problem is resolved in another manner, without wallowing in self-pity", Marguerite Abouet notes with a smile.

With elegant graphics and characters drawn with very simply lines the one-hour-thirty-minute film depicts a bustling city far from the pessimistic clichés about Africa. Here women are coquette, wearing the “dresses of Paris”, and the men, incorrigible womanisers, dressed in jeans while queuing up to get coiffed by the Michael Jackson look-alike.

Moreover, the feature-length film opens with a live-action advertisement showing beaming children, which boasts the benefits of a beer, whereas the second one promotes a bank.

These effects, which quickly set the tone of the film according to Clément Oubrerie, are relayed by the character Sissoko, a rich tycoon who made his fortune in the beer industry and who lives in a large mansion with swimming pool and marble surrounded by skyscrapers.

Similarly, the wise Aya, to which her friends come for advice, proves to be a self-confident young woman, independent and liberated, and who like most of the women in the film, plays a decision-making role in the family.

Even though it is optimistic, the film is not especially kind to its characters. With a direct tone where “everyone is hauled over the coals”, the filmmaker depicts Africans with ferocious humour. Women are venal, ready to lie in order to achieve a favourable outcome, and the men are cowards, who collect mistresses and are rarely present in day-to-day life.

I though that African men were going to jump all over me, but that was not the case, because they recognise that this was reality,” declares the young filmmaker, who hopes to release the film soon in Côte d’Ivoire.


Link:


Aya de Yopougon, un film d’animation de Marguerite Abouet


Aya de Yopougon un film d’animation gai sur l’Afrique "sans misérabilisme". Source : AFP. Publié le mercredi 12 juin 2013 

ANNECY - Avec le film d’animation Aya de Yopougon, dévoilé au festival d’Annecy, la réalisatrice Marguerite Abouet auteur de la BD à succès du même nom, décrit avec un humour piquant une Afrique gaie et moderne dans un quartier populaire d’Abidjan", refusant "tout misérabilisme".

"Je ne reconnaissais pas l’Afrique de mon enfance quand j’écoutais les médias, alors j’ai décidé de donner une version plus proche de ce que vivaient les Africains au quotidien, qui ne parle pas de guerre, de famine, même si certes cela existe ", explique à l’issue du film présenté en avant-première au festival d’Annecy, Marguerite Abouet qui a vécu jusqu’à 12 ans en Côte d’Ivoire.

Le dessin animé, qui reprend les deux premiers tomes de la BD réalisée en 2005 avec le dessinateur Clément Oubrerie, également co-réalisateur du film dont la sortie est prévue le 17 juillet, raconte la vie dans les années 70 d’Aya, une belle ivoirienne de 19 ans vivant à Yopougon, quartier populaire d’Abidjan.

Sérieuse, la jeune femme qui ambitionne de devenir médecin est tout le contraire de ses deux amies, Adjoua et Bintou, qui à son grand désespoir excellent dans les séries C: Coiffure, Couture et Chasse au mari. Les deux jeunes filles qui vont danser dans les "maquis", sortes de bals populaires, prennent la vie du bon côté jusqu’au jour où Adjoua se trouve enceinte, mais sans mari.

Dans une atmosphère douce, aux couleurs chaudes, relevée de chansons populaires, le film s’attache à décrire la vie des habitants de ce quartier urbain et moderne où quelles que soient les circonstances on garde le sourire en s’appuyant sur la solidarité de ses voisins.


"Robes de Paris"

"Le thème de la recherche de la paternité ferait en occident le bonheur des psychiatres, en Afrique on apprend à résoudre les problèmes autrement, on ne s’apitoie pas sur son sort", relève la très souriante, Marguerite Abouet.

Le film d’une heure trente au graphisme épuré présente des personnages dessinés avec des traits très simples, dans un ville foisonnante loin des clichés pessimistes sur l’Afrique. Ici les femmes sont coquettes, s’habillent avec des "robes de Paris" et les hommes, dragueurs invétérés, arborent des jeans et font la queue pour se faire coiffer par le sosie de Michaël Jackson.

De même, le long métrage s’ouvre sur une publicité à prise de vue réelle montrant des enfants hilares qui vante les bienfaits d’une bière, alors qu’une seconde fait la promotion d’une banque.

