ABOUT THE BLOGGER
- Beti Ellerson
- Director/Directrice, Centre for the Study and Research of African Women in Cinema | Centre pour l'étude et la recherche des femmes africaines dans le cinéma
Translate
Search This Blog
14 July 2024
“Neo in Nomansland” (Women in African Animation)
07 March 2024
Lola Aikins : Naledi (short animation film)
Trailer: Naledi by Lola Aikins
08 January 2023
JoJo and Gran Gran Animated Series - BBC Channel
06 June 2022
Fan Sissoko: On the Surface (World Festival of Animated Film)
6-11 June 2022
A young Black woman goes swimming in the Icelandic sea and reflects on her experience of raising a child in a country that feels nothing like home. As she enters the freezing water, she relives her traumatic pregnancy. Being in the wild and facing her fears is helping her heal.
Fan Sissoko is a French-Malian artist and filmmaker based in Reykjavik, with a background in design for social change. Her work explores themes of migration, motherhood, otherhood and neurodiversity. Her animated short film On the Surface was awarded a grant from Art With Impact, and screened at festivals around the world, including Clermont-Ferrand ISFF (France), Encounters (UK), Ottawa International Animation Festival (CA), Margate Film Festival (UK), Rex Animation Festival (SWE). It won the Heartwired Award at Our Heritage, Our Planet Film Festival (US).
Café court / Short Talk - Fan Sissoko from ClermontFd Short Film Festival on Vimeo.
17 March 2022
Girlpower: African Black Girl Magic through Cinema & Animation Storytelling
Perhaps one of the most memorable representations in cinema of African girlpower and agency is that of twelve-year-old Sili, determined, proud and increasingly empowered by her desire for independence despite formidable obstacles. The Black Girl Magic of the young protagonist of La petite vendeuse de Soleil by Djibril Diop Mambety (1999) is all the more compelling in her drive to make a living for herself and her grandmother while obliged to navigate the mean streets of Dakar on crutches. Though she does not read or write, Sili proves that she too can sell newspapers--even more effectively than the boys. She says to her grandmother as she heads out to find employment, confident in her ability to secure a job rather than beg on the streets: Grandma I will go find work tomorrow. I am not a boy. What boys do, girls can do, too!
While securing her employment at the Senegalese daily newspaper, "Le Soleil", she signs her 'contract', by drawing an image of the sun--which means soleil in French. Her exchange with the employers reveals this decisive moment:
Female administrator: 'Boss, what boys do, girls can do too.'
Male owner: 'Give her the papers in the back there.'
Female administrator gives her the papers after counting them: '13 Soleils, that’s a lucky number.'
In the ultimate Black Girl Magic moment, wearing a bright yellow dress and large yellow "sun"glasses and flashing a toothy smile, Sili dances with other physically-challenged friends.
Similarly, Supa Modo (2018) by Likarion Wainaina follows the journey of Jo who is terminally ill, from hospice to home. During her remaining time, surrounded by family, friends and neighbors, she lives out her dream of being a super hero.
Embarking on a futuristic journey empowered by science and technology, Sema, along with her brother, endeavor to protect their village. The animation series Super Sema highlights the importance of STEM to the future generations of Africa.
Similarly, the teen girls of Mama K's Team 4 take on the role of heroine--even beyond their village. In a neo-futuristic African city, they vow to rescue their fellow world citizens.
References from the African Women in Cinema Blog:
Super Sema Afro-futuristic animation
https://africanwomenincinema.blogspot.com/2021/03/super-sema-afro-futuristic-animation.html
Mama K's Team 4
https://africanwomenincinema.blogspot.com/2019/04/netflix-mama-ks-team-4-animated.html
Tibeb Girls Animation Project
http://africanwomenincinema.blogspot.fr/2017/04/tibeb-girls-animation-project-by.html
20 October 2021
Adja Mariam Sanogo/Soro: Les Contes de Raya - FESPACO 2021
Les Contes de Raya
Côte d’Ivoire
16min 8 episodes - Animation - 2021
Description
Raya is a little girl who loves nothing better than reading. Her favourite book? One that's totally magical and comes to life as she turns the pages. Thanks to her amazing book, she heads off to discover Africa, its cultures and its legends.
Rejoignez les aventures de Raya, la petite fille qui adore lire. Le livre préféré de Raya prend vie alors qu'elle tourne les pages tout en découvrant l'Afrique et ses cultures.
Avec le soutien de TRECC et de l'Education Impact Fund, Adja Mariam Mahre Soro et son équipe du Studio KÄ ont donné vie à Raya dans une série animée. Les enfants de 6 ans et plus peuvent découvrir les légendes africaines et le "pourquoi des choses" de manière amusante.