Ces pastilles, qui ont permis de donner rapidement le ton du film, selon Clément Oubrerie, sont relayées par le personnage de Sissoko, un riche industriel ayant fait fortune dans la bière, qui habite une grande demeure avec piscine et marbre, entourée de gratte-ciel.

De même Aya, figure sage auprès de laquelle ses amies prennent conseil, s’avère une jeune fille indépendante, émancipée sûre d’elle-même et qui comme la plupart des femmes de ce film prend les décisions pour la famille.

Car si le film est optimiste, il n’est pas pour autant tendre avec ses personnages. Avec un ton direct où "chacun en prend pour son grade", la réalisatrice décrit avec un humour féroce les Africains. Les femmes sont vénales et prêtent à mentir pour trouver une issue favorable, et les hommes lâches, multiplient les maîtresses et sont peu présents au quotidien.

"Je pensais que les pères africains allaient me tomber dessus, mais ça n’a pas été le cas, car ils reconnaissaient que c’était la réalité", ponctue la jeune réalisatrice qui espère diffuser le film ensuite en Côte d’Ivoire. 


Link:

12 June 2013

POKOU Princesse Ashanti | POKOU the Ashanti Princess


Afrika Toon presents | presente : POKOU Princesse Ashanti

Source: pokoulefilm.com

Le film : POKOU Princesse Ashanti
Personnage principal | Main character : Abla Pokou
Personnage secondaire | Second character : Kongouê Bian
Genre : Long métrage d´animation | Feature animation 
Format : 65 minutes
Style : Animation 3D
Réalisation | Direction : Afrikatoon 
Production : Afrikatoon
Public cible | Targeted audience  : Enfants à partir de 7 ans | Children from 7 years old


Context | Contexte :

[English]
African culture in general, and Ivorian culture in particular, is very rich. Rich because of its diversity and the myths that encompasse it. These legends and myths are not sufficiently promoted and presented to the public.

Yet, these stories are recounted in our books and even more, they are integrated into the national education : Sundjata Keita, Abla Pokou, Samory Touré, the King Behanzin. All of these stories bring out the messages and values that are necessary for a better appreciation of our cultures.

[Français]
La culture africaine en général et ivoirienne en particulier est très riche. Riche par sa diversité et par les mythes qui l'entourent. Ces mythes et légendes ne sont pas suffisamment exploités et présentés au public.

Ces histoires sont pourtant présentes dans nos livres et mieux, elles sont présentes dans le programme de l'éducation nationale; Soundjata Kéita , Abla Pokou, Samory Touré, le roi Béhanzin. Toutes ces histoires ressortent des messages et des valeurs nécessaires à la revalorisation de nos cultures.

Synopsis :

[English] 
In the eighteenth century, in the kingdom of the Ashanti people, which spans two-thirds of present Ghana, lives the princess Abla Pokou. A very influential advisor of the king Opokou Warê, she is also opposed to war. Pokou is a serious obstacle to Kongouê Bian, a former warrior who has turned to witchcraft. Thirsty for power, he attempts to overthrow the king, his best friend, in order to dispose of the legitimate heir to the throne. Using her charisma and mystical powers, Pokou intervenes to prevent a war between the Ashanti who as in favour of and those who are against the regime imposed by Kongouê Bian. She prefers exile to confrontation. Kongouê Bian sets off after them. He is determined to avert the prophesy that predicts that a woman will be the head of a new kingdom that is as powerful as the Ashanti.

[Français]
Au dix-huitième siècle, dans le royaume du peuple Ashanti, qui couvre les deux tiers de l'actuel Ghana, vit la princesse Abla Pokou. Conseillère très influente auprès du roi Opokou Warê, elle est opposée à la guerre. Pokou est un sérieux obstacle sur le chemin de l'ancien guerrier Kongouê Bian devenu adepte de sorcellerie. Assoiffé de pouvoir, il tente un coup d'Etat contre le roi, son meilleur ami et se débarrasse de l'héritier légitime du trône. Pokou, parvient grâce à son charisme et ses pouvoirs mystiques, à éviter une guerre entre les Ashanti favorables et ceux opposés au régime imposé par Kongouê Bian. Elle préfère l'exil à l'affrontement. Kongouê Bian se lance à leur poursuite. Il est déterminé à empêcher que se réalise la prophétie selon laquelle une femme prendra la tête d'un nouveau royaume aussi puissant que celui des Ashanti.