(Source: TRECC - Transformer l'éducation dans les communautés du cacao)
Les contes de Raya est une série télévisée d'animation 2D/3D ivoirienne de 16 épisodes de 8 minutes réalisée par Voyelles Edition et studio KAI
Bio
Adja Mariam Sanogo/Soro. Directrice Générale de Voyelles Editions et de Studio KÄ
27 May 2021
Women in Animation World Summit 2021 with keynote speaker Amma Y. Ghartey-Tagoe Kootin
The summit will be held June 14-19 2021 under the theme: “The Business Case for Diversity.” Keynote speaker Amma Y. Ghartey-Tagoe Kootin, Ph.D. is Lead Artist of AT BUFFALO: A New Musical and Vice President of Creative Affairs, JusticeRx
Women in Animation (WIA) envisions a world in which women share fully in the creation, production and rewards of animation, resulting in richer and more diverse entertainment and media that move our culture forward. The mission of WIA is to bring together a global community of animation professionals to empower and support women in the art, science and business of animation by increasing access to resources, creating opportunities for education, encouraging strong connections between individuals, and inspiring excellence.
13 March 2021
Super Sema. An Afro-futuristic animation series: Time to Change the World
Super Sema. An Afro-futuristic animation series: Time to Change the World
Source: Super Sema: https://www.supersema.com/
Super Sema follows the world-changing adventures of an extraordinary young girl Sema and her twin brother MB on their mission to protect their African town of Dunia from the villainous Tobor. Sema knows that with determination, creativity, and a helping hand from the amazing world of science and technology, anything is possible!
Set in an Afro-futuristic world, Super Sema is an exciting roller coaster of daring adventures, STEM inventions and kid-power to save the village from a heartless AI Robot.
25 June 2020
An animation story of Ugandan scholar Sr. Dr. Dominica Dipio's work in orality, literature and film
03 May 2020
Reconnaissance de la maison des cinéastes du Mali à Kadiatou Konaté réalisatrice
Kadiatou Konaté from Mali came to cinema by chance, rather than studying filmmaking. After viewing the film Amok by Ben Barka she fell in love with cinema. He suggested that she work with her compatriot Souleymane Cissé who brought her into his crew as a production assistant; it was in 1985. After the completion of Cissé's Yeleen, she received a grant to work at the film production organization Atria in Paris, continuing at Atria, she learned editing, participating in the film editing of Gaston Kaboré's Zan Boko. With these two experiences she worked at assistant director for Mambaye Coulibay's La geste de Ségou. It was from there that she developed the interest in animation--animated folk tales specifically. Her 5-episode animated film L'enfant terrible was inspired by the legends recounted by her grandmother when she was a child, which for her is way of continuing tradition. (Adapted from the text by Jadot Sezirahiga. Ecrans d'Afrique, no. 8 1994).
Watch L'enfant terrible on Youtube
25 April 2019
NETFLIX: Mama K’s Team 4, animated series/série animée by/de Malenga Mulendema (Zambia)
18 February 2019
FESPACO 2019: Briska by/de Nadia Rais (Tunisia | Tunisie)
Nadia Raïs est née à Tunis. Diplômée de l'Institut technologique d'Art, d'Architecture et d'Urbanisme. Graphiste, story-boardeuse, animatrice 2D, elle est l'auteure de courts-métrages d'animation, "L'Ambouba" (2010) et "L'Mrayet (2011)."
Source: jccarthage.com
Image: artistestunisiens.com
24 January 2019
Kitwana’s Journey, an animation film by Ng'endo Mukii commissioned by Awareness Against Human Trafficking Kenya
One day Kitwana’s life would change and not for the better. This however, nobody knew.
She is a Design Indaba 2015 Speaker and a Berlinale Talents 2014/15 Alum.
26 April 2017
Tibeb Girls, an animation project by Bruktawit Tigabu (Ethiopia)
The Tibeb program will help provide a social behavioral change communication package & health care services for adolescents, helping them to learn about the changes that happen at their age and to explore their world in a healthy way.