Note d'Intention :

[English]
Abla Pokou, still known as Abena Pokua or Abraha Poukou or still again, Aura Poku, is a princess who actually existed and played an important role in the history of the Ashanti kingdom, as well as the Côte d'Ivoire. She is indeed at the origin of the birth of the Baule people, one of the main Ivorian ethnic groups.

Even though it took place in the eighteenth century, the story of Pokou is strikingly topical :  Between the courage of a woman who is able to enforce her ideas in a world governed by men, of conspiracies and coups d'etats, the preference for dialogue rather than war, of exile to fratricidal war, of personal sacrifice for the welfare of all...It is a genuine overview of the values which at present tend to disappear.

As do all of the stories of that era, that of the princess Abla Pokou has different versions. She has even become a legend. We have chosen a formula that conserves certain historical facts on which there is consensus, while adding fictional characters and a mystical dimension, as well as special effects, humour and fantasy.

Through the scenery, costumes and rituals, the film also takes the opportunity to introduce the Ashanti culture in particular and the Akan group in general.

[Français]
Abla Pokou encore appelée Abena Pokua ou Abraha Poukou ou encore Aura Poku est une princesse qui a réellement existé et a marqué l'histoire du royaume Ashanti mais aussi celle de la Côte d'Ivoire. Elle est en effet à l'origine de la naissance du peuple Baoulé, l'une des principales ethnies ivoiriennes.

Bien qu'ayant vécu au dix-huitième siècle, l'histoire de Pokou est d'une actualité frappante. Entre le courage d'une femme qui parvient à faire respecter ses idées dans un monde dirigé par les hommes, les complots et coups d'Etat, la préférence du dialogue à la guerre, de l'exil à une guerre fratricide, du sacrifice personnel pour le bien de tous ... C'est un véritable passage en revue des valeurs qui ont tendance à disparaître de nos jours.

Comme toutes les histoires de cette époque, celle de la princesse Abla Pokou a différentes versions. Elle prend même des allures de légende. Nous avons opté pour une formule conservant certains faits historiques consensuels mais en y ajoutant des personnages fictifs et une dimension mystique, faisant aussi appel à des effets spéciaux, à l'humour et au fantastique.

Ce film est aussi l'occasion de faire découvrir la culture Ashanti en particulier et celle du groupe Akan en général à travers les décors, les costumes et les rites.

Profil psychologique | Psychological profile :

[English]
Abla Pokou
Destined for an exceptional future, from an early age Abla Pokou is initiated by the king's priestesses, a commando of sorts, destined to protect the throne and fight mystical forces. Like her counterparts, she must not marry nor have children. But in contrast to the others, she holds a seat on the committee of the elders, and even though she is the youngest, she has the king's ear. And thus, opposed to violence, she manages to put an end to the wars of conquest in favour of negotiated settlements. Mysterious visions allow her to see the future and to guide her to her destiny.

Kongouê Bian
A former warrior and the king's best friend, he thirsts for power. Kongouê is also very bitter. He is among the king's advisors and is opposed to Abla Pokou's position, which favours dialogue. As such he has no qualms in using a group of soldiers headed by his son, as well as his mystical powers, to achieve his goal.

[Français]
Abla Pokou
Promise à un destin exceptionnel, Abla Pokou est initiée dès sa tendre enfance par les prêtresses du roi, une sorte de commando destiné à protéger le trône et à combattre les forces mystiques. Comme ses congénères, elle ne peut se marier ni avoir d'enfant. Mais contrairement aux autres, elle siège au sein du conseil des anciens et bien qu'étant la plus jeune, elle est très écoutée du roi. Ainsi, opposée à la violence, elle parvient à mettre fin aux guerres de conquêtes au profit des accords négociés. Des visions mystérieuses lui permettent de voir l'avenir et de se guider vers son destin.

Kongouê Bian
Ancien guerrier et meilleur ami du roi, il est assoiffé de pouvoir. Kongouê est aussi très aigri. Il fait partie du conseil du roi et est contrarié par la position défendue par Abla Pokou, visant à privilégier le dialogue. Il n'hésite donc pas à utiliser un groupe de soldats dirigés par son fils et ses pouvoirs mystiques pour assouvir son dessein.


Blog Archive