24 March 2015
Afrogames : Diane Sanou spearheads the crowdfunding campaign | Diane Sanou pilote la campagne de financement participatif
08 December 2014
The Legacy of Rubies, an animation film by Ebele Okoye
09 September 2013
Ng'endo Mukii’s animation/mixed-media film: Yellow Fever, about African women and skin bleaching
African Women and Animation Cinema
18 June 2013
Aya de Yopougon, an animation film by Marguerite Abouet
Aya de Yopougon, un film d’animation de Marguerite Abouet
12 June 2013
POKOU Princesse Ashanti | POKOU the Ashanti Princess
Blog Archive
-
►
2009
(34)
- ► March 2009 (4)
- ► April 2009 (5)
- ► August 2009 (2)
- ► September 2009 (1)
- ► October 2009 (3)
- ► November 2009 (2)
- ► December 2009 (3)
-
►
2010
(75)
- ► January 2010 (2)
- ► February 2010 (2)
- ► March 2010 (4)
- ► April 2010 (2)
- ► August 2010 (10)
- ► September 2010 (9)
- ► October 2010 (9)
- ► November 2010 (9)
- ► December 2010 (5)
-
►
2011
(145)
- ► January 2011 (6)
- ► February 2011 (22)
- ► March 2011 (8)
- ► April 2011 (14)
- ► August 2011 (12)
- ► September 2011 (7)
- ► October 2011 (15)
- ► November 2011 (10)
- ► December 2011 (28)
-
►
2012
(124)
- ► January 2012 (10)
- ► February 2012 (12)
- ► March 2012 (15)
- ► April 2012 (10)
- ► August 2012 (2)
- ► September 2012 (18)
- ► October 2012 (8)
- ► November 2012 (9)
- ► December 2012 (14)
-
►
2013
(133)
- ► January 2013 (19)
- ► February 2013 (22)
- ► March 2013 (12)
- ► April 2013 (5)
- ► August 2013 (10)
- ► September 2013 (7)
- ► October 2013 (13)
- ► November 2013 (15)
- ► December 2013 (9)
-
►
2014
(120)
- ► January 2014 (5)
- ► February 2014 (4)
- ► March 2014 (6)
- ► April 2014 (7)
- ► August 2014 (10)
- ► September 2014 (14)
- ► October 2014 (9)
- ► November 2014 (14)
- ► December 2014 (18)
-
►
2015
(164)
- ► January 2015 (10)
- ► February 2015 (28)
- ► March 2015 (31)
- ► April 2015 (17)
- ► August 2015 (4)
- ► September 2015 (19)
- ► October 2015 (16)
- ► November 2015 (9)
- ► December 2015 (12)
-
►
2016
(156)
- ► January 2016 (10)
- ► February 2016 (25)
- ► March 2016 (20)
- ► April 2016 (13)
- ► August 2016 (7)
- ► September 2016 (4)
- ► October 2016 (13)
- ► November 2016 (9)
- ► December 2016 (15)
-
►
2017
(184)
- ► January 2017 (7)
- ► February 2017 (35)
- ► March 2017 (35)
- ► April 2017 (18)
- ► August 2017 (5)
- ► September 2017 (7)
- ► October 2017 (9)
- ► November 2017 (15)
- ► December 2017 (9)
-
►
2018
(152)
- ► January 2018 (12)
- ► February 2018 (9)
- ► March 2018 (11)
- ► April 2018 (7)
- ► August 2018 (8)
- ► September 2018 (7)
- ► October 2018 (22)
- ► November 2018 (12)
- ► December 2018 (4)
-
►
2019
(166)
- ► January 2019 (12)
- ► February 2019 (50)
- ► March 2019 (23)
- ► April 2019 (10)
- ► August 2019 (3)
- ► September 2019 (15)
- ► October 2019 (20)
- ► November 2019 (9)
- ► December 2019 (6)
-
►
2020
(141)
- ► January 2020 (13)
- ► February 2020 (40)
- ► March 2020 (4)
- ► April 2020 (6)
- ► August 2020 (7)
- ► September 2020 (7)
- ► October 2020 (9)
- ► November 2020 (8)
- ► December 2020 (16)
-
►
2021
(190)
- ► January 2021 (12)
- ► February 2021 (17)
- ► March 2021 (19)
- ► April 2021 (17)
- ► August 2021 (14)
- ► September 2021 (8)
- ► October 2021 (44)
- ► November 2021 (15)
- ► December 2021 (19)
-
►
2022
(152)
- ► January 2022 (11)
- ► February 2022 (34)
- ► March 2022 (14)
- ► April 2022 (9)
- ► August 2022 (8)
- ► September 2022 (19)
- ► October 2022 (17)
- ► November 2022 (8)
- ► December 2022 (8)
-
►
2023
(133)
- ► January 2023 (43)
- ► February 2023 (17)
- ► March 2023 (9)
- ► April 2023 (5)
- ► August 2023 (7)
- ► September 2023 (10)
- ► October 2023 (5)
- ► November 2023 (10)
- ► December 2023 (7)
-
►
2024
(49)
- ► January 2024 (4)
- ► February 2024 (8)
- ► March 2024 (6)
- ► April 2024 (4)
- ► August 2024 (2)
- ► September 2024 (6)
- ► November 2024 (1)
- ► December 2024 (3)
-
►
2025
(41)
- ► January 2025 (3)
- ► February 2025 (8)
- ► March 2025 (2)
- ► April 2025 (2)
- ► August 2025 (7)
- ► September 2025 (1)
- ► October 2025 (4)
- ► November 2025 (3)
- ► December 2025 (5)
-
▼
2026
(56)
- ► January 2026 (4)
- ► February 2026 (2)
- ► March 2026 (16)
- ► April 2026 (5)
- ► August 2026 (8)
-
▼
September 2026
(6)
- A Poet with a Camera: The Cinema of Sarah Maldoror...
- Alice Diop, the 2026–27 Avenali Chair in the Human...
- Non Noto, il documentario di Tezeta Abraham, che i...
- Black Gaze – Mostra de Cinema Negro em Portugal | ...
- Pocas Pascoal : Internazionale di arene decolonial...
- African Women in Cinema Dossier by Beti Ellerson: ...






















